A convicted man embarks on a journey of violence and redemption to find out the truth about his sister's death.A convicted man embarks on a journey of violence and redemption to find out the truth about his sister's death.A convicted man embarks on a journey of violence and redemption to find out the truth about his sister's death.
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Conceptually, it's a great premise for a story, but producer, writer and director Robert Budreau missed a huge opportunity to make this a great film, had he at least consulted a seasoned filmmaker for much needed improvements in his writing and directing.
His story lacked cohesion, intrigue or any suspense. It was told in a static, inconsistent and bland "as a matter of fact" style, that dismisses any opportunity to become captivated or invested, especially when the normally comfortable 90 min runtime dragged on and on with slow pacing and too much filler for the little substance this film had to offer. This film could've easily been cut down to a short film, and it would by more appealing and enjoyable. Budreau's choice of depressing drab colors and poor cinematography just made matters worse. You can also tell he failed to direct his cast properly, especially Marisa Tomei, who seemed lost and out of place in most scenes, as well as some ridiculous dialogue Budreau wrote for her character as well as Stephan James' character. It's a generous 6/10 from me, mostly going to the great cast who did their best with what they were given.
His story lacked cohesion, intrigue or any suspense. It was told in a static, inconsistent and bland "as a matter of fact" style, that dismisses any opportunity to become captivated or invested, especially when the normally comfortable 90 min runtime dragged on and on with slow pacing and too much filler for the little substance this film had to offer. This film could've easily been cut down to a short film, and it would by more appealing and enjoyable. Budreau's choice of depressing drab colors and poor cinematography just made matters worse. You can also tell he failed to direct his cast properly, especially Marisa Tomei, who seemed lost and out of place in most scenes, as well as some ridiculous dialogue Budreau wrote for her character as well as Stephan James' character. It's a generous 6/10 from me, mostly going to the great cast who did their best with what they were given.
Doesn't work. The actors did a valiant job trying to recover this weak plot and screenplay. It just doesn't work. It's just not plausible at all and the premise is weak. The lead actor did his best playing an autistic guy, but it's virtually impossible to pull it off given the script.
The plot is very 1 dimensional and really just becomes kind of a boring effort in trying to maintain the storyline. If that makes any sense at all. Overall it just doesn't work. I'm pretty sure the actors, writers and director would agree. I mean they tried but it's just not a good film. A for effort I guess. Actors did their best.
The plot is very 1 dimensional and really just becomes kind of a boring effort in trying to maintain the storyline. If that makes any sense at all. Overall it just doesn't work. I'm pretty sure the actors, writers and director would agree. I mean they tried but it's just not a good film. A for effort I guess. Actors did their best.
In small-town suspenser "Delia's Gone" learning-disabled Stephan James' convicted of killing sis Genelle Williams, but on his release hears he may not've been responsible - sending him quietly, relentlessly (and violently) around his depressed, rural town after the truth via scrotes like Travis Fimmel, Billy MacLellan & Graham Abbey... as Sheriff Paul Walter Hauser & state detective Marisa Tomei hunt him (while addressing tensions between them). Hauser & Tomei's class make them by far the most interesting aspect, but they're too underused to save this from being simplistically mediocre. Writer / director Robert Budreau may have aimed for "Fargo" heights... but missed.
He's literally driving around the whole 2nd half of the movie. It's so boring, plot blah. I'm so mad at myself for watching the whole thing. It was a little promising in the beginning and just goes down hill from there.
Sister gets killed, he goes to trial which like how can he even stand trial, be so for real. Skip a little then he becomes this vigilante, aimlessly driving around town trying to find out the ppl responsible for his sister's murder. I mean it's so bad, his acting wasn't that great either.. idk what the director was thinking! No justice for this. I was extremely disappointed in this!
Sister gets killed, he goes to trial which like how can he even stand trial, be so for real. Skip a little then he becomes this vigilante, aimlessly driving around town trying to find out the ppl responsible for his sister's murder. I mean it's so bad, his acting wasn't that great either.. idk what the director was thinking! No justice for this. I was extremely disappointed in this!
Set in bleak rural America, we follow the story of Louis (Stephan James), who after a childhood accident is left with a mental impairment and is raised by his sister Delia. After waking up to find her dead body on his kitchen floor, he is accused of her murder and sentenced to 5 years in prison.
Having served his time in jail, he now lives in a voluntary institution, where he is visited by 'Stacker' (Travis Fimmel), one of the last people to see his sister alive. Claiming to know more about Delia's murder, he sets Louis on a path to uncover who is really responsible for her mysterious death. Travis Fimmel is incredible in Vikings but I've never seen him break free of that character, offering the same performance on repeat. However this is the closest I've seen him come to breaking free of that mould. Cast as a broken man trying to rebuild his life and his family. As Louis leaves a path of destruction in his wake, he is pursued by ex Sherif Fran, played by Marisa Tomei who is uncharacteristically but deliberately unlikeable.
What helps set this film apart from most murder mysteries, is that instead of a grizzled detective who had solved countless cases, Louis sees the world differently and has to resort to unorthodox methods to find the clues and answers he needs.
The plot isn't overly complicated but I think this is a conscious decision made by the filmmakers, as if it were, it would make it less believable that Louis could follow a complex investigation.
This film isn't an action packed revenge thriller like John Wick. It's far more bleak and closer in style to True Detective. It may not be everyone's cup of tea, as the slow pacing and sparse landscapes can make it feel quite laboured in places. However as it only runs for 90 minutes, it's closer to watching an episode on Netflix than a feature film.
Some solid performances from the leads, an interesting concept and an intriguing murder to solve. If you're looking for a revenge crime thriller with a difference, then Delia's Missing is worth your time.
Having served his time in jail, he now lives in a voluntary institution, where he is visited by 'Stacker' (Travis Fimmel), one of the last people to see his sister alive. Claiming to know more about Delia's murder, he sets Louis on a path to uncover who is really responsible for her mysterious death. Travis Fimmel is incredible in Vikings but I've never seen him break free of that character, offering the same performance on repeat. However this is the closest I've seen him come to breaking free of that mould. Cast as a broken man trying to rebuild his life and his family. As Louis leaves a path of destruction in his wake, he is pursued by ex Sherif Fran, played by Marisa Tomei who is uncharacteristically but deliberately unlikeable.
What helps set this film apart from most murder mysteries, is that instead of a grizzled detective who had solved countless cases, Louis sees the world differently and has to resort to unorthodox methods to find the clues and answers he needs.
The plot isn't overly complicated but I think this is a conscious decision made by the filmmakers, as if it were, it would make it less believable that Louis could follow a complex investigation.
This film isn't an action packed revenge thriller like John Wick. It's far more bleak and closer in style to True Detective. It may not be everyone's cup of tea, as the slow pacing and sparse landscapes can make it feel quite laboured in places. However as it only runs for 90 minutes, it's closer to watching an episode on Netflix than a feature film.
Some solid performances from the leads, an interesting concept and an intriguing murder to solve. If you're looking for a revenge crime thriller with a difference, then Delia's Missing is worth your time.
Did you know
- ConnectionsReferenced in Escape from Vault Disney: Delicacies Destiny E1 (2024)
- How long is Delia's Gone?Powered by Alexa
Details
- Runtime1 hour 30 minutes
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