Funny Woman

Had assumed this was going to be a pretty predictable romcom or such given the trailers but it actually turned out to be a really nice heartfelt story of rags to riches with unexpected comic smarts from Arterton, who knew she could do comedy. There's ups and downs to her fortune along the way so not all rise and rise. It's not just Arterton who does well though, the whole cast are great, Everett, Batemen, Davies and Ali all contribute to a very enjoyable way to spend an evening. Unclear if another season is on the cards but I'd say there's legs in the characters but they'd need another story arc. Fingers crossed.

I largely enjoyed Funny Woman but I do understand the negative reviews. The problem, IMO, is the show is about a woman in comedy in the 1960s and not actually a comedy.

Gemma Arterton plays Barbara Parker, an attractive woman who learned to love comedy from her father. The show is about Barbara rebelling against the stereotypes associated with being an attractive woman and wanting to make her own way.

When it sticks to that premise, it's fantastic. We see Barbara fighting to be comedic when everyone else just wants to see her assets. Her relationship with her father is an absolute treat.

Another great part of the show is the relationship with her friends. Women sticking together instead of stabbing each other in the back.

It's great as the show runner, writers, and other lead slowly understand she's funny, that audiences laugh at her. Is she actually funny to modern viewers? Not really but considering Lucille Ball is the standard she measures herself against, you get what she's trying to do.

Where it fails is when it tries to be comedy, particularly the slapstick scenes they throw in every episode that are just totally out of place. It's not a comedy! Even the writers seem confused by this, let alone the viewers.

This would be one of my favorites if they stuck to the premise instead of trying to make it comedic. It's a drama and a darned good one.

I am old enough to remember all of the sixties, though I was more or less still a child when the decade ended. The period detail, in terms of scenery etc seems authentic. The characters are more or less right, except, whilst feminism became a thing during the sixties, it wasn't, I think, quite such a big deal as it is for the cast here. The show writers here are obviously meant to be Galton and Simpson (albeit that those writers are referenced by the characters) and I guess that Dennis is Dennis Main-Wilson. The two main characters of the show within the show being an unmarried couple though is a bit anachronistic. Yes, in the cinema the reality of life was being portrayed, in stuff like A Taste Of Honey, Poor Cow, Up the Junction etc and I think it may have been touched upon in TV drama, but not in the sitcoms everyone sat down to at 7.30pm. Anyway, it's not quite real but it's amusing enough.

Based on the book by Nick Hornby Funny Woman start's with a Blackpool beauty queen, who has her future mapped out for her. Bored in her Blackpool rock making factory, destined to marry the local butcher. She gives it all up to head south to London in search of fame and fortune.

As always this does not go to plan wannabe comedian actress Barbara Parker aka Sophie Straw. Works her way through various mundane job's in between auditions before getting her break in a TV situation comedy written and staring by oxbridge performers who fail to grasp her northern humour.

Set in the swinging sixties Funny Woman is a delightful nostalgic trip through the period of early television and how women were faced prejudices to be seen as funny in what was a man's world. 8/10.

There should be more of these feel good nostalgic TV programmes. Lovely period piece set in the 1960s. Main character Barbara obviously based on Lucille Ball who was the famous zany female at that time and very pretty. Loved that Barbara was northern which as well as being female challenge to getting a comedic part on TV. Would have scored 10 except I think the story was stretched out a bit toward the end and could have been told in less than six episodes. Gemma Arterton plays the part very well indeed and I note is on the production team. Some clumsy, obvious efforts to try and raise 21st century woke issues.