Ruby Sparks

In a world full of remakes and sequels, it is becoming more and more rare to get something truly original. When something does finally come along it is always hit and miss. Backed by a strong cast including Paul Dano, Steve Coogan, Antonio Banderas, Annette Bening, and Elliott Gould, Ruby Sparks attempts to be that latest independent film to bring audiences something new and creative. Can a film with an idea that seems to be based on both fantasy and reality come together to deliver that refreshing film or be just another lost opportunity? Ruby Sparks follows a writer dealing with writer's block as well as a desperate attempt to find love. When the female character he is writing becomes real, his life spirals into various directions trying to determine where his writing will take them. While the story basis for this film comes off a bit unrealistic, the way it is handled makes you buy into the story. For the first half of the film it is pretty funny and creative delivering one of the more entertaining original films in sometime. As it moves forward and towards the inevitable darker tone it seems to slow down a bit making some moments drag a little. Everyone gives a great performance, but Paul Dano really steps up delivering a quirky uncomfortable innocence to the lead that makes it all work. Some of the characters decisions could have been looked at as a bit creepy, but thanks to the way he handled it comes off as a bit more enduring. This is easily one of the more unique romantic comedies to come along in a while stepping away from the normal format and instead taking a left hand turn creating something new.

This is a funny touching film that does get a bit heavy at times and while not a long movie does feel a bit too long at times due to pacing. As a whole, it still manages to work on most levels and accomplishes what it seems to set out to do. If you are ready and willing to take a break from the big budget spectacles of Hollywood, then give this character study a chance you will be pleasantly surprised.

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The film is a lot different from the trailer. It's very good, brilliant actually, fun and enjoyable but much darker. The film shows it as a light weight,playful film, not as a psychotic man who needs to control every small detail in his life including the woman he loves. It is truly brilliant, but go in with an open mind, don't leave the trailer to guide you through the film. I sound like I'm giving it a bad impression. I don't mean to, I came out with my dad and I absolutely loved it, we spent most of the journey home contemplating what we had seen. And in all truths, I want the mum's house, and their water slide, and more!

The storyline is original and very well written. I thought it was great. It's not about superheroes or an action movie or a thriller or a blockbuster. So who would enjoy it? Geeks, smart people, romantics, sci- fi lovers ... Regarding the latter, I'm sure the writer was not thinking in terms of sci fi, but it meets my #1 criterion for great sci fi, namely, it changes one aspect of ordinary reality, preferably the here and now and not the distant future, and through that change gives insight into that ordinary reality that we live in. Despite its' being about impossible fiction, it seemed more real than most movies. A lot of the best writing has a writer as the main character - so maybe it's true that one should write about what one knows best. Of course, it's about romance and objectification as well and that's well done as well.

The unique Zoe Kazan wrote and stars in this quirky, fascinating, and original film about a writer with writer's block (Paul Dano, Kazan's real-life main squeeze) who invents the girl of his dreams, writes about her, and watches her become real.

While this film has been billed by reviewers and marketed by publicists as a "romantic comedy," in many ways it's not. It's both more and less. Less predictable, certainly, as the endings of modern romantic comedies are notoriously pat. More ... what? Strange? Edgy? Depressing even (at times)? Maybe all of the above. But ultimately upbeat.

The gifted Paul Dano has created a character - a young woman - who is exactly who he wants, or at least so he thinks. It's not until he meets his ex at a party 2/3 of the way through the movie that the audience really begins to understand what's going on. And it's not just hearts and flowers. But no spoilers here.

That Kazan pulled off both this original idea AND the ability to end it in a way that made sense yet left unanswered questions that should be unanswered is testimony to her screen-writing talents. Her roots here are strong: both of her screen writing parents and her famed grandfather Elia. But Zoe is also extremely appealing as the film's title character, showing a range of acting skills that could make her a star.

And for fun, we get Bening, Banderas, and Gould, all enlivening the proceedings.

Original movies are hard to find, and when you find them, often hard to watch. This film is both original and very watchable.

What do you do if you're a struggling actress searching for the right part that will help separate you from the hungry pack of millions of other starving wannabes? Well…you write one for yourself of course. Zoe Kazan, who has made a living with smaller supporting roles in a variety of films, (Revolutionary Road, Happythankyoumoreplease, It's Complicated) writes and stars as the title character in Ruby Sparks, a role that is bound to officially put her on the map. She doesn't allow you to take your eyes off her, and has loads of fun playing with the mass amount of emotions that come from being the figment of a possible crazy person's imagination.

Ruby Sparks is creative, original, highly entertaining and one of the best films of the year. Directors, Jonathan Dayton & Valerie Faris, team up for the first time since 2006's breakout film, Little Miss Sunshine, and provide the same zeal and love that made it a huge success.

The rest of the cast is nothing short of phenomenal. Paul Dano (Cowboys & Aliens, There Will Be Blood) continues to build on his reputation as one of the strongest actors of his generation. Great actors make great choices with their role selection, and Paul once again shows he has fantastic taste. Chris Messina, who seems to appear everywhere (Film…Julie & Julia, Greenberg, Away We Go, Devil, Like Crazy, TV…The Newsroom, Damages) is strong as the side man once again, and is more than ready to be major star. Acting legends Annette Bening, Antonio Banderas and Elliot Gould jump in for short periods of time making huge waves and leaving long lasting impressions.

Unlike most romantic type movies, Ruby Sparks doesn't feel like a retread Kate Hudson…Sandra Bullock…Katherine Heigl cheese fest, and is filled with a fun, creative energy that is too often missed in rom-com's. Ruby Sparks is superb on all fronts, and as a movie of the year candidate shouldn't be missed.

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