User reviews

"When all the sacrifices are complete God will forgive the trespasses." Hazel (Sarandon) is a detective is a town where nothing ever happens. When she stops in to see a local woman that hasn't been answering her phone she is shocked to see her murdered. When more and more bodies are found she suspects a serial killer. New officer Ben Wingate (Grace) starts to help her investigate and what they find is more chilling then they imagined. There are some movies that are very slow moving and hard to stay focused on. This is a slow moving movie that actually manages to hold your attention. This is kind of a mix of Seven and Boondock Saints in the way that the killings are related to the Bible but when you find out the reason for them you start to wonder if it's really a bad thing. This is a movie that you can not talk too much about without giving away something but I will say that I did enjoy this even though it did seem to drag in a few parts. Overall, a creepy movie that is worth seeing but you have to be in the mood for it. I give it a B.

This movie's genre is mis-named. It's contemplative. It's also as dark, northern & cold as its Canadian landscape. Could the same effects not have also been achieved by a director or movie from Finland or Sweden or even Germany? (Compare the slow tempo of much German cinema.) It's a story about a state of mind with little light & much darkness -- and death is just a kiss away. Of course it also has a thriller, hunt-'em-down narrative. But I do not think that is the point. The story masks an attempt to portray a state of mind -- where do I go now? life seems hopeless, pointless & what's the use? -- concerning which mood of mind all of the actors are superb, first rate older (& younger) pros. This is definitely not a fun flick. But definitely first-rate in its own quirky way. Thank you. PS: Why is so much Canadian-based cinema so bitter and dark?

At times this serial killer flick can be too stomach-churningly gruesome and grim for my tastes. However, the all star-cast and an absorbing storyline eventually won me over.

Susan Sarandon is superb as the pain pill-popping, heavy drinking, and unfiltered Acting Police Chief Hazel Micallef, in the small town of Fort Dundas, Canada. Topher Grace is also excellent as the young police officer Ben Wingate, who's transferred to Fort Dundas from Toronto, to get a fresh start after the death of his life partner. As mentioned, there's a strong all-star cast here, which includes Ellen Burstyn, Gil Bellows, Donald Sutherland, and Christopher Heyerdahl.

We find out about half-way through the movie who the serial killer actually is, but the actual motives of the killer are not initially what is supposed, as we slowly find out what the real reasons are for the slayings all across Canada. The film, I thought, began to follow a predictable path but then a few twists near the end, I felt, enhanced the movie.

In summary, I felt the filmmakers put a little too much emphasis on the gruesome, but I found myself, with the strong performances and the rather engrossing plot being interested throughout.

The movie was directed by Jason Stone with a screenplay from Scott Abramovitch, based on the novel by Inger Ash Wolfe

Some people claim they can hear the Calling, like our main bad guy in this movie. While there are some shades and he does have a goal, most of the viewers will not root for him. Of course there is controversy with a theme like that, though I'm surprised that Ebert (movie critic) gave it one of four stars.

Just the acting alone should make you feel this deserves more. Even if you don't like Susan Sarandons character, the way she portrays her and plays her is just amazing. The supporting cast is great too, though it's not a "whoddunnit", but more a "whydunnit". Though the latter might be spoiled in most reviews of the movie. I won't do that here, though I know the "reason" will not be everyones cup of tea. You'll either be engaged with this or you won't

Sometimes we want a fast paced thriller, but in reality life is not like that! Nowadays I like films with more realism, its not to say that a film cannot have more crammed into it. Silence of the Lambs - that's my favorite creepy serial killer film which had plenty of material rammed into that.

The drunken drug worn out sheriff, doesn't matter who you are in life that part can get anybody, she wasn't legless but needed a tipple here and there and painkillers for some ailment she had.

I quite liked the film, bit empty in some areas, and as said slow paced. Its not a film i would pay to watch at the cinema but if I sat at home one evening and watched it on TV i would not feel cheated out of any hrs watching it.

Very watchable - Not a bad film, far from it!

Set in the wintry rural wasteland of Canada, 'The Calling' could be the bastard child of 'Fargo' and 'Omen'. The film begins with depressed, alcoholic, pill-popping Sheriff Hazel roused from her suicidal daydreams when the mutilated corpse of an elderly female acquaintance is discovered After Hazel learns several other mutilated remains have been scattered around the frozen countryside, she begins to suspect a deranged predator might be on the prowl in her precinct. Scoffed at by her superior, she marshals the small town's oddball duo of police officers and their perky receptionist to catch themselves a serial killer. Before too long, Hazel and her team are sipping strong black coffee in their cruisers and detecting like big city gumshoes.

The script reveals some glaring holes as Hazel's investigations uncover an occult connection linking the killings. Thankfully, decent acting papers over some of these threadbare patches. When a few of the loose ends are tied up at the conclusion, the killer turns out to be a routine lunatic, and the rationale for his murderous activities is the standard silliness for this genre of film.

The Calling (2014)

It's weird to see how routine this kind of movie has become. And how obvious the influences are. Take "Fargo" and put it Canada (same snow, some parochial setting, and same kind of earthy woman cop). Then remove all the originality and verve, and you have "The Calling."

Serial killers are of course more common in the movies than in real life, thankfully. And they all require weird methods, patterns with exceptions to the pattern, and a single (often painfully solitary) cop on the hunt. Susan Sarandon plays the cop, the good guy if you will, and I actually think she does a great job. If she can't match MacDormand in "Fargo" it's partly or mostly because of the writing and direction. In this movie, director Jason Stone in his first full length film, shows he's still learning. And borrowing from good sources. But we all know the formulae, and need more than that. Where do guys like him get budgets and approvals and a couple of great actors when there are so many talented men—and women!—who have shown more mettle and imagination in the trenches?

What remains isn't a disaster, but it's a bit of a trudge. Don't blame Sarandon, who makes it charming overall. There is an intention toward realism here, and yet the scenes are a combination of grotesque and whimsical. The murders are horrible, and beyond probably what is normal horror though I don't really know how the world of murder works. And the people are so homespun and regular, worried about their coffees of course, that they lighten up the whole movie without making it comic.

So, it's not, for sure, a disaster. I don't know that I'd call that a recommendation. There are better films of this type out there (without going to the top of the genre with "Silence of the Lambs" and so forth). But there are worse!

I recently read the book before watching the movie. I feel if I had not read the book, I would not have understood the movie. Too much was left out. They left out good characters, took the spunk away from Hazel and her mother. Too many changes to what was a really good book. Love Susan Sarandon, but very disappointed in this movie.

'The Calling' is one of those movies that never tries to stand out in any way. It never tries to shock its audience and win points with extra levels of violence or shocking plot twists that leave your mouth gaping open. It is simply content being a solid, well acted film that audiences can appreciate and then most likely forget. And that's OK. It's better than a film trying to be more than what it's capable of and turning into a bombsite. Director Jason Stone, in his feature film debut, made the call to go down this route and I think it was a good decision all things considered.

The movie has a solid cast, but not an overly exciting one. Susan Sarandon, Donald Sutherland, Topher Grace, Ellen Burstyn - all fine actors, however none of them are going to steal a scene or bring a lot of energy to the film. That was one issue with the film, was that it always felt a little flat. No real action scenes or plot twists can find the movie going through the motions, discovering clue after clue, until the final showdown and then it's over. Solid, but a little tedious at times. Nevertheless it's more watchable than a number of thrillers being released today and it certainly isn't going to offend anyone. Give it a look.

It's not a thriller, because it fails to thrill. It's not a detective story, because killer is presented in the very beginning. I doubt this can even be called a "movie". Nothing really moves in it.

Don't actually understand what the director was trying to say with all that. Susan Sarandon's alcohol and drug addicted character has zero appeal, and minor (every other) characters offer much less. Heyerdahl basically reprises his role of "manic preacher" Swede from Hell on Wheels. I wonder if this is the one and only line he is capable of doing.

Let the critics toss their usual "capturing, fascinating, well-made" and other pretentious and ultimately meaningless BS. I don't even want to mention ridiculous technical blunders. The movie is just boring, trivial and daft. Can't really imagine a person who would like this. Even if you are huge fan of Sarandon obviously you can find better instances of her brilliance.

Don't waste your time on this rubbish.

There are aspects of this movie that remind me of Fargo, centred as it around a small town detective. Susan Sarandon is superb in this. The other actors are of a high calibre, which is the secret to its success. The plot is unusual and surprising. It's a little sedate for a movie about a serial killer, but has a good if not racing pace, and keeps one guessing for most of the time. On my dvd the colour seemed muted, but perhaps that was the dvd. I'm glad I watched it. It's not Silence of the Lambs but its very worthy of its genre.

This film tells the story of a female detective in a quiet small town, who is addicted to alcohol and pills. Her great friend is murdered one day, and she sets out to find the murderer. Two days later, another murder occurs, and she is determined to get to the bottom of it.

"The Calling" starts off very slow, and I have to say I was about to lose interest in it. Fortunately, the plot turns very engaging soon after the second murder occurs. The puzzle presented here is certainly different from other crime films, which makes this film more captivating. Topher Grace is very good as a young policeman who is intelligent and dedicated. Susan Sarandon looks very good in the film, and I can't quite believe she is already over seventy. I enjoyed this film, and I would recommend it to others.

Movie is boring in the begining and in the midle . there is no plot and ending is almost boring

I'm a pretty big fan of this film actually. It has a few flaws writing wise for sure, (Overly typical in a few parts. I think I even rolled my eyes a couple times the first time I saw it.) BUT, overall most of the film is very good if you're into these kinds of stories. That is, serial killer and religious type stories mixed into one. I think there is so much potential in these stories, but few films have really been able to pull them off entirely well. The best such story I can think of off the top of my head on film may actually be the first season of True Detective. It's not so much religious really, but there certainly is a grand spiritual aspect to it, which is very similar and just as good, if not even better to work with. As I said, few films have pulled these types of stories off all that well. But The Calling to me really was a reasonably well executed film, other than a couple small writing bits that truly do rob it from being a great film. Fallen with Denzel and Goodman is better overall, but this film also has its strengths I feel.

Sarandon is terrific as usual. In fact, after Bull Durham, this may be my 2nd favorite Sarandon performance of all, and she has a ton of great ones at this point. If you can forgive a couple pretty bad moments, you may find this well worth a watch too.

7.5/10.

Detective Hazel Micallef (Susan Sarandon) is the senior officer in the Fort Dundas , Ontario Police Department , a peaceful and with no problem location . Hazel is a veteran patrol woman who formerly attempted to commit suicide herself , being assisted by a likable cop helper (Gil Bellows) . Hazel self-medicates to control the emotional and physical pain on her back . She hasn't had much to worry about in the sleepy town of Fort Dundas until a string of gruesome murders in the surrounding countryside brings her face to face with a serial killer driven by a higher calling . Along the way , there arrives a rookie policeman (Topher Grace) to take his job as a cop assistant . The stubborn Inspector Hazel interrogates the villagers , but nobody tells the whole truth . Hazel learns a serial killer who did not want to be trapped , the reason for committing the murders in different jurisdictions . A bit later on , Hazel consults Catholic priest Father Price (Donald Sutherland) , further leading to the thought that the murderer is working on a ritualistic religious mission with more victims to come . Eventually , the police inspector finds out some tracks until a surprsing finale . Pray for the Prey !

An intriguing and riveting thriller with tension , plot twists, thrills and magnificent interpretations. There are several interesting characters, some of them are suspicious people, but in the cold and foggy location nothing is what it seems . A mystery thriller set in Ontario , located in a hazy , mountainous , snowy location where police woman Hazel/Susan Sarandon has to investigate a series of grisly killings , including some gory frames when the victims appear with their throats slitted . Here stands out the great actress Susan Sarandon giving a fabulous acting , as usual. This veteran actress got long time ago some big hits with notorious films as Atlantic City , Thelma & Louise , Dead Man Walking , following other recent successes as Cloud Atlas , Arbitrage , Enchanted , Irresistible , Elizabethtown , Speed racer , Solitary Man and many others . Highlights of the movie are the splendid and prestigious secondary actors . As Susan Sarandon is well accompanied by a good support cast, such as : Gil Bellows as Inspector helper, Ellen Burstyn as her mother , Topher Grace as the novice assistant , Christopher Heyerdahl as an unsettling fanatic religious , Kristin Booth as a waiter , and , of course , Donald Sutherland providing a brief but awesome performance as a wise priest.

It displays a stirring , moving musical score by Robert Melamed and Mark Petrie , as well as adequate and colorful cinematography by David Jones , shot on location in Dundas, Hamilton, Ontario, Sunderland , Ontario, Canada . This fascinating motion picture was compellingly directed by Jason Stone who was born in Johannesburg, South Africa , being his second film feature . He is a producer and writer, known for The Hardy Boys (2020), This Is the End (2013) and Tender as Hellfire (2009). He has directed various episodes from famous TV Series , such as : Legacies , Motherland: Fort Salem , Riverdale , Aftermath , Van Helsing , Rogue , among others . Rating . 6/10 . Well worth watching . Essential and indispensable seeing for Susan Sarandon fans .

"I've never seen anything like this."

With so many great TV shows about serial killers and police procedurals, it's hard to find The Calling appealing. It's getting more difficult to direct an engaging and suspenseful film in just a two hour period because these series have more time to explore the characters and allow us to engage with them. If directors want to have success with this genre it's necessary to come up with either an intriguing and original story or give the film a unique artistic style. The Calling does neither of the two. This is director Jason Stone's first full feature length film, and despite having Susan Sarandon in the star role there is very little about this procedural that feels authentic or new. Everything about this film feels recycled from other better movies or series and even the fact that the story centers on a strong female lead isn't new anymore (Fargo is a film that easily comes to mind) and neither is its sombre tone.

The film was adapted by Scott Abramovitch from Inger Ash Wolfe's novel and it centers around a local small town detective named Hazel Micallef (Susan Sarandon) who really hasn't had much to do during her years of service. She drinks a lot of alcohol to fight her depression and she continues to live with her mother, Emily (Ellen Burstyn) with whom she doesn't seem to get along too well. One day she discovers a gruesome murder of one of the town's old ladies and as she investigates the case she is convinced it's the work of a serial killer. Hazel and her partner, Detective Ray (Gil Bellows), welcome a new and young officer, Ben Wingate (Topher Grace), who has transferred from a big city and is eager to help on the case. They discover that there have been a number of unrelated murders in nearby towns and that these killings all seem to be spiritual so they consult on the case with Father Price (Donald Sutherland). But as they get closer to the killer the more exposed they are.

To be honest the film does do a decent job at building the suspense and keeping the audience interested in what is going on during the first half of the movie. Unfortunately the film loses its appeal during the second part and the resolution is far from being memorable. It's unfortunate because the cast is rather strong and Sarandon delivers a solid performance, but her character is a walking cliché and one we've seen represented in movies many times before. The talented Donald Sutherland and Ellen Burstyn are completely wasted in this film and they could've been given much more to do with their roles instead of simply showing up a couple of times on screen. There simply isn't anything here that makes The Calling stand out from other films in the genre, and that is its greatest crime.

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I like intelligent mysteries, and generally avoid simple-minded cop movies. But this one makes the grade as an above-average cop film, even with the obvious comparisons that will be made with Fargo. Sarandon is not as good as Frances McDormand, but she does look good for her age. She is believable as a substance-abusing chief of police in a small town in Canada. The plot's the thing, though. Good stories make for good films, and this one is fairly original, considering all the crappy remakes of remakes that are popping up all over the place. The dialogue is crisp and the characters are believable. I also like the twists in the film; I will not reveal what they are, but they are entertaining. Sutherland gives a very nice performance, as does the rest of the cast. Worth viewing.