Malayankunju

Positive are Fahad, AR Rahman music ,Background effects and score , And the second half thrills. Can't think of anything negative.

Compared to most international survival thrillers we seen , this movie got different layers. It is not about hero escaping and emotional family waiting. The casteism part in first half and the emotional bond in second half gives it a different perspective.

Watch in theaters or with a good home theater.

The Fahadh Faasil-Mahesh Narayanan combination is one that has made a habit of only delivering superhits in Malayalam, right from the National Award-winning "Take Off (2017)" to the groundbreaking "C U Soon (2020)" and the moving "Malik (2021)". Despite Narayanan vacating the director's chair for his pupil Sajimon Prabhakar, the Mahesh Narayanan-ness of "Malayankunju" is clear for everyone to see, right from the intricate, rooted character study in the narrative to smooth intercuts as the storytelling uses the non-linear approach to good effect.

"Malayankunju" follows the journey of "Anikuttan" (Fahadh) a prickly, temperamental electrician living in the scenic foothills of rural Mulavumpara. Having suffered a devastating loss just some years ago, the enterprising technician is clearly suffering from PTSD and paranoia and is in many respects the antithesis of the happy-go-luck "Mahesh Bhavana" that Fahadh played so well in what I regard is his best work till date, the 2016 smash hit "Maheshinte Prathikaram". After painting a thoroughly enjoyable character persona of our titular protagonist, the story quickly moves into how he has his world literally and figuratively collapse around him after heavy rains cause a massive landslide.

Taking inspiration from the devastating Kerala Floods of 2018, it is no wonder that the makers had put out a warning before the movie's release that the film is not suitable for claustrophobes. Mahesh Narayanan's screenplay and cinematography come into full effect as we see the protagonist try to survive being caved in and figure a way out in scarily confined spaces. The cliched "Fahadh's eyes" have become a running meme these days, but it cannot be overstated how much the actor relies on them here to convey paranoia, dread and ultimately hope and redemption as the story movies along.

That Fahadh Faasil disappears into the character of an obsessive, irascible villager is no longer a surprise at this point but it is truly awe-inspiring that he makes us buy into and empathize with a persona that is so unlikeable and unrelatable at the onset. As the deft storytelling of director Sajimon shows us how the curmudgeonly electrician is suspicious of everyone and everything around him, interlinked flashbacks to his tumultuous past give us more insight into what made him this way and the pain he has undergone due to trying circumstances. "Malayankunju" delivers a poignant yet hopeful chronicle of how if you open your heart and relinquish your doubts and fears, redemption and absolution will find you rather than you going vainly in search for them. Highly recommended!

Fahad excelled not only in the nuanced portrayal of the various shades and times of the character, but also in portraying the extreme situations.

First half is all about the writing which has been brilliantly done and very well directed.

Art direction takes the lead in the second half. The writing might have taken a back seat there and just does finishing touches to bring the art direction to a close.

A R Rahman's background score complemented Fahad's stupendous acting in the second half. There were a few spots where the BGM seemed too loud and distracted the scene.

Unlike the pattern of overwhelm in disaster movies where the viewer has to suffocate through all the tragedy around, "Malayankunju" was laser focused on one plight.

A bit of a slack in the writing in the second half writing is probably what is leaving the movie slightly short of the total satisfaction feeling that some movie experiences give. Even then, it is a recommended watch - amazing art work, top notch performance from Fahad and great writing/direction!

I did not notice much about editing. And when that happens, usually that means the editing has been excellent. Thinking back, I think edits have been excellent. There has never been a distracting edit where the viewer is left wondering what happened there.

I just finished watching the movie. I am astounded by the acting skills of Fahad Fazil. I couldn't stop thinking about how much he has evolved as an actor as I walked out of that exit door. There are a lot of other positives related to the movie, such as the superb direction, brilliant cinematography and excellent cast. Also, much praise should be given to the art department. One cannot ignore the part AR Rahman played in this movie. The movie's very essence was elevated to the next level by his music and the BGM. Even though the movie's survival element isn't exactly gripping, it's still a great film that you should see in the theatre just to witness the master , FaFa , is becoming..

Good survival thriller . Once again Fahadh Faasil gave a marvelous performance . His characterisation was well written , his character arc was quite intresting to watch . First half , it took some time to build the story and second half was complete survival thriller . Second half was nail biting and tense they created was good but it ended quite early . Movie ending was bit rushed . Cinematography was great . Overall a good survival thriller to watch with your family.