The story of the love affair between FDR and his distant cousin Margaret "Daisy" Suckley, centered around the weekend in 1939 when the King and Queen of the United Kingdom visited upstate Ne... Read allThe story of the love affair between FDR and his distant cousin Margaret "Daisy" Suckley, centered around the weekend in 1939 when the King and Queen of the United Kingdom visited upstate New York.The story of the love affair between FDR and his distant cousin Margaret "Daisy" Suckley, centered around the weekend in 1939 when the King and Queen of the United Kingdom visited upstate New York.
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It's a few years before The Big One, WWII, but there's a storm a-brewing in Europe. Everyone knows it, but relations between the U.S. and England have been strained, something about revolting and then fighting in the War of 1812. Ancient history to some but not all, it would seem. At any rate, King George VI and Queen Consort Elizabeth (Samuel West and Olivia Coleman, respectively) travel to America to visit Roosevelt with the intention of securing his support for the upcoming war. But rather than host them in stuffy Washington, DC, FDR (contrary to the real visit) invites his royal guests to his home away from home, Springwood, a stately manor in upstate New York. It happens to be on the Hudson River, or near it, in case the title has tripped you up.
Now, FDR was quite an unusual president. He was the last to serve more than two terms, as the Constitution was amended later. Also, he had polio, which he had contracted as a child. The funny thing is this - people went to great lengths to pretend nothing was wrong with Roosevelt's legs whatsoever. The Emperor had no clothes. Even the press were complicit, gamely waiting for the president to be lowered into the back of a convertible before taking their pictures and asking their questions. Can you imagine that today? The slightest limp by a leader seems to imply a lack of leadership in the minds of some.
And so it was at the time, only not. The nation turned its eyes to Roosevelt as a resolute, optimistic leader, a man who could help them finally rid themselves of that awful Depression, and so they gladly ignore whatever shortcomings he may have. The king of England, meanwhile, is in a similar situation. He is the same George depicted in The King's Speech - you know, the one about the king who stuttered? FDR, who is much older, is not as self conscious about his malady as he used to be, whereas poor George is practically frozen by his own. Now, recall that the king and queen are visiting to gain the support of America; FDR already knows this. He could easily just issue a statement to the effect that the USA would help England in any way it could, but he chooses to host royalty instead. He wishes to meet the man beneath the crown, and he wishes to size him up.
Enter into the fray a quite-distant cousin of FDR, a Daisy Stuckley (Linney), who narrates the story. Daisy is introduced to the president, and somehow they find a connection. Daisy, like the arriving king, is also unsure of herself, a bit of an ugly duckling among the glamor of the president's residence. They find in each other a kindred spirit. Franklin is more or less estranged from his saintly wife Eleanor at this point (they live in separate houses in New York!), and although he cannot walk, he does enjoy him some female company.
But what is this story really about, anyway? It depends on your own perspective. Some will see this as a docudrama reflecting the meeting of two leaders (and their wives); some will see it as a comedy, an intelligent, subtle comedy with a barely smirking Bill Murray. Others still will find romance in almost every scene, no matter who the players, no matter where the setting.
Murray deserves an Oscar nomination here, and perhaps the Academy will make up for their Lost in Translation snub. Linney does as well; her Daisy never undergoes a sudden transformation into a woman with a real backbone. She seems sad much of the time, working in the White House with tightened lips. Her life appears joyless; that is, until she has some alone time with Franklin, whence a window to a sunnier day slowly opens.
Hyde Park on Hudson is a gorgeous movie with a splendid, bemused, and convincing performance by Bill Murray as our 32nd president and endearing, exhilarating role for Laura Linney. Each should be richly rewarded come award time.
Taking in place in 1939 prior the U.S. committing to what would become World War II, "Hudson" is a film mostly content with being pretty, excited by putting actors in period clothes who pretend to be world leaders. None of these performances are bad, (quite the opposite in fact) but the little piece of history they're reenacting lacks any bit of import.
Bill Murray as Franklin Roosevelt isn't even the center of the film. Instead it's our narrator, Daisy (Laura Linney), FDR's distant cousin, whose diary and memoirs Richard Nelson used to craft the screenplay. She relays a story of romance, but one that's modest and presumed, occurring up to and during the arrival of King George VI and Queen Elizabeth from England to Hyde Park on Hudson, home of FDR's mother and his home away from Washington.
The film invests a lot in presenting FDR in such a casual manner, but this notion of candid access is hardly thrilling, either because the man has been dead for almost 70 years, or because it barely shows him in the context of being president — just a man who people treat with great respect and admiration who is surrounded by a lot of people all the time. Any American who studied the president in school knows about his polio and how he was able to keep the country oblivious to it with cooperation from the press, so that's hardly a hook either.
Murray is certainly an unusual but inspired choice. Playing a light-hearted and relaxed FDR makes sense for him, though if tested it would be wrong to doubt his capability to command attention in the role. The film doesn't seem too interested in digging into his psyche, just peeling back the curtain enough to show a man who longed for the affections of women and whose outlook and world view was different from other people in positions of power during his time.
Linney is such a wasted talent as the meek and naive Daisy. Although she narrates throughout, she disappears in stretches, even after the script establishes very clearly that this is her story. She doesn't factor into the conflict until late, and that's if you can consider it conflict. Normally, choosing not to embellish the details of an alleged affair in melodramatic Hollywood fashion would be worthy of much commendation, but the details of their relationship are so vague and the process by which Daisy comes to have feelings for FDR and vice-versa so ambiguous that you feel nothing toward either of them.
The arrival of King George VI (Samuel West) and Queen Elizabeth (Olivia Colman) in Hyde Park provides the film a pair of interesting characters and ultimately something to happen in what would otherwise be a purposeless portrait of a president and his sometimes-lover cousin. George has just assumed power after his brother abdicated the throne and they come to America desperate to forge a partnership between England and the U.S.
Therein could be the conflict at the heart of "Hudson," but the film maintains its light and often jocular tone instead, despite a footnote suggesting the events depicted were crucial to the special relationship between the countries. In essence, much stock is put into the symbol of King George biting into a hot dog.
"Hyde Park on Hudson" is a pleasant film, but it presumes to be interesting on the basis that it depicts famous political figures and exposes a beloved president's unflattering personal life. Maybe that's an exaggerated assumption of the film's intent, but it doesn't tell a story of any kind as far as plot structure goes. It's a great advertisement for a film audiences would prefer to see about who FDR really was, but in and of itself, it fails to offer any acute insight.
~Steven C
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In 2004 he was honored with his first Academy Award nomination for his outstanding performance in Lost In Translation for which he was visibly disappointed that he was the recipient. 9 years later he just may be poised for his second Oscar nomination for his unbelievable portrayal of former president Franklin D. Roosevelt. A most unlikely choice on the film maker behalf, but one that will prove to be a proud choice. The film is Hyde Park On Hudson with whom he co-stars along side the always great Laura Linney.
The story is one of an affair the president had with an extremely distant cousin that carried on for years when he would retreat to Hyde Park, NY of which he was quite fond of doing much of his work from there. During the early stages of the affair a monumental occasion occurred when the new king of England became the first king to visit American soil in history. King George VI affectionately known as Bertie, who was recently portrayed by Academy Award winner Colin Firth in The Kings Speech, was very new to his position and felt it best to visit the US and the president to keep up relations. Over a weekend in Hyde Park the king and president formed a very special relationship that proved vital as WWII would shortly break out a few weeks later.
What is most intriguing was that you had to fine men in positions of great power that at the same time had great flaws, Bertie with his stutter and Roosevelt with his partial paralysis. The film has a fine moment when the two converse late one night and the president clearly seems to instill a great confidence in the king when they both realize many similarities in each other.
Over the same weekend the president's affair with his cousin, Daisy quickly becomes threatened and almost comes to a complete halt.
The film is a fine story and well told but it's not without rhythmic issues and has several slow moments. It is without question carried on the shoulders of Murray's performance. It's not a story that has you drawn in within seconds and has some difficulty keeping you there. It is though a good movie that deserves to be soon for Murray alone.
Murray shows the often unknown and unseen humorous side the president Roosevelt and does it with great perfection. His portrayal is one of the great performances of a historical figure in recent years. The one flaw in his award chances may be he happens to be against another fine actor playing an iconic president in Daniel Day-Lewis in Lincoln. It's a story every years where a deserving actor comes away empty handed because someone just happens to be on another level.
Murray's day will come at some point. His commitment to taking great roles and being someone different every time only proves that. Unfortunately we will have to wait a little longer. Loveyourmovies.com
On the surface, Hyde Park on Hudson is about Franklin D. Roosevelt (Bill Murray) and one of his mistresses, his far removed cousin Margaret Suckley (Laura Linney), who is our narrator. We are to assume that the New Deal is underway, and FDR is under much stress awaiting the visit of the King and Queen of England;it is the first time British Royalty have traveled to the United States to meet with American politicians. Margaret's company has been requested to help the President deal with his tension and to give him an excuse to get out of his office and relax. However, as the movie progresses, Margaret's presence and character becomes increasingly less important and interesting. Richard Nelson's writing feels unorganized, and quickly the relationship between FDR and King George VI (Samuel West) seems to become the focal point. As the characters develop and the drama unfolds, it becomes clear the only real constant theme here is the shedding of false ideas about others and the self.
I thought seeing Bill Murray as FDR would be distracting, but he was believable and lovable. The relationship he creates with King George VI was a display of the best writing and acting in the whole film. The two stay up late talking, sharing with one another what they feel is expected of them by their families, their countries, and themselves. They wind up drinking and comparing their physical imperfections, polio and stuttering. It seems to be a profound moment in which they become comfortable with one another, themselves, and the unity between their countries. From this point on, all of the relationships become more real and approachable. The King and Queen endure a sleepless night lighting one another's cigarettes, the President is shown to be an average man in many ways (although brilliant), and Margret's fantastic ideas about her place in the presidents life are boiled down to a much more realistic perspective.
Although some relationships between characters are enjoyable, the writing that takes us there is shaky. Margaret is introduced so strongly, and we are convinced she will play an important role, but she seems to disappear as soon as another plot point comes along. Her character seemed more of a cheap vessel to create momentum than an actual developed character. She becomes less interesting than every other character, and I end up wishing to see more of Eleanor Roosevelt (Olivia Williams) and the Queen (Olivia Colman). While the writing often feels loosely knit, the camera work is never disappointing. The scenery is beautiful and simple. It reflects these characters that are learning about themselves. It is bare bones and lovely.
Hyde Park on Hudson had its moments. I liked seeing King George VI eat hotdogs, the Queen smoke cigarettes, and FDR go swimming in a turn of the century bathing suit. However this film could have been so much better. It felt like Nelson forgot about his own plot. The gaps he left were huge and left me wondering why there were so many lose ends. The script needs to be beefed up and full cooked. There's still pink in this meat.
It (primarily) recounts the events of a weekend in June 1939 in upstate New York when the sitting -- this wasn't typed as a pun -- US president Franklin D. Roosevelt (Bill Murray -- Rushmore, Lost in Translation) welcomes the British King and Queen to his country estate. It was notable because a reigning British monarch had never visited America before and England was on the verge of war with Germany. Also in abundance at the estate -- meddling women ... be it mother, wife, secretary or mistress.
Laura Linney (Primal Fear, Kinsey) plays Daisy -- a distant cousin to FDR -- who is sent-for to help with FDR's wandering mind and calm him. Over time (the film spans more than a weekend), they become rather close and form another type of kinship. The story is told through Daisy which means we hear lots of narration and are given many snippets of time passing before the weekend (to see them develop a relationship -- which an audience never really does) until the monarchs arrive and it becomes ALL about the weekend.
There are plenty of decent moments in Hyde Park on Hudson including Murray as FDR and some wonderful shots of beautiful country landscapes. The film looks nice and the period detail will win some over; but the film fails to ever make a connection with Daisy. As the central character, the audience is given no real reason to want to follow her ... why is she really even here? I don't want to call her bland but the film gives us no reason to believe otherwise and absolutely no real reason as to why her and FDR forged their bond.
I appreciated the depictions of the King and Queen (this is the stuttering king Colin Firth won an Oscar for playing a few years ago and Olivia Colman is quite good as the uncomfortable queen) and their struggles with being in America such as their trying to fathom the "rage" about hot dogs.
Sadly, most of the rest of the film is empty -- like the Hyde Park estate would be when FDR returned to Washington. This should have been so much more ...
Did you know
- TriviaOn 11 June 1939, the New York Times printed the menus for all of the meals served to the British royals during their visit to Hyde Park. As depicted in this movie, the picnic menu was as follows: Hot dogs, if weather permits; beer and soft drinks; cold ham from various states; turkey, smoked and plain; various salads; doughnuts; ginger bread cookies; coffee; and baked beans & brown bread.
- GoofsWhen FDR calls for an end to Ish-ti-opi's ceremonial dance, Eleanor Roosevelt invites everyone to thank Ish-ti-opi in Cherokee. Ish-ti-opi (a.k.a., Wesley L. Robertson) was a Choctaw Indian, not a Cherokee. In any event, the word "yakoke" used for "thank you" is correctly Choctaw, not Cherokee. The Cherokee words for "thank you" are "wado" and "s'gi".
- Quotes
Bertie: ...But, to answer your question, Elizabeth, I *am* going to eat a hot dog - five hot dogs - TEN!... I'M GOING TO SHOVE THEM IN MY MOUTH, STICK TWO UP MY NOSTRILS, TWO MORE IN MY EARS, AND WALK AROUND SO THAT PEOPLE CAN TAKE PICTURES OF THE KING OF ENGLAND WITH HOT DOGS HANGING OUT OF HIS ORIFICES!
- ConnectionsFeatured in Maltin on Movies: Playing for Keeps (2012)
- SoundtracksMoonlight Serenade
Written by Glenn Miller,Mitchell Parish
Performed by Glenn Miller and His Orchestra
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Details
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- Also known as
- Гайд-Парк на Гудзоні
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Box office
- Gross US & Canada
- $6,376,145
- Opening weekend US & Canada
- $81,362
- Dec 9, 2012
- Gross worldwide
- $10,980,481
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1