IMDb RATING
6.3/10
7.4K
YOUR RATING
In the near future, a financial crisis will hit Korea and slums arise. From those areas, a group of young people commit crime to survive.In the near future, a financial crisis will hit Korea and slums arise. From those areas, a group of young people commit crime to survive.In the near future, a financial crisis will hit Korea and slums arise. From those areas, a group of young people commit crime to survive.
- Awards
- 3 nominations total
Tony Azzolino
- Additional Voices
- (English version)
- (voice)
Johnny Yong Bosch
- Ki-Hoon
- (English version)
- (voice)
David Chen
- Additional Voices
- (English version)
- (voice)
Stephen Fu
- Sang-Soo
- (English version)
- (voice)
Todd Haberkorn
- Additional Voices
- (English version)
- (voice)
Judy Alice Lee
- Additional Voices
- (English version)
- (voice)
Christopher Sean
- Additional Voices
- (English version)
- (voice)
Stephanie Sheh
- Additional Voices
- (English version)
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Time To Hunt: A near future Dystopic South Korea, a crook is released from prison and discovers the money from his last heist is worthless due to inflation. He plans a heist at a casino with friends to fund an escape from SK. Very much like The Last Days Of American Crime in set up and plot development. An interesting story is padded out by an overlong running time of 134 minutes. Some pretty good gunfights, well choreographed, car chases a mysterious assassin who is hired to eliminate the gang. This would have made a tight gangster thriller at 90 minutes. Directed & Written by Yoon Sung-hyun. On Netflix. 6/10.
Very beautifully directed and even more effectively presented by all the actors. The shots in the movie are very beautiful. Great use of natural colours and camera angles. Ground breaking storyline. Awaiting for part 2 eagerly. Worth your time for sure. You will not be disappointed by this masterpiece. One of the great thriller and suspense category Korean movie I have ever watched.
Finally on Netflix after the resolution of the rights issue, Time to Hunt sadly proves itself an example of a movie good on paper but pretty much disappointing once made.
'Cause it reveals itself to be just an exercise in style over substance, very very intriguing and convincing visually (thanks to a dark, atmospheric cinematography and to the wonderful production design creating a city that it's almost as gloomy, "claustrophobic" and oppressing as the Blade Runner's one), but very very disappointing narratively.
A mediocre movie that it's also totally self-indulgent in its "enormous" runtime, which is clearly unjustified given the thinness of the plot. Time to Hunt ultimately it's just an ordinary caper and chase action movie that it's content in basically jump back and forth between one location and the other, maybe to show off the results reached in the production design and special effects departments thanks, we should suppose, to a more robust budget than usual. And, not surprisingly, said locations are usually pretty much evocative, even though they are not exactly original (to make a couple of examples: look at the almost nightmarish dark and empty hospital or at the giant palaces encircled by rampant weed...). The problem is that the movie as a whole well, it's not. It's not very evocative, or very interesting for that matter. It's just frustrating.
The heist sequence manages to pump up the rhythm for a while (even though it's almost implausible), but from there on the movie keeps on going following the predictable "run-bad guy arrives-another furious run" scheme that wears out pretty soon. And so monotony prevails. (And, by the way, the movie could have concluded after the first run, but for some reasons: SPOILER: the villain lets the guys escape, 'cause he finds it really, really amusing END OF SPOILER).
Matter of fact, all the characters seem condemned to do all the bad decisions possible (they don't turn off cellphones, they separate with no logical reason whatsoever etc. etc.), the villain is of course indestructible like Terminator and, well, the so-called ending manages to definitely drag the movie down ('cause it's actually a cliffhanger and 'cause it's just stupid).
So, to conclude I'd say that Time to Hunt it's a disappointing feature (but, if you reached this point, I guess you already grasped that). A shallow movie that wastes the talents involved (the actors, the director, the director of photography, the production designer). It's happy in just offering us mediocre entertainment while it could have been much, much more.
'Cause it reveals itself to be just an exercise in style over substance, very very intriguing and convincing visually (thanks to a dark, atmospheric cinematography and to the wonderful production design creating a city that it's almost as gloomy, "claustrophobic" and oppressing as the Blade Runner's one), but very very disappointing narratively.
A mediocre movie that it's also totally self-indulgent in its "enormous" runtime, which is clearly unjustified given the thinness of the plot. Time to Hunt ultimately it's just an ordinary caper and chase action movie that it's content in basically jump back and forth between one location and the other, maybe to show off the results reached in the production design and special effects departments thanks, we should suppose, to a more robust budget than usual. And, not surprisingly, said locations are usually pretty much evocative, even though they are not exactly original (to make a couple of examples: look at the almost nightmarish dark and empty hospital or at the giant palaces encircled by rampant weed...). The problem is that the movie as a whole well, it's not. It's not very evocative, or very interesting for that matter. It's just frustrating.
The heist sequence manages to pump up the rhythm for a while (even though it's almost implausible), but from there on the movie keeps on going following the predictable "run-bad guy arrives-another furious run" scheme that wears out pretty soon. And so monotony prevails. (And, by the way, the movie could have concluded after the first run, but for some reasons: SPOILER: the villain lets the guys escape, 'cause he finds it really, really amusing END OF SPOILER).
Matter of fact, all the characters seem condemned to do all the bad decisions possible (they don't turn off cellphones, they separate with no logical reason whatsoever etc. etc.), the villain is of course indestructible like Terminator and, well, the so-called ending manages to definitely drag the movie down ('cause it's actually a cliffhanger and 'cause it's just stupid).
So, to conclude I'd say that Time to Hunt it's a disappointing feature (but, if you reached this point, I guess you already grasped that). A shallow movie that wastes the talents involved (the actors, the director, the director of photography, the production designer). It's happy in just offering us mediocre entertainment while it could have been much, much more.
Amazing 1 half, nonsense 2nd half, did they switch to another script writer or wat? Everything is good, the acting, camera, sound, ost, directing but the script doesnt make any sense after the parking lot scene, why empty hospital? Why let them go? I am confused.
Yoon Sung-hyun's 'Time to Hunt' is a solid (and loud) crime thriller that unfortunately winds up being semi-unmemorable due to the weak writing of its conflicts and characters.
Did you know
- TriviaThe film premiered at the 70th Berlin International Film Festival on February 22, 2020, making it the first Korean film to be screened in the Berlinale Special section.
- ConnectionsReferenced in Film Junk Podcast: Episode 781: Another Round (2021)
- SoundtracksPassing By (Prod. Primary)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Night of the Hunter
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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