[Rec]

As previously commented, this is a hand held camera ala Blair witch type film made in a convincingly realistic style and gives the impression is real life rather than actors in a film.

Without spoiling too much,it is a classic Zombie film in an up-to date setting that although gory in parts aims more for the realism of its characters than on the more usual Hollywood special effects and settings that most try to emulate (but fail miserably at usually,especially when have a budget anywhere near the one obviously used in this film).

Do not get me wrong,low budget or not its excellently acted by its participants, not one seemed fake or out of place in their environment,and the script did not at any time seem contrived or out of place for the circumstances. The viewer can easily identify both with the characters and their re-actions to whats going on around them.

I have nothing bad to say of this film considering the restraints of the budget which may have been improved by better lighting etc, and i highly recommend any scare fans to watch this,as although there are only a few set pieces those that are in it are ideally filmed and timed,bit like when the head came out of the sunken boat in jaws-you know its going to happen if seen it before (or just listen to the music heh),but even so it still makes you jump due to its perfect timing-and the set pieces in this film have the same effect. (And there are plenty of gore effects between the big scares to keep you interested too)

All in all a well made and terrifying film set in a situation that,if happened to you,you could easily see your own potential reactions portrayed by one or more of the characters-which just makes it all the more realistic and scary.

This is truly a superb horror movie. I loved this movie so much I had to leave a comment. It has been a long time since I jumped off my seat a few times (way too many). It has some of the scariest scenes I have ever seen (you'll know what I'm talking about). The way it's filmed helps us to live this "nightmare" as it was for real, as if it was a news article. The "suspension of disbelief" works unlike some other titles I have seen. I'm a big horror movie fan and I must tell you: you have to see this. I'm overwhelmed, I'm frightened, I'm suspicious, I can't even sleep... It really scared me big time. There's one particular scene (you'll know, believe me) that I do not recommend for those who are easily impressionable. Go see it. One of the best horror movies I have ever seen.

REC is a film that utilises the POV (Point of View) camera technique for the entirety of its duration. It is a technique in which the person behind the camera is a character that is integral to the plot, narrative and story of the film. In brief, REC is a horror film that begins with the crew of a TV show, called While You Sleep, making a documentary about firemen. As the film progresses the crew are lucky enough to accompany the fireman on a call out to a local apartment building.

Undoubtedly and unsurprisingly REC will be measured by the film The Blair Witch Project, especially given its plot and the manner in which the film plays out. Comparatively REC is also a horror, low budget, sticks to a female lead and has an ending that is very similar. Although The Blair Witch Project was a ground breaking film, given its illustrious marketing campaign and widespread fooling of audiences, if the two are to be judged purely on their viewing merits then REC is by far the superior – if anything REC is the film that the Blair Witch should have been. It is the film that I wanted to see when I queued up in the rain, 10 years ago full of hype, anticipation and adolescent excitement.

Despite REC being a better film than The Blair Witch Project some critics have attacked it for employing such a tired technique that has been used too much in recent films (i.e. Cloverfield and the forth coming Diary of The Dead). The method that has been employed in REC is, I believe, a method that is now firmly embedded in the medley of cinematic processes that a film-maker may chose to exert. It seems strange to me that once a new technique is discovered or employed and put to use regularly, people and critics complain – especially when it works. Granted, if we are subjected to a recent flurry of films all using similar methods then yes, it deserves further scrutiny and what usually surfaces is that greedy studios are exploiting market trends.

The film is co-directed by Jaume Balaguero and Paco Plaza and they have clearly dipped into the bucket of clichés with REC, but in doing so they have created something that is both fresh and reinvigorating. It should be noted that clichés aren't always a bad thing and when put to good use can give the audience exactly what they came to see. It's true that the plot is minimal and there are loose ends, but then the vast majority of horror films often suffer from these traits, and sometimes purposefully, but with REC it doesn't make the film any less enjoyable. It is also evident from the plot and the methods employed that the film is very low budget, but this does not do it any harm, instead it complements the narrative and increases the films appeal.

I believe the true quality of the film lies in its ability to cleverly use the history of the genre and the bare minimal of resources to its maximum potential and, unlike Cloverfield, there's little room to doubt the reasons for the cameraman to continue filming and this is (like Blair Witch) due to the fact it's his job. He is there to film a documentary and in true cameraman style his instincts take over. The acting on show here is also a lot better than Cloverfield and the people all look normal, some are even unattractive.

To put it bluntly REC contains some of the most fear inducing and scariest scenes of recent times. It achieves a level of fear that's rarely experienced in cinema and if watching the film carefully it can be seen how. REC has been made by people that are incredibly familiar with the horror genre and fans will recognise the homage's and the inspirations used, from Evil Dead, to The Shining, to 28 Days later and many more. With such a wealth of horror-viewing-experience combined with inspired film-making they are able to draw upon some of the best moments in horror history.

Towards the final reels the film plays like an amalgamation of ideas and inspirations. One of which is the influence of contemporary video gaming as some scenes allude to how certain computer games work (most notably first person shooters) and this is supported by the POV technique as we, the viewer, live the character of the cameraman much in the same way a gamer lives the character he/she is in control of. This notion is furthered by the different levels in the apartment building, the films use of rooms, the final scenes and several allegories to various computer games including Resident Evil, Alone in the Dark and Silent Hill.

For a feature film it is incredibly short at only 75 minutes, in fact it is closer to the length of a TV documentary which is perhaps its aim. I cannot recommend this film enough and have even tried to construct my review in a way as to not give too much away; as it is a film that needs to seen. Watch it with the lights off, with a friend and in a small room. Enjoy.

WOW! I'm so proud of you Jaume!!! By some weird psychological mechanism: Balagueró being from my area in Spain, and i being a fan of terror movies, it feels so good to witness the next turn of the screw in the history of this genre! It's hard to comment on this movie without spoiling it, but i'll try. It's very difficult, after 40 years of terror movies, to make something new or special anymore. Balagueró manages to master the false documentary style to create a really scary atmosphere and the movie beats all resistance to destroy the suspension of disbelieve. The jumps in your seat are guaranteed, and the adrenaline flow is sure, so good a medicine for us lovers of terror cinema. In the process, the film has certain social issues, a message against racism, a portrayal of more than 10 characters, and the sweet drops of necessary humor. We saw a interview in the Spanish TV last week, and the directors explained that most of the "actors" didn't know what was gonna happen to them and the camera never stopped recording whatever were their reactions to horrible surprises. Only one actor knows what to do, where to go, and he is the one leading the action from one place to the other of the house. The effect is a rushed and hysteric spontaneity, pure madness... WOW! Try to watch it in a good theatre, with a good sound quality and a good screen. I hope our fellow Americans will be able to watch this before watching the Hollywood replica (Quarantined). Our small cinema industry deserves it.

Wow! This movie is the sort of movie that picks you up by the neck and drops you right in the middle of the excitement - literally. The way the movie is shot with the camera is amazing. It is like you are there yourself, being a part of that horrible experience of being boxed inside a relatively small area and being stalked by crazed infected people.

The infected were great, good make-up and effects, and brought a lot of excitement to the movie.

The scenery and sets brought life to the movie. It was so dark and brooding, that it totally made the screen come alive with sense of dread and enclosing doom. It all came together for a good sense of claustrophobia and hopelessness.

"Rec" had a good cast of actors. Everyone portrayed their roles well and made the characters stand out as believable and real people.

This is one of the better horror/thriller movies in a while, and it have a fresh sense of dread to it, which helps spices up the genre. The bad thing about "Rec" is that Hollywood decided to tap into the success of the Spanish movie and Americanize it. Usually Hollywood remakes of non-American movies is crap and an insult to the original versions. But seeing past Hollywood's greed, "Rec" is a really good movie that anyone with a taste for horror (and zombie movies, despite these here not being typical zombies) should watch.

This movie will keep you at the edge of the seats.