User reviews

Casting Jack Black in the title role of this 2012 dark comedy turns out to be a masterstroke on the part of director and co-screenwriter Richard Linklater because the real-life character of Bernie Tiede is a comically ambiguous figure not only sexually but more to the point, as a jovial child-man personality beloved by his small Texas town of Carthage while at the same time, strangely insistent in his constant presence in their lives. His pointed need for universal acceptance and unconditional love is what makes Bernie unique as a screen creation. It takes Black's oddly discomfiting screen persona to make the character work as a protagonist of closeted complexity, and in turn, he delivers his most accomplished screen work to date. No stranger to Texas-size guffaws intermingled with wry observations about human nature, the versatile Linklater ("Before Sunrise/Sunset") tells this hard-to-believe, true-crime story with both morbid humor and surprising conviction.

Based on a seriocomic 1998 Texas Monthly article by co-screenwriter Skip Hollandsworth, the plot revolves around the unlikely relationship between Bernie, a relentlessly thoughtful assistant funeral director, and Marjorie Nugent, recently widowed and one of the richest women in Carthage. As Bernie becomes indispensable to the fabric of the community with his acts of charitable kindness, his Broadway-style choir solos, and his gentlemanly way of comforting widows in the throes of their grief, the ever-scowling Marjorie is always ready for battle with not only the townsfolk who impede on her life but even her immediate family who can't stand her. Bernie, however, is able to breakthrough her icy veneer with his cheery persistence, and their relationship evolves into an unhealthy codependence to put it mildly. As Marjorie lavishes Bernie with expensive gifts and luxurious vacations, she grows increasingly manipulative in her need to control his every move to meet her every need.

Even Bernie has his limits about what he is willing to do under her iron fist, and needless to say, consequences ensue. For all the dire consequences, Linklater keeps the mood buoyant with the insertion of intertitles to signal what question the movie will address next and with the brief interviews he includes with both actors and true residents of Carthage, all showing their unqualified support of Bernie through his burgeoning troubles. Much like Warren Beatty did in "Reds", Linklater uses them as a cumulative Greek chorus who on one hand, provide some of the film's biggest laughs, and on the other, illustrate just how myopic and oppressive a small town can be in its rumor mongering ways, so much so that Bernie's trial has to be moved fifty miles away in order to allow the light of objectivity to filter into the proceedings. As Bernie, Black finally has a multi-dimensional role that fits him perfectly, and I would be hard pressed to identify anyone else who could have played the character to the seriocomic depths he achieves here.

Well into her seventh decade of movie stardom, Shirley MacLaine is not particularly challenged in portraying Marjorie's sourpuss nature since she's been playing variations on the same role since her turn as the ornery Ouisa in "Steel Magnolias". However, in one key scene, she lets loose all her insecurities that exposes the impenetrable cage in which she has put the increasingly desperate Bernie. Linklater favorite Matthew McConnaughey ("Dazed and Confused") plays the showboating district attorney Danny Buck with gusto, although I wish he was reined in a bit more to provide more of a contrast to the other two principal actors. The movie is a fascinating meld of the Coen Brothers' "Fargo" and Hal Ashby's "Harold and Maude" with an unexpected dose of Christopher Guest's mockumentaries. While Linklater does not completely avoid making Carthage the object of ridicule, he has made a black comedy with surprising resonance when all is said and done, especially when you see the real Tiede in an archival video clip at the end.

A mortician strikes up a friendship with a rich controlling businesswoman that doesn't have good consequences.

The film is told like a documentary with interviews with people who knew the pair along with flashbacks to stages in their relationship. It's an interesting format and one that works well. The story flows well and holds your attention throughout. This is a good example of a black comedy that really works with a sparkling and very witty script with lots of well observed and funny moments but also some good dark drama.

It features a strong cast with Jack Black as a popular mortician.The stand out performance for me was by Matthew McConaughey as the charismatic cop trying to put Black behind bars.

Bernie is one of those films that you watch with low expectations but which surprises you with how good it is. It deserves a much higher rating than it's current 6.8 (36,466 votes). Highly recommended.

Bernie (2011)

Don't you hate it when you see a funny movie and think at the end, wow, that could have been so much funnier? This movie really is funny, and Jack Black is kind of brilliant at being this man who has incredible generosity and a quirky kind of social skill to be everyone's favorite. And who ends up taking care of the richest woman in town, getting his name on her will, and so on, as you can guess.

To get the gags and to give a sense of documentary reality, clips of interviews with colorful townsfolk of all types are shown, and they are some of the funniest moments. When these same people are shown again and again there is a sense of welcome familiarity--an update on things from a known face--but also a sameness to the movie. It falls into a pattern. And it's a major part of the movie, with thirty of these talking heads, so naturally the momentum of the main plot is slowed down often. As the events become more extreme, the movie does not. It plods along, relying on some great idiosyncratic acting and the weird (and exaggerated?) East Texas culture.

But Black inhabits his character so well it's scary. The other big name (the biggest name) is Shirley MacLaine, who doesn't actually have that much to do (most of the time she is silent, just ominous or dour). And she of course doesn't make it through the whole film (the trailer and teaser give away too much on that score). The third name is Matthew McConaughey, and he's predictably fun and funny, though he blends in with lots of other unknown characters who are also fun and funny.

So it's the scenario, and some funny writing, that carries the day. Well done stuff. Director and writer Richard Linklater is a curious talent, a little all over the map but good at several things, including just being offbeat enough to seem like the Indie director he once was. His pair of movies "Before Sunrise" and "Before Sunset" are growing into unlikely classics (I like them both a lot) and yet he is also known for lesser comedies like "Dazed and Confused" and now this one.

Yeah, see this for some good laughs. The beginning will seem a little like a lame "Six Feet Under" episode, but stick with it. Black's character is utterly convincing, and funny. A good time.

"Bernie" is a nice surprise by Richard Linklater and Jack Black - the same team that brought you 2003's comedy hit "The School of Rock"; now they have reunited for a different type of comedy - a dark one.

Black acts differently in this movie - more restraint, more focused, and at times more intense than in any other film he's done before. His humor here is low-key and not physical a feat done with his absorbing performance. Here is a guy who is loved by everyone - who must be loved by everyone, and who can never say no. It is both an interesting and challenging role for him but he pulls it off in a great way - perhaps paving the way to more challenging and dramatic roles in the future. Compared to other comedy film actors who tried more serious turns, he's not yet as terrific as say, Jim Carrey in "The Truman Show" or Adam Sandler in "Punch-Drunk Love" - but he's on the right track.

Shirley MacLaine is also very different here - she has a sweet, somewhat cheeky personality in many of her previous films of late, but for this movie there's a cold, demeaning aura around her, and her steely eyes sell it. Matthew McConaughey as the ruthless district attorney has certainly improved in his acting range - just check out the courtroom scenes.

I really appreciate the small-town setting of the film. The film is told by ''interviews'' with the friendly small-town folk, giving a quirky and homely feel to the film, while at the same time Linklater smoothly meshes narrative flashbacks into it - which brings me to the editing. The film moves at a strong clip and never feels rushed nor draggy. The above-average screenplay has balances just the right amount of screen- time to establish the story and characters, notably Bernie. Just when you think the film is about to end - there's always another interesting thing happening that keeps the audience glued.

Black and Linklater make a good, promising actor-director team. Perhaps Linklater will be the key to unlock Black's potential in acting. Of course, this is still a ''little'' movie - a low budget, and scarcely any promotion at all... so hopefully word of mouth spreads just how very good this dark comedy is.

P.S. I was not aware that the film is based on a true story. That made the film even more dark and quirky than it was supposed to be.

Overall rating: 77%

When I decided to watch this movie, I was under the impression it was suppose to be comedy, and while there are some humorous and funny moments, this is more of a drama than anything else. That said, this was a good movie, one that engages and hooks you almost from the very beginning. The fact that this is based on a true story actually helps make this even better, to think someone like "Bernie" really existed just helps draw you into his complex and quirky world. Jack Black is simply amazing in this role, that's a statement I never thought I'd make, but in truth he is suburb and possibly Oscar mention worthy. Here's my take away, this movie is worth your time or money whichever is more important to you. It's a enjoyable journey into a real life odd ball character that simply grows on you from start to end.

I saw the world premiere of "Bernie" last night at the Los Angeles Film Festival. I must confess, after Jack Black's run of "Year One", "Gulliver's Travels", and "Kung Fu Panda", I was starting to lose hope of ever seeing the "School of Rock" guy I fell in love with. When I heard Richard Linklater (School of Rock) and Jack Black were teaming up again, I felt a glimmer of hope. I am happy to report, I was not disappointed last night! Jack Black gives one of the best performances of his career in "Bernie." Shirley MacLaine was the icing on the cake and Matthew McConaughey was the cherry on top. I loved this movie! "Bernie" is based on the true story of Bernie Tiede, an assistant funeral director and general do-gooder, who confessed to killing Marjorie Nugent, a very rich and mean old lady. Bernie was a bit eccentric but beloved by his entire community of Carthage, Texas. Jack Black nails this performance. He really shows us what he is capable of as an actor. It was such a pleasure to watch him transform into Bernie Tiede. Great moments of physical comedy and also some twisted, dark moments of catching a glimpse into Bernie's spiraling psyche. Shirley MacLaine was Marjorie Nugent who was known as a mean, bitter lady with no friends and a family who tried to sue her for her money. You can't go wrong with Shirley MacLaine – she's just brilliant. The chemistry between MacLaine and Black was fantastic. I truly enjoyed watching them on the screen together. Even at the world premiere last night they had great chemistry in person. It seems like they truly loved working together on this film. Matthew McConaughey was great as the D.A. Danny Buck Davidson, the character didn't seem to be a huge stretch for him, but who cares – he was great! I'm not sure when it is due to be released, but I will be recommending it to my friends when it hits theatres.

This was a surprisingly good movie. Director Richard Linklater blends semi-documentary style with dark comedy and tragic real-life events in an exceptional way. Based on the murder of a wealthy widow in Carthage Texas in 1996. This movie gives you an interesting glimpse into small town life and how the people there dealt with this unique situation. Jack Black proves he can act, Matthew McConaughy looked to be enjoying himself, and Shirley MacLaine, while not having much to do, is still a welcome addition to the cast. Linklater even uses real townsfolk to help narrate the story through their own recollections of the events. This is one of those independent films that is a must see.

Although uneven and at times unfocused, Bernie is the kind of movie that hitches its wagon to the charisma of its star and goes along for the ride. Jack Black plays a solicitous, generous assistant funeral-home director in a small town who quickly gains the love and respect of the town, particularly the elderly folks, as he immerses himself into their lives. Black leaves the slapstick and crudity at home and instead goes the route of Ben Stiller in Greenburg, although not quite as dramatic, and he's really good in the role. In the end, though, one might wonder what the point of the movie was, and for a comedy - even a dark one - there are a lot of unanswered questions at film's end.

Bernie arrives in town and lucks upon a job at the local funeral parlor. He takes great care in making the deceased look as good as possible, from trimmed eyelashes to the positioning of the hands and head. Bernie takes his job seriously. He runs the funerals, leading the mourners in song, reading from the Bible, and so on; he comforts the widows and does all he can to ease their pain. He's a true find, right?

One of these old biddies is Mrs. Nugent (Shirley MacLaine), a despised, bitter older woman who has money and no friends whatsoever. All overtures to communicate and bond with Mrs.Nugent by the town are for naught. Except for Bernie, who - as his custom - pays his respects after the funeral to the new widow. After the second visit, she invites him in, and over some time they become friends. The change in Mrs. Nugent is remarkable; she is a nicer person and much happier. She and Bernie go on vacations and other trips together. Finally, she feels, someone who does not hate her.

Mrs. Nugent gets Bernie to quit his job at the funeral home and work for her part time - essentially as a servant. Seems like a sweet deal at first, but eventually she becomes paranoid that he'll leave her at any moment, and he becomes concerned that she's turning into quite the possessive witch. That, as the synopsis might tell you on other sites - this is not a spoiler - induces him to perform a most heinous deed.

The story is told in the framework of a documentary, with on-camera exposition provided by the town's denizens. Most are gossipy, but none of them stand out as mean-spirited - just normal folks, as they might say. About the only two characters who don't open up to the camera are Bernie and Mrs. Nugent themselves. This little trick by director Richard Linklater helps not only move the plot along but also serves us sometimes conflicting information, depending on the source - even when we see things with our own eyes.

The first half of the story is amusing, mostly about how wonderfully generous Bernie is to everyone. And then the crime occurs, and the various citizens react differently. But here's the rub - Bernie is such a magnificent guy, there are some who don't even care if he IS guilty. Star district attorney Danny Buck (Matthew McConaughey) has an open-and- shut case, complete with a confession. All that remains is the trial and the aftermath.

This is more of a character study - of Bernie alone - than anything else. It could have been played for sharp laughs or even as a suspenseful thriller. Linklater plays it more or less straight, essentially saying, "Here's your man, here's what others think of him, what do you think?" And indeed, what are we to think? There are some head-scratching questions by the end. Here's a non-spoiler one: Why was Bernie even in that town? Did he choose it randomly? Did he premeditate the events that unfolded? Okay, three questions, but all valid. None will ruin the movie for you. See it for Black and MacLaine and a realistic look at small-town Texans.

I wound up appreciating BERNIE more than enjoying it, but the appreciation was real. If you can stand the molasses-like pacing and the mix of professional and amateur thespians, this is a change of pace which many will find enormously refreshing - especially for Black's understated performance and McConaughey's variation on Ted Danson's against-type prosecutor all those pre-CHEERS years ago in BODY HEAT.

Jack Black, the true lead, gives a truly remarkable restrained performance based on an actual assistant funeral director, justly beloved in his town. The classic film THE LOVED ONE does it even better, but the first third of the film is a wonderful primer on "the American way of death" that "Bernie" apparently was a master manipulator of. Had the film gone in that direction as satirical fiction rather than satirical non-fiction it might have had better box-office prospects, but Bernie finds himself in an impossible situation and when the film is more than half OVER - although this is what the film is supposedly ABOUT - he has a remarkably non-scenery chewing psychotic break (interestingly done by the director so that the audience isn't really sure at first whether he has or NOT!). The entire film is really a tour-de-force for Black (who knew that he could SING this well!?) and a "brief for the defense" in the controversial case the man became involved in.

It would have been more reasonable for Black's name to be the only one above the title, but he is joined there by Shirley MacLaine giving a performance which will remind many of her role in STEEL MAGNOLIAS (only ten years later) and Matthew McConaughey as a slimy prosecutor (best scene in the picture: when he realizes that NO ONE in his town supports him). Second best: the delightful (and accurate) breakdown map, from a Texas perspective, of the different cultural parts of their state.

The picture NAILS everything in the South-South West that makes me glad I live in the North East, but having LIVED there, I suspect the natives will view it as an affectionate self portrait. In many ways it is.

I had the privilege of seeing this film in Austin last month. Mr. Linklater was among the thousands devastated by the fires in Bastrop county and with his hard work and help from Jack Black and crew they turned the screening into a fundraiser to help the fire victims. They raised over $155,000. It was a great event. The movie was the best part. If you live or have lived in a small town anywhere in America you'll 'get' this movie and you won't be able to stop laughing. If you're in Texas or you hate Texas, it'll be just that much better. The characters are real, the acting is superb. Jack is at the top of his game and Mathew did an outstanding job. He played his role right on the edge, always close to going over the top but never getting there. Shirley is a gem and acted like I've never seen her before. Thank you Richard for your film and your efforts in Bastrop. My farm survived, but too many friends lost everything. Oh, and thanks for letting me be in this film. Woohoo that's me at the end Ma!!

Last Friday a theater full of cinemaphiles (in what one old codger in the film calls "the People's Republic of Austin") LOVED it! It was Jack Black's best performance in the most demanding role he's ever attempted. Shirley MacLain was brilliant in developing a complex character in what was almost a non-speaking role. Supporting players, the funeral director, the broker, the sheriff, were first rate - but the major character in the film is the Greek Chorus, dubbed "The Gossips" by director Linklater, comprised of a score of actors and local townspeople who narrate the reenactment of real events in a docudrama, combining interviews that have the look and feel of modern Reality TV with techniques that were used in the earliest silent films, like the use of title cards to indicate the passage of time and the shifting focus of the story. A brilliant job by Linklater in creating a noir comedy like "What's the Trouble With Harry?" while sustaining a clear trace of the human tragedy and sadness that underlies the story. WARNING: Don't miss the opening! It's a grabber!

Director Richard Linklater is known for his small movies and the quirky characters within them, as well as the realistic portraits he captures. In Bernie, Mr. Linklater captures the essence of a small Texas town and the true crime story of the bigger-than-life character loved by all.

Mr. Linklater perfectly casts Jack Black (with whom he had done School of Rock) as the community's favorite citizen Bernie, Shirley MacLaine as the rich, bitter widow with whom Bernie becomes entwined, and Michael McConaughy (another Linklater alum, on the cusp of his career makeover) as the district attorney who must prosecute Bernie despite public opinion that Bernie should go free. All three stars give wonderful performances – most of all Mr. Black who restrains himself from his usual attention-grabbing antics and gives a well-controlled performance, including several songs that were quite unexpected.

This beautiful character study has its moments of comedy, but it is the finely detailed performances that make it something special.

I get that people from a smaller town in the US may see something in this movie, but that's not being objective, no... That's being blind by your local connection to the movie.

Reviewing this movie from an objective perspective, unlike previous reviews, this movie has very little to offer. The story is thin, even based on a real story this movie is uninteresting. Yes, maybe it has a point, but the point is totally meaningless. There is no need to tell this story. One could think that, by this person Bernie being so special, the story could be worth something, but no, it's not.

Also, the pathetic character build-up on Bernie, really makes me sick.

But wait! Most movies have got something, and in this case it's Jack Black's performance. Jack Black is really excellent as Bernie, and I'd like to credit Jack for that.

I find it hard to give it a 4. The genre is Comedy, but my question is; when are you supposed to laugh? This movie is not funny anywhere in it's 104 min runtime. This move is so unfunny, I had a hard time putting up a fake smile. I'm sorry, this movie is everything but a comedy. In the end, I'll give it a 4.

An interesting way to do a biopic, considering that it was practically half-documentary.

The only thing about this movie that I can't fault is the acting. Jack Black plays a convincing character without falling back on his usual comedy staple, and the rest of the cast aren't wooden and fit their respective parts very well.

The main issue I have with this film is understanding why it was made. The story isn't particularly interesting, even though it's true. The film feels overly long and drawn, and by the end you're hoping against hope that the pay-off for your time spent enduring the dullness and slow pace is going to be worth it, but it most definitely isn't. You're just left feeling unsatisfied and wondering why whoever decided to make the film felt it worth making, as it was very much not worth watching. The story really didn't need telling further than perhaps a short article in a local newspaper.

If it had been beautifully shot, directed, scripted... anything really, it might have done something to dispel the disappointment, but it wasn't. Everything about this film, other than perhaps the acting, is decidedly average and uninspiring, with a storyline and ending to match.

Good acting by Jack Black and Matthew McConaughey; well told story, well directed, well dramatized.

I knew very little about this film prior to viewing aside from the 3 key actors. All give understated performances, pretty surprising for Jack Black. Both Shirley MacLaine and Matthew McConaughey are also kept under control in terms of dialogue. It is a very story focused film and the presentation is very well crafted. You are drawn in right from the start and are never quite sure where all this is leading to.

It's a blend of film noir, interspersed with comedy, and drama. Entertainment in a quirky way. And surprisingly all based on a true story. Well worth watching. Reminded me of a good Coen brothers film – without the violence.