A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free.A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free.A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free.
- Awards
- 3 wins & 5 nominations total
- Denise Rice
- (as Emerald Angel Young)
- Rupert Ames
- (as Joshua Stewart)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The problem is, with about 30 minutes to go, the movie wants us to stop cheering on Clyde (Gerry Butler) and suddenly start thinking of Nick (Jamie Foxx) as the hero. That's not going to work, the audience has just invested about 90 minutes of wanting Clyde to continue with his vengeance. Damn right too.
The plot should have continued to its logical conclusion. Clyde was trying to teach Nick a lesson, that the system was so broken that it could only be fixed by being destroyed first. Rather than the squeaky-Hollywood-ending-slop they served up, here's what should have happened...
In the solitary confinement cell at the end, Jamie Foxx's character Nick should have taken the cell-phone from Clyde then remote-detonated the bomb at city hall, blowing up the mayor, the brass, the whole rotten system, then gone off to watch his daughter's cello recital.
Now, that ending would have been really insane, but it would have taken the movie to its logical conclusion. Nick's conversion would have been complete. As an ending, it would be right up there with Jimmy Cagney at the end of White Heat, 'Made it Ma, top of the world!' Morally dubious, yes, but it would have given us a bona-fide classic. It would be rating 9.8 here on IMDb rather than this insipid seven-point-bleh.
Oh, and the movie loses a point for Gerard Butler not using his own voice. Gerry is a Scot and has a fine Glasgow accent, he should use it.
I am trying to avoid spoilers here, because it is a definite film you must check out because it is a great new take on the prison based thriller genre, which provides 90 odd minutes of great entertainment with lots of twists and turns to keep the story fresh.
My main criticism is that the story seems to twist and turn so much it gets itself into a nasty tangle. The base of any thriller for an audience, is to want the protagonist to prosper at the downfall of the antagonist, but at the end, i was unsure which of one of the two mains, Nick Rice (foxx) or Clyde Shelton (butler) i should be 'cheering' for.
Each Character has their fair amount of being the good guy, but both were more of the bad guy, a very confusing aspect to a thriller.
Never-the-less, there are some brilliant performances and a very entertaining fresh story kept me glued to the screen for the entirety of the movie.
****/5
Gerard Butler stars as the ordinary man whose family is killed in a burglary gone wrong. Butler then undergoes a startling transformation as he sets up a campaign of revenge against all those who failed to bring the killers to justice. The film goes from there, starting off dark and becoming increasingly more bleak as the running time goes on.
It has plenty of incident to keep it running along, and some great scenes: Butler's manipulation of the prison regulations, for instance, or the way he manages to wage his vendetta from the INTERIOR of his prison cell. But, along the way, the film's sense of realism diminishes until we end up with a completely ludicrous event at the end which is designed to bring closure. It's not on par with, say, EAGLE EYE for suspension of disbelief, but it's getting there. It's just a shame, as with some tighter writing this could have been a truly great movie. It turns out to be an intriguing oddity, instead.
Butler is good as the 'bad guy', effectively channelling some of that Leonidas rage. But, as usual, Jamie Foxx is completely out of his depth as the lawyer. He's a vacuum of talent, an empty space in the middle of the movie surrounded by other, better, more seasoned performers. It's a shame, as the combination of rubbish actor and rubbish ending scupper this movie's best intentions.
What drew me to the movie was the fact that the hero wasn't going around killing people with his bare hands or face to face. He was doing it with his mind, with careful planning, and deft precision. That was something refreshing to see. I can totally relate to his feelings of anger over the flaws in the justice system and his desire to take matters into his own hands - to make things right.
The ending was disappointing but the rest of the film was not and I liked it overall.
Did you know
- TriviaDirector F. Gary Gray decided to use Del Frisco's Double Eagle Steakhouse as the restaurant that caters Clyde's lunch after dining there several times during filming. The restaurant was also the location of the film's after-party following its screening at the Philadelphia Film Festival.
- GoofsThe instant the neurotoxin hit Darby's system he would have fallen down due to being paralyzed. He would not have been able to just stand there, motionless, as muscles are still used when standing still. He also would not be shaking while lying on the table, even when Clyde injected the adrenaline.
- Quotes
Jonas Cantrell: Tell us what we're dealing with. Shelton was a spy?
Bray: Look, spies are a dime a dozen. I'm a spy. Clyde is a brain. He's a think tank-type guy. His specialty was low-impact kinetic operations.
Nick Rice: That's a hell of a fancy way to say that he kills people.
Bray: We kill people. He figured out how to do it without ever being in the same room. It was his gift, and he was the best. One time, we're tasking this tricky target. I mean, we're usin' cruise missiles and Predators, and we even had a B-2 Bomber flatten this guy's villa with JDAM. Alright, we're burnin' up millions in ordnance and we're gettin' nowhere with this guy. So we call Clyde, and we ask him to solve our problem. Clyde develops a Kevlar thread with a high-tech ratchet made of carbon fiber. Put it in a necktie. Two days later, Mrs. Bad Guy comes home, finds Mr. Bad Guy dead on the bathroom tile, choked to death. What I'm sayin' is, just assume that this guy can hear and see everything that you're doing.
Nick Rice: No. We got him locked away; maximum security.
Bray: He's in jail, it's because he wants to be in jail. He's a born tactician. Every move that he makes, it means something. That cellmate that he killed, what, you think that was random? No. That's a pawn being moved off the board. If I were you, I'd be lookin' for the next piece. Anybody who had anything to do with that case, he's gonna be comin' after you.
Nick Rice: So what are you sayin'? You sayin' we can't stop him?
Bray: Walk into his cell, and put a bullet in his head. Aside from that, no, you can't stop him. If Clyde wants you dead, you're dead.
- ConnectionsFeatured in The Jay Leno Show: Episode #1.19 (2009)
- SoundtracksMr. Tambourine Man
Written by Bob Dylan
Performed by The Studio Sound Ensemble
Courtesy of Countdown Media GmbH
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El vengador
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $73,357,727
- Opening weekend US & Canada
- $21,039,502
- Oct 18, 2009
- Gross worldwide
- $127,944,208
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1