Eden

Saw this movie at SIFF and STILL can't stop thinking about it. Script, direction, acting, and cinematography are all impeccable. The three leads are perfectly cast. Matt is desperate, hardened, and yet strangely likable. Jamie does a fantastic job as well in a role that requires serious vulnerability and emotional depth. Megan Griffith's directing is superb and the style and tone of the overall film is spot on. I was on the edge of my seat the entire time because the story is so captivating and hard to believe. I'm dying for this film to hit theaters, because it is so incredibly well done. I want to read the memoir it's based off of after seeing the lengths this girl went to to escape from captivity. Thank you for tackling this story and subject matter!

Maybe I'm jaded, I'm sure I am but I just spent a good couple of hours looking for more information on this true story and came up with nothing apart from mentions of this movie and interviews with the main players.

The movie itself is well made and yes disturbing, even more so since it's true,.... but the implications of it being a true story are huge, and the evidence of anything about these huge implications are completely missing from the official record. A network of kidnappers running a sex slave ring on American soil with members of the American police force involved high up in the organisation. Those are some serious allegations. And a women escapes the clutch of these murdering kidnapping crime lords, and tells the story, that's got to put a price on her head and make her a target? And we'd expect to see some notes run before the credits filling us in on the details of this case, because it's based on a true story, but we get nothing, and there is nothing we can find, there is no movie website that fills us in on the rest of the story. Just the main character telling her story, unsubstantiated and alone. It may well be completely and devastatingly true but because of the way this film presents the information and the fact that they've used the 'based on a true story' tag, that brings a certain degree of responsibility, and it's possibly one of the main failings of this film. Nothing is substantiated outside of the people involved in this movie.

As a story it stands up OK, but as a true story, well the story remains half told. Can anyone find any more information on this case? Did nothing come of her allegations, did no one get caught? Is there any evidence to corroborate this story outside of Chong Kim's words? Surely for a story this big there should be a trail of arrests and investigations. All the online material links strictly to Chong Kim and interviews with her. None that I could find links to her case from a third party or the police. Suspension of disbelief? I don't know what to think.

As you've probably surmised, EDEN is not entirely "fun" to watch, but it's no more disturbing than it has to be. It's also rewarding in its revelation of an often-ignored problem in this country via a well-detailed and riveting story-line. Director Megan Griffiths did an outstanding job of treading a very thin line, making the film as tasteful as possible considering the subject matter--i.e., no gratuitous nudity--without sugar-coating the story. The level of empathy the audience attains with these poor girls is most acute. EDEN is quite convincing despite several stretches and unlikelihoods. While the plot of this film may appear predictable at first glance, there are some truly unexpected developments here.

Though a bit larger-than-life in places, Jamie Chung is just hypnotic as victim-heroine "Eden." The script is similarly believable and carries a lot of weight in developing Eden and the other characters. The mistrustful alliance she builds with one of her abductors (well-played by Matt O'Leary) is as immediate as everything else in this film and is one of its realest aspects. The supporting cast who play characters we never get to know that well, particularly Tantoo Cardinal as "The Nurse," also contribute a great deal to EDEN's success.

The "Behind the Scenes" Special Feature should not be missed after watching the film itself.

I realize this subject carries gravitas, and I also realize that the intentions behind the film are good, but this is presented as a dramatic piece and not a documentary, so, to speak of it only in terms of the merits of its subject matter is not particularly helpful if the object of a review is to also address film-craft. Understandably, this movie deals with "white-slavery" and is not purporting to be about inner city black teen prostitution, but I couldn't help notice that the film makers walk an ambiguous aesthetic line when it comes to portraying exceedingly beautiful girls in detention whose hair and makeup is rather inexplicably ready for prime-time whenever the camera cuts to a close-up to show them rolling out of bed in their underwear. No effort is given to show the day to day crafting of that beauty image if that is supposed to be the point; rather, we are left to wonder how much of our own voyeuristic sentiments are being teased by this somewhat glamorous dramatization. Characters are not well defined in this film and their dialogs are piling up the missed opportunities to deepen our understanding of their merging predicaments. Though much attention seems to be given to the protagonist, little is in fact discovered about her transformation. The "Eden" script often feels like it resulted from a weekend course in screen writing, after the author learned to plug-up emotional holes with convenient tricks, like losing a high school ring that is supposed to symbolize the link to family, etc. The henchmen and orderlies in the "prison facility" where she is held are cut out of cardboard and resemble the comical beefy sidekicks in low brow action flicks. It is wholly unclear what they get out of this deal, or why they stay at all. If indeed their motives and rewards are sexual, we would never know it, because the picture dances around its main horror-show: forced sex. I know that in America, sex is and will always be a problem to be skirted, however, since this is a film about forced prostitution, and it is implied that the main character might be a virgin at the onset of her ordeal, it boggles the mind that the story is presented so as to avoid direct confrontation with its own most pressing crisis: violence and rape. Understandably, portraying those in the correct measures is challenging but that is precisely what determines the measure of quality, and craft, in a film which is supposed to tackle such a hard and mature subject - on the other hand, it seems inconceivable to me to deal with sex-trafficking as a dramatic piece by prudishly dancing around the reality (I am tempted to write Reality with a capital "R") of sex being forced on young women as their lives are being destroyed. Whitewashing is the word that comes to mind. Even if we agree that some things cannot be shown, Eden's own dialog persistently avoids confrontation with her own sexual experience and discovery. Clearly, good intentions went into this picture, and actors Jamie Chung, Bo Bridges, and Matt O'Leary give it their best shot, despite having little to work with most of the time; still, after viewing the movie, I listened to a 20 minute pod-cast interview of Chong Kim, the woman whose ordeal this film purports to be based on, and discovered that her (real) story is in effect a much stronger dramatic piece. Incidentally, when I first watched the movie Taxi Driver in the 70s, I was still a teenager, and the portrayal of the fictional teen prostitute played by Jodi Foster affected me deeply - one reason is that her character's plight is distinct, and strong. She is not the protagonist in the film, but so much was accomplished with so little, because the picture as a whole was so well crafted that its impact reverberates on and on. Film is craft.

I watch a LOT of movies so I'm used to formula, which all too often is what is relied on these days. I was therefore pleasantly surprised by Eden because it's not in the least predictable, and I can only imagine that's because its based on a true story. I don't know how MUCH of it is true but you can definitely see that elements are not the product of a script-writer's imagination.

Why? Because they are simply too sickening to be made up. I won't discuss the plot elements, other than to say it's about kidnapping young women to sell them into a life of sex slavery. Yeah, fun stuff! That said, it doesn't rub your face in the gruesome details of what the girls are forced to do, but rather focuses on the experience of one person, the Eden of the title, as she works to free herself from a seemingly unwinnable situation.

Played by Jamie Chung, at first she seems to be an almost unbelievably naive and trusting person but gradually her gritty determination is revealed as she turns the tables on her kidnappers. This part is the most satisfying because it's not far-fetched or predictable. The characters are all well-played, with a rare turn by Beau Bridges as a completely evil SOB.

Jamie Chung is very believable in a demanding role that requires her to be in every scene, and plays it very low-key throughout, using her magnetic eyes to great effect to express what's going through her mind. Matt O'Leary also does very well in a supporting role.

This is a very important film and needs to be seen as widely as possible. I have a teenage daughter and I want her to watch it. As a cautionary tale, it does a terrific job. Far more horrifying than any horror film.