For Robbing the Dead

The movie is set in Utah during the Civil War (although no one in the film seems to be aware of this). It is about a Lawman (played very effectively by John Freeman, an actor a very short film resume) who finds himself responsible for protecting a convicted grave robber.

That's it. That's the plot. Can an engaging film be made that has unknown actors and actresses in the main roles with this plot? Yes. The story moves along well. The convicted grave robber (nothing as exciting as digging them up to eat them--he just steals their clothes) is played by David Stevens (another unknown) as a not-too-bright little weasel of a man. However, his views on his "crimes" provide some of the thoughtful moments of the film.

Much of the film involves how Freeman deals with others in his community--some who are compassionate and others who are not. All of the supporting actors and actresses contribute. Margot Kidder plays Baptist's desperate and slightly off-kilter wife (who he loves), Barry Corbin has a nice turn as the judge who also has his own history he is trying to live with, and Jon Gries (the older brother in Napoleon Dynamite) is a hoot as a hired gunman. Bernard Hermann makes a small appearance. Unusual film in that the major roles are played by people you've never seen, but the supporting roles are done by people you will recognize--all of whom have solid film careers.

The "gunfight" between Freeman and Gries is about the best I have ever seen. Realistic.

The film score is very nice, and the photography is beautiful.

I like films that are done well on little money. This is one of those. It is certainly worth an evening.

This film is nothing but SHALLOW ACTING with a bunch of Mormon 'belief system' fluff. What a waste of a good budget. Shameful. Even the great actors that were in it were made to look bad because of this junk... It goes to show that even the best actors can look bad in a bad film. Nathan H. Stevens was so uncommitted to his character. I had heard how committed he was on set but "FAKE Commitment" to show piety on set isn't truth if it doesn't convey onto the screen. The whole cast was (like Steven Buscemi described in his great film 'Living in Oblivion')... "Hostess Twinkie Actors". Also the reason this film doesn't shine was because the producers only honor you as an artists if you are mormon. The lack of truth and honor in their film making shows.

Just finished watching this movie at about 2:00 this morning. Despite the late hour and the approach of sleep, I had to check in here to see what the word was: three reviews. To be honest, I was surprised at how few people took the time to do more than punch in rating numbers. I was deeply moved by this story, and characters who seemed less like actors than real people from the period. Barry Corbin, long a favorite, was wonderful, as was Margot Kidder. Yes, it was generally slow moving, but oftentimes so is real life. Struggle, sadness and redemption don't come with explosions and car chases. And "westerns" needn't always come with blazing guns and fistfights. Moreover, most of us don't fall into categories of good or evil. Everyone in Redemption did what they thought was right, or at least necessary. I think these considerations will remain as images in my mind's eye for a long time. I liked, cared for and understood these people. They are us.

Just watched this for the first time 14 10 2019 I have to say this was a emotional film really good acting brilliant film I wish I had watched this Earlier John freeman was great anyone who has seen the film should do

Hmm. I'm not sure the film is about tumbleweeds, though that is a an interesting read. To say that the theological question is whether or not the victims of grave robbing go to heaven naked is as dismissive as it is inaccurate. This is no Ordet, but it's like saying that Ordet asks whether or not dead people can kiss. The film requires some patience and an attention span, but I found it rewarding. I didn't really identify with any theological themes, though I'm not a religious person. But I thought the ethical question was significant. Do we gain an increased understanding for those whom we're willing to help? I think it's interesting that the storytellers chose a notoriously violent genre to tell a story about forgiveness. I also think it's interesting that the violence is intentionally clumsy and not exactly satisfying. They're not the first to do it, nor did they do it better than Eastwood or Mann or Wyler or noteworthy others. But they did it more capably and intelligently than most. This is a fine film with stunning visuals, terrific performances, and a solid (though strangely quiet) soundtrack. Flaws? Of course. I'm not sure they're being honest about the budget, but if they made this on under a million, it's an even more impressive achievement. I know everyone's entitled to their opinion, but this is far better than a 5 star film (by the way, what goofball gave this film 0 stars? At least the person with the previous review clearly watched the film and rendered a sincere opinion!).