In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think... Read allIn the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
- Awards
- 3 nominations total
Yo-Landi Visser
- Yo-Landi
- (as ¥o-Landi Vi$$er)
Johnny Selema
- Pitbull
- (as Johnny K. Selema)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If there was ever a movie that needed a sequel more than another, it's Chappie.
It's literally probably the best movie I've ever seen, still (and it's 2021 as of this update/writing).
It's literally probably the best movie I've ever seen, still (and it's 2021 as of this update/writing).
I really liked this one. There's some obvious '80s influences here, from the criminals looking like something out of a Mad Max movie to the Short Circuit and Robocop elements. There's even a bit of a He-Man cartoon shown at one point. It's an intriguing and certainly entertaining movie, if not an overly original one. I think some critics are unhappy with the lack of pretentiousness that was present in Neill Blomkamp's previous work. Here the "messages" are more universal and less political. Some people only like their sci-fi if it carries with it an obvious metaphor for a topical social injustice. You can even find such metaphors here if you try but subtlety is not a zealot's cup of tea. Overall, I thought the script was good and I really liked the upbeat ending. Another nitpick I have about the modern critic is that they think the only good sci-fi story is one with a downer ending. The special effects are pretty amazing. The acting is solid all around. Dev Patel, Yo-Landi Vissir, Ninja, Jose Pablo Cantillo, and Sharlto Copley (voice & motion capture for Chappie) are all great. Hugh Jackman has a rare turn as the villain here and does a terrific job, even if I do hate the obligatory clichés his character is saddled with. That haircut, though...
Maybe it's not for everybody. I have friends that haven't seen it yet that I'm fairly certain will bitch about it and pick it apart, like I see from many reviews on here. But that's their loss. I'm happy that Blomkamp tried to make a movie that's not dumb by any stretch but also isn't just aimed at the elitist film snob crowd or soapbox bloggers.
Maybe it's not for everybody. I have friends that haven't seen it yet that I'm fairly certain will bitch about it and pick it apart, like I see from many reviews on here. But that's their loss. I'm happy that Blomkamp tried to make a movie that's not dumb by any stretch but also isn't just aimed at the elitist film snob crowd or soapbox bloggers.
I went into Chappie as a huge fan of the gritty action and social commentary of District 9. I expected that this would be more of the same. Both are still present, but surprisingly, with laughs.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
Concerns over the use of drones to kill people and the use of military equipment by police make Neill Blomkamp's "Chappie" more relevant. The use of an all-robot police force recalls "RoboCop", while the concept of a droid who has human qualities brings to mind "Short Circuit" and "AI: Artificial Intelligence"*. Although some scenes in the movie come across as silly, I interpreted it as a warning about over-reliance on technology for law enforcement. The South African setting makes sense: four decades of institutionalized racism gave way to one of the highest crime rates in the developed world.
In the end, I recommend the movie. It's understood that Chappie simply wants to be able to live like everyone else. The plot holes don't drag the movie down at all. Sharlto Copley, Dev Patel (of "Slumdog Millionaire"), Sigourney Weaver and Hugh Jackman put on fine performances.
*Another movie focusing on a robot with human qualities is "Robot & Frank", starring Frank Langella and Susan Sarandon.
In the end, I recommend the movie. It's understood that Chappie simply wants to be able to live like everyone else. The plot holes don't drag the movie down at all. Sharlto Copley, Dev Patel (of "Slumdog Millionaire"), Sigourney Weaver and Hugh Jackman put on fine performances.
*Another movie focusing on a robot with human qualities is "Robot & Frank", starring Frank Langella and Susan Sarandon.
If a movie has a robot in it, that is part cop, the comparisons with Robocop won't be hard to find. But this is a different beast altogether. Trying to get into a discussion about machines, souls and after-life. Not everything gels in perfectly and nicely. But the director does a good job with a lot of elements. Something that might have spun out of control, but it didn't.
While the name Chappie might remind some of dog (food) and I can only guess that was intended, there is more to Chappie than just being a "pet". Chappie is getting and learning things fast as you'd expect and the lines between good and evil blur at times, if not through the whole movie. That might be tough to handle or accept for some, but if you do roll with it, you'll see a very entertaining movie, that can give you food for thought ...
While the name Chappie might remind some of dog (food) and I can only guess that was intended, there is more to Chappie than just being a "pet". Chappie is getting and learning things fast as you'd expect and the lines between good and evil blur at times, if not through the whole movie. That might be tough to handle or accept for some, but if you do roll with it, you'll see a very entertaining movie, that can give you food for thought ...
Did you know
- TriviaThe house used for Hippo's lair was co-writer and director Neill Blomkamp's childhood home.
- GoofsWith hundreds of scout units in the field, the movie starts by making a point of saying that there is a completely secure way of reprogramming them, ensuring that there is no problem with programming in the field. Yet two characters set out to retrieve the single "key" that prevents this from happening and there is not a single camera, security guard, two-person key lock, or even a janitor in the building that houses the lock.
- Crazy creditsIn the closing credits appears "Be Moved" in large font.
- Alternate versionsIn an alternate ending, Chappie has an army in downtown then ends the footage of William Roberts.
- SoundtracksHappy Go S*cky F*cky
Written by Ninja, Yo-Landi Visser (as ¥o-Landi Vi$$er), D.J. Hi-Tek (as DJ Hi-Tek), Motohiro Kawashima
Performed by Die Antwoord
Courtesy of Zef Records
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Chappie: Cảnh Sát Người Máy
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $49,000,000 (estimated)
- Gross US & Canada
- $31,569,268
- Opening weekend US & Canada
- $13,346,782
- Mar 8, 2015
- Gross worldwide
- $102,811,889
- Runtime2 hours
- Sound mix
- Aspect ratio
- 2.39 : 1
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