Newcastle

I really liked this movie despite the lengthy surfing scenes and lack of real depth to the storyline. The actors in the film were all entertaining to watch. There was a array of characters with various interactions...some funny, some sad, some utterly bland but contributory nonetheless. The scenery was incredible. I think many modern films lack that beautiful setting which captivates the audience so it was nice to see it be different in Newcastle. I especially enjoyed the relationship between Xavier's and Kirk's characters. It felt real and very believable. I was upset that I missed the scene at the end of the credits. There should have been a heads up that the movie was not yet done. Overall, I give this movie a 9/10 as I thoroughly enjoyed watching it.

Once in a while a film comes along which tries to be bold, daring, and provocative while still retaining enough "warm and fuzzy' to appeal to American audiences. The result is usually a self-indulgent train wreck that smacks of too many engineers in the locomotive. First time writer/director Dan Castle attempts it in "Newcastle," and the result will leave audiences wide-eyed with amazement.

The setting is a section of Australia flanked by the sound of heavy industry on one side and the crash of some of the best waves in the world on the other. It is here that a complex family drama is played out, with three brothers caught in a struggle for individual freedom and respect from each other. Older brother Victor has seen his championship surfing days come and go, so it's no wonder he harbors some resentment towards his 17-year-old brother Jesse, on the rise to becoming a champion himself. Jesse's twin brother Fergus throws everyone for a loop with his ever-changing hair color and enigmatic personality. Dad tries to hold it all together but, like any working class parent, struggles to find the time to even be present enough to make a difference. An assortment of surfer guys and gals adds even more peer pressure, and what starts out as a beach outing becomes a defining moment for everyone.

That said, "Newcastle" is anything but a film about surfing. Yes, it was a requirement that the actors be able to surf, but most young Australians do anyway. So casting was not a problem. And it's this brilliant ensemble cast that makes the multi-layered narrative work so well. Themes of parental responsibility, sibling rivalry, and unspoken sexuality revolve around a gritty coming-of-age story which, ultimately, is really more about brotherly love than anything else.

The story's true focus is on the relationships among the young men, specifically the two younger brothers and their feelings towards each other, their parents, their mates, and their girls, or guys, as the case may be. It's always hard to single anyone out in an ensemble cast but this film touches the heart more than anything by the performances of Lachlan Buchanan and Xavier Samuel as Jesse and Fergus. Their relationship is both heartening and heartbreaking in turn, and it only works because the on screen chemistry is so palpable. Their commanding presence says that these guys have a bright future in cinema. Reshad Strik is riveting as the tortured older brother and Shane Jacobson shines as the father who is the antithesis of the typical American movie's working class brute of a dad – this guy has the heart of an ox. Kirk Jenkins (Andy), Ben Milliken (Nathan), and Israel Cannan (Scotty) are the core of the surfer mates – Cannan provides much of the film's comic relief (and contributes several songs to the soundtrack). All add nuances and layers to their characters which surface when one least expects it.

Production values belie the film's modest budget, with the polished look of a Hollywood movie from the first to last breaking wave. The soundtrack is killer, an absolute requirement for any film featuring competitive sports. Most of all, though, the cinematography is breathtaking. Richard Michalak's shots of surfers riding the waves, with his camera looking up from the ocean floor, had me shaking my head with wonder. It was like nothing I'd ever seen. I avoid spoilers at any cost but I feel confident in saying that there are several scenes which will bring tears to your eyes. "Newcastle" sets a new standard for underwater photography.

Various elements in the film, taken individually, aren't necessarily anything we haven't seen before. But it's the way Castle integrates them and the lengths to which he is willing to take them which makes "Newcastle" so refreshing. There is some content which may be too uncomfortable for theatergoers who have issues with male nudity and sexuality. Some scenes will likely have young guys squirming in their seats. But that didn't happen here at the Tribeca Film Festival screening, and perhaps America has progressed to the point that we can appreciate a film which dares to be different.

With "Newcastle," Dan Castle pushes the boundaries of the typical American coming-of-age slash sports competition film (in this case, surfing). Perhaps he can do it because it is not, in fact, an American film at all but hails from Australia. Perhaps he can get away with it because it wasn't churned out by a Hollywood studio and didn't have the hand of the usual producers and distributors whose financing would undoubtedly come with strings attached. Or perhaps it's just because he had a vision and the tenacity to surround himself with others who wouldn't compromise. In the end, nothing is as it seems at first glance. "Newcastle" is a totally unexpected film at a time when there are far too few.

I just saw this film in LA at Outfest and I loved it. This film is well directed, acted, and shot. The subject matter may be challenging for some but the relationships were very real and contemporary. Young people are more open-minded about sexual identity and its many challenges and the director presents the issue of homosexuality in a way that makes it seem so natural to the situation. Mr. Castle elicits some strong performances from his neophyte cast which reminded me of Coppola's work with his young actors in The Outsiders. I also thought the adults were integrated into the story in a very real way--these aren't absent parents but people in their kids' lives. The surfing camera work is stupendous. Don't miss!

NEWCASTLE (in Australia) is an interesting take on the very male beauty pageant that is Australian surf culture among teen/20 somethings... and viewers should be aware that the writer/director Dan Castle is a gay film maker. As a result his awareness of the visual aspects of the young male form in surf sand and sex scenes is to the fore of this 'pretty' film. Reminiscent of PUBERTY BLUES (1982) and BIG Wednesday (1978) and a male version of BLUE CRUSH without the surf contest, NEWCASTLE shows the Australian mid coast steel city's glorious beaches and aqua waters with frolicking male beauty and testosterone challenges. It has a reasonably interesting storyline and some surprises and one very startling moment in the dunes, but somehow lacks gravity. The Parents and Grandfather are 'just there' as characters, the girls no more than a distraction from the boy antics, the older brother issues..all just get enough screen time to make them vaguely followable. Visually it is a triumph with incredible photography of almost being in the surf with the guys, and an affection for the male form that only a committed gay film maker could possibly dare to present. The young actors were very game to agree to participate and in the future would be proud of their achievement. Xavier Samuels, the least pretty of the boys ironically has gone onto bigger and better things in the TWILIGHT series. NEWCASTLE is a state of mind, an erogenous zone and a great place to surf. Some terrific scenes at the very surreal Newcaslte ocean pool are almost scenes from A BIGGER SPLASH. It is exceptionally well cast. The star of the film no doubt is the unforgettable photography during the surfing scenes. Overall, there is a lot of near nudity and some completely nude sequences. It must have played to screaming audiences in a packed cinema.

Call me a gay philistine, but this movie has one of the most gorgeous group of young guys in any movie I've seen, and they spend most of the time bare-chested and often nude. But the film, in an effort, I guess, to get a PG rating, plays a ridiculous game of peek-a-boo with full frontal shots. If the film maker had just been casual about it, as films of the 21st century have been for a while, he might have added a bit of integrity and realism that the film could use. And probably made it even more commercially successful. Marketing people have obviously decided to downplay this aspect of the movie: the near constant focus on the guys' physical beauty, their faces, their bodies (especially their asses) and their surfing ability. And nowhere on the website or trailer is there any mention of the one really original aspect of the film: the integration of a gay teen in a group of straight guys: the way he's taunted, but accepted, and the way he finds his way to his first experience of reciprocated sexual affection.

Maybe the filmmaker will release a gay director's cut and test my thesis.