Buried

I don't think I've seen a film quite like Buried before. It had me hooked from the onset, and built towards a really shocking and thrilling conclusion. I really enjoyed the story and thought that it maintained a great pace, which is vital for a film of this genre. There were maybe a few moments where things drifted off course, but for the most part it was solid.

Ryan Reynolds was great, which is handy considering he was essentially the sole performer in the film. For large parts of the film he had no dialogue, so he brought his A game in terms of his physical performance.

The camera work was very accomplished, managing to capture the claustrophobic environment without limiting the way the film looked.

A very solid and enjoyable thriller. Nothing truly amazing, but very entertaining and intriguing!

Paul Conroy (played by Ryan Reynolds) awakes to find himself in a wooden box, buried underground. He is a civilian contractor and truck-driver in Iraq. His convoy was ambushed and he was taken captive and buried alive. He has a limited amount of air, giving him a limited time to find a way out. All he has to aid him in this task is his cigarette lighter, a torch, a mobile phone and his will to live.

Minimalist yet highly original, intriguing and tension-filled.

Probably the most minimalist movie ever made. The entire movie is filmed inside a wooden box, a wooden box with one occupant (well, one human occupant...). One actor - Ryan Reynolds - has 100% of the screen time, though there are voices of other actors involved.

Incredibly engrossing and tension-filled. Until the very last moment you don't know how things are going to work out. Director Rodrigo Cortes and writer Chris Sparling keep you on tenterhooks throughout, teasing you with thoughts of one survival option being more likely than the other.

Shows you don't need a big budget to make a great movie.

I hate it when fantastic movies such as this get completely overlooked when it comes time for awards to be handed out. Buried is a triumph in minimalist filmmaking and is a heart wrenchingly intense movie experience. It is gripping, moving, frustrating, and terrifying. Oh yeah, and it all takes place inside a box. Paul Conroy, who is played by Ryan Reynolds and is the only character in the movie we actually see, wakes up in a coffin buried under the ground with no idea how he got there or who put him there. He shortly finds out that he is being held by ransom by a group of terrorists in Iraq. With only a pen, a flask, a cell phone, and only 90 minutes of oxygen, Paul has to act fast. The movie limits itself to an astounding extent, but makes the most out of what it has, creating an incredibly thrilling experience.

How much can you really expect from a movie that takes place in a human sized box with only one person? Buried delivers a lot more than you would expect from this scenario. It has all the right elements to make it as enthralling as any action film we see today. To start off, Rodrigo Cortes does a great job directing his limited space. He miraculously pulls off a lot of great shots and brilliant claustrophobic nuances. He directs with enough skill to keep the movie interesting in its entirety. The movie never felt lagged or drawn out and every moment where it would have slowed down it would throw a great twist or shocking moment that drew you right back in.

Furthermore, the director does a lot of great artistic work with what little he to work with. We have to take into consideration the fact that when you are buried underground in a coffin, there is obviously zero light. Thankfully Paul has various light sources with him in the coffin. And so to keep from breaking the realism of the film, these light sources are the only light in the film, making sure all light is authentic. Paul's light sources include a lighter, a flashlight, a cell phone, and a green glow stick. Each of these light sources gives off a different color, and these colors which obviously encompass everything when they are present add to and reflect the mood of the film. When things are calmer (relatively of course) we are treated to the soft blue light of the cell phone. As things grow more suspenseful and harrowing we are treated to scenes lit by the green glow stick. And when things grow more sinister the red lens of the flashlight is used. I found these minute details fascinating and they artistically added a lot to a film which had little room to work with.

While Cortes' directing gives the film plenty of life, Ryan Reynold's stalwart performance really drives the emotion of the film. He delivers a top notch performance, and he as to seeing as he is the only character in the film other than the various people he talks to on the phone which we never actually see. It can't be easy to carry a film all by yourself, but this year we were treated to two performances that did a superb job at it, the other of course being James Franco in 127 Hours.

Buried is a film that Alfred Hitchcock would have been proud of. It is a groundbreaking thriller that does so much with so little. It is such a harrowing movie experience that you cannot forget. All 90 minutes of this film are fascinating and gripping, especially the last fifteen. The final moments of the film are some of the most captivating and enthralling moments I've ever experienced through film. During the finale of the film you will want nothing more than to know the fate of Paul Conroy, and when you finally do learn his fate at the close of the film your jaw will drop and you will be utterly blown away by such a captivating on screen experience.

Buried is easily one of the interesting movie experiments I have seen in recent times. Spanish director Rodrigo Cortes takes minimalist cinema-making to new heights by telling a story with just only one character trapped in one location in what is almost dogma 95esque settings, and far more importantly he manages to do so by keeping it interesting throughout the 90 minutes.

Buried opens with a man trapped in what appears to be a wooden box buried underground. As the movie progresses we find out he is Paul Conroy (Ryan Reynolds) an American truck driver employed by an American firm - Creston Roland and Thomas (CRT) in Iraq. His last memory is that of his convoy being ambushed by people (as Conroy puts it- terrorists, insurgents who the f**k cares?). As he tries to piece it all together he finds out that he has lost his special contact number ( that apparently every American in Iraq has been given in case of an emergency) but discovers a mobile phone ( in Arabic settings) and a Zippo lighter alongside a pencil, a pocket knife, and supply of anti-anxiety pills ( we later learn that Conroy suffers from anxiety)

The rest of the movie is about his frenetic attempts to establish contact with outside world - his family, friends, employers, the state department to seek assistance to 'get him out'. But things start to get complicated when he is contacted on the phone by his abductor who requests him to arrange ransom from the American Embassy. Running out of both phone battery and air to breathe, Conroy soon finds out that the threats are not hollow; he is forced to make a video of himself which finds its way to the you tube. As things deliberate, Conroy starts to realise he is just a small, helpless insect caught in a web spun by devious and meaner players…

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I missed Cortes' interview on BBC Radio 4 yesterday so I'm not really sure the actual intention behind the movie but there are enough, unmissable, Geo-political subtexts in the script - "I never thought I will find myself here". "I don't think any of us thought we would find ourselves here". I read the movie as Conroy being symbolic of America trapped in a situation which he couldn't get out of despite all the technology and the capitalism abound - multinationals ( admit it, doesn't Creston Roland and Thomas sound impressive? especially, if you say it where the outside temperature is 50 degree centigrade?), answering machines ( that great trickster of a machine that promises to callback but doesn't), robot call operators ( Sir, I can connect you to the FBI field office in Boston, New York, Chicago…), the protocols (Crisis Steering Committee, Hostage Negotiation Team ) etc, all of which somewhat seem hopelessly trivial in the face of more existential needs.

Buried is a intelligent 21st century cinematic marriage of Kafka and Beckett. Philosophically, it is a wonderful screen portrayal of a nervous breakdown in the wake of continuing threat. I found how Cortes had guided Conroy's character through a sequence of emotions - anger, pain, fear, disdain, dread, calm and finally acceptance very beautiful, though in a sense beautiful is not the correct word here. The camera work, especially the use of different angles to emphasise different emotions within the limited setting of the movie is commendable. Last but not the least, I always remembered Ryan Reynolds as that lanky guy wearing a maroon sweatshirt in Two guys , a girl and a pizza place. It is fair to say not anymore. To be frank, he is a bit of surprise here; he lives up to the demands of the role - a lesser effort would have easily made the Buried a 90 minute closeup photo-shoot in dark light settings. Ryan should be proud of his efforts in the Buried.

In light of how the idea of cinema is recast lately, movies such as Buried ought to be encouraged, because, amongst million other reasons it defines what cinema is more than how a 3D movie would. I would prefer watching Buried again than writing a review of James Cameron's next big computer generated manipulation that is assured to collectively sweep the humanity into his bank account.

Original and ingeniously basic premise full of suspense and intrigue in spite of developing only one scenario. Paul (Ryan Reynolds) is an U.S. truck driver working in Iraq . After an attack by a group of Iraqis he wakes up to find he is buried alive inside a coffin. He encounters within the coffin a working phone, which allows him contact with the outside world. With only a lighter and a cellphone it's a race against time to getaway this claustrophobic death trap . Paul must rely on his owns resources to survive , taking on serpent and burying .

This freaky and clever film chronicles fear ,desperation, paranoia of a kidnapped trucker in Iraq who faces off a completely Kafkaesque situation . This is a thrilling film in which the abducted starring quest to find answers and solutions to why he's imprisoned and getting freedom . The buried trucker very well performed by Ryan Reynolds works utilizing his skills and talents to survive the deadly trap which guard the coffin with serpent and falling down included , as using his intelligence he attempts to avoid get smashed because the coffin is caving itself in .

The picture succeeds because the thriller, tension , as well as a superbly written script delving into the human psyche in such extreme situation and our instinctive urges for survival . Despite low budget the picture manages to be intelligent, intriguing and thrilling. The good thing about this film is that the director made it on a shoestring budget only having to do one set , yet the movie works on many levels but is constantly reconfigured . The trucker contacts by means of cellular phone with the outside world asking for help various characters , they are played -voices-by prestigious American secondaries as Stephen Tobolowski , Kali Rocha and Erik Palladino ; furthermore Samantha Mathis who plays another hostage .The interesting plot bears special resemblance to 'The cube' and ¨Fermat's room¨ but also there's a dangerously premise with strangers closed attempting to find an exit to exasperating situations. Good musical score fitting to tension by Victor Reyes who is also film producer . Fine cinematography , and naturally , plenty of dark and shades by Eduard Grau . The motion picture is originally directed by Rodrigo Cortes . Rating : Good , better than average .