Darkly comedic drama focusing on the dysfunctional cops and staff of an infamous NYPD precinct.Darkly comedic drama focusing on the dysfunctional cops and staff of an infamous NYPD precinct.Darkly comedic drama focusing on the dysfunctional cops and staff of an infamous NYPD precinct.
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This was a very enjoyable show with a great cast of actors & actresses that I love in other things as well. I know we are not lacking for cop shows out there, but this one had its own thing going on. It seemed like every character was very much a unique character with baggage and quirks on the plenty. We had the rich girl, bubble boy, cancer guy, goody good... Someone from every realm. It seems very weird but it complimented the same old cops and bad guy routine nicely. I even liked the random dispatcher with the strange announcements. I am sad to see this didn't have more episodes but it was still worth watching what I did. On a positive note the show did not end with a huge cliffhanger, so I was not to upset with not knowing what was going to happen. It also didn't really have a series or season closure either... Just kind of ran out of episodes.
I kept seeing the word 'Comedy' used to describe this show. And yes, the initial previews splashes gave you comedic moments-- which would lead your average viewer to expect a kind of 'Night Court' type cop show.
But now, I'm watching it. And it's a Drama. . .that has some threads of 'Funny' here and there. And it flips back and forth across the spectrum. There's a little 'Hill Street', a little 'Cops' plus some other shows the rest of you can fish up-- yet it's STILL DIFFERENT.
I'll call this 'Uneasy Drama' with a small side of 'funny' in the little paper cup like you used to get in a diner-- there for just enough Sweet & Sour to make you pucker up.
The Story here is about all these people in a small precinct who WANT to be Cops. But they ALL have secrets-- secrets that should close the Precinct door on them. Something in their past that they cannot let out. And despite all that, they go out and do the Job of keeping the streets safe.
For those of you who know-- the closest 'Uneasy' Drama I can think of was "Firefly". It has that same Mix of Unexpected Serious & Hilarious-- except you don't know which side of the slap you're gonna get at any minute. Yet the Network Marketed that show exactly the SAME WAY. Everyone thought it was gonna be a nonstop comedy-- and when it turned into something else, people didn't know what to do with it.
SO it is with "Unusuals". You could have a situation that starts looking Hilarious-- but then it turns Ugly-- and you feel uncomfortable because you were starting to chuckle. Or you could have the reverse.
For those of you looking for non-stop dark oily adrenaline-hyped emotional thunderstorms-- stick to 'The Shield' and 'Third Watch'
I just happen to like watching a Cop show where the cops are 'human' without the nonstop back-alley knuckle-punches and brutal spinal back-stabs. I like a Cop show that has police who aren't power-crazed motherless thugs who happen to have a Badge.
If you're only looking for Comedy with the canned 'Hahaha" in the background, then no-- this show is not for you.
But if you're looking for some human Cop drama that will entertain you and leave you with a good feeling. . .give this one a try.
The Writing is Good. And the Uncomfortable Spots-- are there on Purpose. Isn't that the point of Drama, anyway?
But now, I'm watching it. And it's a Drama. . .that has some threads of 'Funny' here and there. And it flips back and forth across the spectrum. There's a little 'Hill Street', a little 'Cops' plus some other shows the rest of you can fish up-- yet it's STILL DIFFERENT.
I'll call this 'Uneasy Drama' with a small side of 'funny' in the little paper cup like you used to get in a diner-- there for just enough Sweet & Sour to make you pucker up.
The Story here is about all these people in a small precinct who WANT to be Cops. But they ALL have secrets-- secrets that should close the Precinct door on them. Something in their past that they cannot let out. And despite all that, they go out and do the Job of keeping the streets safe.
For those of you who know-- the closest 'Uneasy' Drama I can think of was "Firefly". It has that same Mix of Unexpected Serious & Hilarious-- except you don't know which side of the slap you're gonna get at any minute. Yet the Network Marketed that show exactly the SAME WAY. Everyone thought it was gonna be a nonstop comedy-- and when it turned into something else, people didn't know what to do with it.
SO it is with "Unusuals". You could have a situation that starts looking Hilarious-- but then it turns Ugly-- and you feel uncomfortable because you were starting to chuckle. Or you could have the reverse.
For those of you looking for non-stop dark oily adrenaline-hyped emotional thunderstorms-- stick to 'The Shield' and 'Third Watch'
I just happen to like watching a Cop show where the cops are 'human' without the nonstop back-alley knuckle-punches and brutal spinal back-stabs. I like a Cop show that has police who aren't power-crazed motherless thugs who happen to have a Badge.
If you're only looking for Comedy with the canned 'Hahaha" in the background, then no-- this show is not for you.
But if you're looking for some human Cop drama that will entertain you and leave you with a good feeling. . .give this one a try.
The Writing is Good. And the Uncomfortable Spots-- are there on Purpose. Isn't that the point of Drama, anyway?
....That makes you want to find the executive (-s) responsible and slap them upside the head with a frozen tuna.
Seriously, this is one of the best cop shows made ever. Right out of the gate, you've got a show stuffed with well-written and well-rounded characters, absurd humor, sensitively written drama, tense action, and several subplots deserving of exploration.
Let's talk about the casting. Even at the time, when so many of these names and faces would go on to even more amazing roles, this was an amazing cast. Amber Tamblyn, Jeremy Renner, Harold Perrineau, Adam Goldberg, Terry Kinney, Monique Curnen. Even the guest stars: Miles Teller, Corey Stoll, Joanna Gleason (a national treasure btw), Chris Sarandon (same). And we can't forget the voice of the show, Marisa Vural as "Dispatch." There was so much talent here, it's almost criminal. (Har har har.)
Next we have the series writers, which included: Sarah Watson (whose credits include About a Boy, Parenthood, Pure Genius, and That's So Raven), Danny Zucker (The Arsenio Hall Show, Evening Shade, Roseanne, Grace Under Fire, Modern Family), Melissa Byer (Stargate: Atlantis, Crossing Jordan, Reaper, CSI, The Gifted), Robert De Laurentiis (St. Elsewhere, Providence, The O. C., The Umbrella Academy, Fargo). And let's not forget the series creator, Noah Hawley who wrote for Bones, Legion, and Fargo, while producing and directing episodes of the same (among other series). I mean, the man has won an Emmy, a Golden Globe, a Peabody Award, he's a novelist, screenwriter, series creator, showrunner, director, and producer. He's accurately named an auteur.
So with so much goodness wrapped around a show like this, why the hell was it cancelled? Well, it had disappointing numbers, ones that started out low and dropped even further as the weeks went on. Yet shows such as The Dick Van Dyke Show, The Mary Tyler Moore Show, All in the Family, M*A*S*H, Family Ties, Cheers, Seinfeld, and Homicide were the same and I think we know how they turned out. So, then, ultimately, why was The Unusuals cancelled? Was it cop show burnout? Was it insufficient advertising? Was it impatience with a more complex storyline and characters? I'm thinking all of the above, along with the standard issue of executive ignorance and - the worst possible reason - bad luck. So many shows succeeded when they should've failed because they dropped at the right time and caught the right audience. So many other shows failed when they should've succeeded because of the opposite - they never found their footing or the audience, advertiser, and executive support. Sadly, The Unusuals fell into this last category, joining a far too long list of other "Cancelled Too Soon" shows. But a show totally worthy of rewatching, if only to enjoy what was and mourn what could've been.
Seriously, this is one of the best cop shows made ever. Right out of the gate, you've got a show stuffed with well-written and well-rounded characters, absurd humor, sensitively written drama, tense action, and several subplots deserving of exploration.
Let's talk about the casting. Even at the time, when so many of these names and faces would go on to even more amazing roles, this was an amazing cast. Amber Tamblyn, Jeremy Renner, Harold Perrineau, Adam Goldberg, Terry Kinney, Monique Curnen. Even the guest stars: Miles Teller, Corey Stoll, Joanna Gleason (a national treasure btw), Chris Sarandon (same). And we can't forget the voice of the show, Marisa Vural as "Dispatch." There was so much talent here, it's almost criminal. (Har har har.)
Next we have the series writers, which included: Sarah Watson (whose credits include About a Boy, Parenthood, Pure Genius, and That's So Raven), Danny Zucker (The Arsenio Hall Show, Evening Shade, Roseanne, Grace Under Fire, Modern Family), Melissa Byer (Stargate: Atlantis, Crossing Jordan, Reaper, CSI, The Gifted), Robert De Laurentiis (St. Elsewhere, Providence, The O. C., The Umbrella Academy, Fargo). And let's not forget the series creator, Noah Hawley who wrote for Bones, Legion, and Fargo, while producing and directing episodes of the same (among other series). I mean, the man has won an Emmy, a Golden Globe, a Peabody Award, he's a novelist, screenwriter, series creator, showrunner, director, and producer. He's accurately named an auteur.
So with so much goodness wrapped around a show like this, why the hell was it cancelled? Well, it had disappointing numbers, ones that started out low and dropped even further as the weeks went on. Yet shows such as The Dick Van Dyke Show, The Mary Tyler Moore Show, All in the Family, M*A*S*H, Family Ties, Cheers, Seinfeld, and Homicide were the same and I think we know how they turned out. So, then, ultimately, why was The Unusuals cancelled? Was it cop show burnout? Was it insufficient advertising? Was it impatience with a more complex storyline and characters? I'm thinking all of the above, along with the standard issue of executive ignorance and - the worst possible reason - bad luck. So many shows succeeded when they should've failed because they dropped at the right time and caught the right audience. So many other shows failed when they should've succeeded because of the opposite - they never found their footing or the audience, advertiser, and executive support. Sadly, The Unusuals fell into this last category, joining a far too long list of other "Cancelled Too Soon" shows. But a show totally worthy of rewatching, if only to enjoy what was and mourn what could've been.
Having watched everything from LAW AND ORDER to NYPD BLUE, I have a pretty good idea by now how police procedural shows work. You get a sense of the personalities of the main characters while they solve a boatload of cases week after week, but since the shows are mostly about the cases and not about the characters, nuggets of information about the heroes' quirks, family lives and other intimate details are about as rare as actually finding a real cherry in a Hostess Cherry Fruit Pie. And then they're doled out maybe one or two every fifth or sixth episode.
Which is why THE UNUSUALS is so darn refreshing. Like a fighter who actually leads with his chin, this series wears its characters odd qualities on its sleeve. And what gets doled out just like those aforementioned cherries, are bits and pieces of a puzzle underneath all the weirdness: the real secrets these characters are hiding underneath the "WTF" moments.
I never watched a single episode of JOAN OF ARCADIA, but I was immediately intrigued with Amber Tamblyn, who plays Det. Casey Shraeger. What makes her "unusual": she's a trust- fund baby from a VERY wealthy blue-blood background, who has been working in Vice "on the stroll" for two years, when she's plucked off the streets from her hooker gig and teamed up with stoic Det. Jason Walsh, played by Jeremy Renner. (You may remember Renner as the heroic and doomed soldier from 28 WEEKS LATER.) Two of the things that make him "unusual": off-duty, he runs a hole-in-the-wall diner where he cooks and serves dishes you could never imagine yourself wanting to eat, and he has been covering for his corrupt partner, who suddenly ends up looking like a slab of beef in a slaughterhouse. Since said partner was also into hookers, hence his sudden, reluctant partnership with Shraeger.
In an inspired bit of casting, two of the most watchable "unusuals" seem to have the most conventional secrets in any cop show going this far over-the-top: Adam Goldberg (SAVING PRIVATE RYAN) and Harold Perrineau (LOST, OZ) play partnered Detectives Leo Banks and Eric Delahoy, respectively. Banks wears a bulletproof vest both on and off-duty (he's terrified that he will die at age 42), where Delahoy suddenly becomes a suicidal "super-cop", who isn't afraid to do anything that might get him killed (he has a brain tumor and has been given mere months to live, if he doesn't get the operation he's determined to avoid.)
Riding herd on these and several other off-beat personalities constantly clashing in the precinct is Sgt. Harvey Brown (OZ alum Terry Kinney), who has pulled Tamblyn's seemingly squeaky-clean character in for a very specific reason: to help him clean house. Not surprisingly enough, there are several cops in their shop who are on the take and worse, and he wants to expose and take them down before his superiors are motivated to do it for him. "Nothing is what it looks like," he warns her - or something to that effect.
If the show has any problems, which are definitely not with the strong ensemble cast, it's some of the cases piled on top of everything else to heighten the weirdness. No explanation is given as to why a perp is brought in wearing a hot dog suit, or why their caseloads include everything from a serial killer of neighborhood cats, to a dangerous gang that goes on a rampage which includes virtually every male member of the family, down to the youngest brother who is an honor student in high school (so why weren't the aunts, the mother and the grandmother in on it, too?)
The goings-on with the main characters would be more than enough to keep things interesting without any more embellishments, but in a blasted landscape littered with the corpses of shows long past their prime, being fed on by the fly-blown vultures of reality TV constructs, at least THE UNUSUALS is trying by daring to be...unusual. And it's for that reason I fear that this show will be over before it even gets the chance to find its feet and its potential audience.
But I really hope I'm wrong.
Which is why THE UNUSUALS is so darn refreshing. Like a fighter who actually leads with his chin, this series wears its characters odd qualities on its sleeve. And what gets doled out just like those aforementioned cherries, are bits and pieces of a puzzle underneath all the weirdness: the real secrets these characters are hiding underneath the "WTF" moments.
I never watched a single episode of JOAN OF ARCADIA, but I was immediately intrigued with Amber Tamblyn, who plays Det. Casey Shraeger. What makes her "unusual": she's a trust- fund baby from a VERY wealthy blue-blood background, who has been working in Vice "on the stroll" for two years, when she's plucked off the streets from her hooker gig and teamed up with stoic Det. Jason Walsh, played by Jeremy Renner. (You may remember Renner as the heroic and doomed soldier from 28 WEEKS LATER.) Two of the things that make him "unusual": off-duty, he runs a hole-in-the-wall diner where he cooks and serves dishes you could never imagine yourself wanting to eat, and he has been covering for his corrupt partner, who suddenly ends up looking like a slab of beef in a slaughterhouse. Since said partner was also into hookers, hence his sudden, reluctant partnership with Shraeger.
In an inspired bit of casting, two of the most watchable "unusuals" seem to have the most conventional secrets in any cop show going this far over-the-top: Adam Goldberg (SAVING PRIVATE RYAN) and Harold Perrineau (LOST, OZ) play partnered Detectives Leo Banks and Eric Delahoy, respectively. Banks wears a bulletproof vest both on and off-duty (he's terrified that he will die at age 42), where Delahoy suddenly becomes a suicidal "super-cop", who isn't afraid to do anything that might get him killed (he has a brain tumor and has been given mere months to live, if he doesn't get the operation he's determined to avoid.)
Riding herd on these and several other off-beat personalities constantly clashing in the precinct is Sgt. Harvey Brown (OZ alum Terry Kinney), who has pulled Tamblyn's seemingly squeaky-clean character in for a very specific reason: to help him clean house. Not surprisingly enough, there are several cops in their shop who are on the take and worse, and he wants to expose and take them down before his superiors are motivated to do it for him. "Nothing is what it looks like," he warns her - or something to that effect.
If the show has any problems, which are definitely not with the strong ensemble cast, it's some of the cases piled on top of everything else to heighten the weirdness. No explanation is given as to why a perp is brought in wearing a hot dog suit, or why their caseloads include everything from a serial killer of neighborhood cats, to a dangerous gang that goes on a rampage which includes virtually every male member of the family, down to the youngest brother who is an honor student in high school (so why weren't the aunts, the mother and the grandmother in on it, too?)
The goings-on with the main characters would be more than enough to keep things interesting without any more embellishments, but in a blasted landscape littered with the corpses of shows long past their prime, being fed on by the fly-blown vultures of reality TV constructs, at least THE UNUSUALS is trying by daring to be...unusual. And it's for that reason I fear that this show will be over before it even gets the chance to find its feet and its potential audience.
But I really hope I'm wrong.
The Unusuals caught my eye last night, and I was desperate for some decent TV fare (all I currently watch is The Office and Intervention, well, okayand The Millionaire Matchmaker, but I am just plain humiliated to admit that). I loved it immediately and then read the bad reviews after a search on the web. I was dumbfounded! Maybe the original media reviews were for the premiere episode, and I have seen only the last 2 episodes, episodes 3 and 4. This show is funny and smart and sad and real and crazy. My gosh, you've got how many millions of people watching Real Housewives or that hospital show based in Seattle where the impossibly attractive, and thus vapid, characters hang around posing like they are in an MTV video, and The Unusuals gets bad reviews? This show seems to have found the soul that Boomtown was searching for, and it doesn't take itself too seriously, which was Boomtown's downfall. Network TV--give me a reason to tune in, with shows like The Unusuals!
Did you know
- TriviaFirst series created by Emmy award winning writer Noah Hawley who would go on to create, write and even direct some episodes of Fargo (2014) and Legion (2017).
- GoofsThe unmarked detective cars have red and blue emergency lights on the dashboard. (New York) State Law prohibits the use of blue lights on the front of any "official" emergency vehicles, including police cars. Blue is used by volunteer firefighters on their personal cars, and can be put on the REAR of police cars, but never on the front.
- ConnectionsReferenced in Dancing with the Stars: Round Four: Results (2009)
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