The Oath

The Room. Samurai Cop. The Oath. These three films stand in a class of their own.

No matter which way you look at this, it's very amateur. Right off the bat, it was obvious the editing was very shoddy, and there is hideously overdone color correction throughout the entire thing. Besides some drone footage, the camera work is very bland, and there is a frustrating lack of deep focus shots, leaving any scenery just a blur in the background. The worst thing is it's irredeemably boring. Almost nothing happens, and scene to scene things are repetitive. The camera doesn't do anything interesting, and neither do the characters. The writing is as weak as the editing. It was very forced and cringey, and more than once I groaned audibly from something akin to physical pain. Lastly, and I mean no offense to the guy, but I was getting tired of seeing Darin Scott's face; he just doesn't have the charisma to justify that amount of screen time (or the number of thirst traps he wrote in for himself...).

I'm happy that the guy got to make his movie in the exact same way I'm happy for Tommy Wiseau.

If you want to look at this movie on a technical level, I encourage you to move past this review and read the many other lengthy entries. I agree with most of the ones I have read personally. I really seek only to criticize the film on terms of its faithfulness to it's stated mission and the source material it is said to be based on.

To be frank, this is not a Book of Mormon film. While it claims inspiration from the events and people recorded therein, it does very little to communicate the message of the Book of Mormon. This film did not deserve to be associated with scripture and had very little reason to. This film could have substituted characters and places for others of similar but fictitious nature and the movie would have faired much better.

The romance was totally unnecessary and it totally sidelined the importance of the "message" of the film. In spite of being a faith-based film, it was devoid of anything spiritually-minded. God and Jesus are only mentioned in passing dialogue, not the central focus of the film. This film should have shouldered the purpose of showing "unto the remnant of the house of Israel what great things the Lord hath done for their fathers; and that they may know the covenants of the Lord, that they are not cast off forever-And also to the convincing of the Jew and Gentile that Jesus is the Christ, the Eternal God, manifesting himself unto all nations..."

If you are going to dramatize any portion of scripture, respect the purpose of the scriptures. These plain and precious things are precious pearls, and to make a film like this and claim association is to trample them under your feet and turn and rend the very men and women who devoted their lives to bringing truth to the earth.

Nice try, Darin Scott, you have my respect, but never do something like this again.

I really want a good film adaptation of the Book of Mormon. I REALLY want to see one. Because this film is... not that.

On a technical level it's not terrible. I mean, the cinematography, blocking, and editing usually make things more confusing. And a lot of the visual effects are things I recognized as nearly-unmodified stock assets from After Effects. But moment to moment it doesn't look bad.

It's clear Darin thought he was making a powerful movie. After all, it wears its influences on its sleeve (especially the ending, ripping off Braveheart and Gladiator back to back). SO many slow shots of Darin staring wistfully into the sunset.

But everything just feels a little too, well, ego driven. The whole story and everything in it only exists to make the main character look like a chad. And, like, freedom stuff.

Ultimately, for all the times the main character mentions God or Jesus Christ, the movie feels strangely devoid of any real spirituality. It's never clear what "the oath" is meant to refer to, or what the plates mean to him, or how he is in any way a prophet. He's just... a guy with big arms and massive main-character syndrome.

The Book of Mormon deserves so much better than this.

Like many, I backed this film and would love to see a Book of Mormon story brought to the big screen with broad appeal. I appreciate the director's efforts, and I know he was faced with serious obstacles in delivering this film. That being said, the script really needed some work.

I'll start with a few positives. The costume design, soundtrack, and filming location were all beautiful. That's why the three stars. The cinematography was fine, but there were too many tight shots. At times I had no idea what characters were looking at and kept hoping for a wide shot to give me context.

Unfortunately, one can't recommend a film based on music and visuals. Foremost, I first look for a compelling plot. I would've watched this had it been filmed on an iPhone and accompanied with stock music, if only the characters and plot had real substance.

The Book of Mormon explains next to nothing about this chapter in Moroni's life. But it does seem to be a sad and solitary time for Moroni. For a man who thinks he could die at any moment ("I wander whithersoever I can for the safety of mine own life" Moroni 1:3.), a romance was an odd plot to pick. I suppose it could've worked if the characters were fleshed out more. Yes, Moroni was physically alone, but why did he feel alone? What were his flaws, desires, or challenges? These things were either not clear or poorly conveyed, which leaves the character falling flat.

In short, the lackluster characters, shallow plot, some awkward dialogue, and even a couple uncomfortable scenes made me want to walk out of the theater. Maybe it was just me; the room was half full... Though I did count 3 different people checking the time during the movie.

I have followed the production process of this film for over a decade. I know the true story it is based loosely from. I bought tickets early and brought friends. We drove nearly 2 hours on opening night to see it in an empty theater. And then I was frustrated with so many things it is hard to say what were the good parts, because even the good stuff was so overdone it took away from the story.

First of all, I don't like author opinions at the beginning. Let me make up my own mind if I think it is good and worthy of praise. From there, the story started far to slow. Nothing to grab your attention. Not enough dialogue to know anything about it. Just leave off the captions all together if they are only used every once in a while. It's not even a recognizable language. There's no need. If this film was meant to tie a story to the Bible, it missed the mark.

There was no character development. Who was Moroni? The backstory of two fueding brothers thousands of years before was referred to several times, but that tells us nothing of the main character. There could have been flashbacks to battle scenes, his earlier family, anything. The woman he meets, who is she and why is she running? She got hit 1 time, but wasn't there more reasons for running away? The girl's sister, what was her name? In fact, you learn almost no one's name but king Aaron, who has a terrible accent that changes constantly. Was he a nephite? How did he become king? What's his problem with Moroni? If king Aaron was hunting Moroni before the girl escaped, there was no way of knowing it.

There was no real plot development either. Was this an oath to his forefathers, to a woman, what? The story made no sense. There was no passing of time or place. I couldn't tell the hunting party was gone more than a few weeks until a pregnant character appeared. No night and day, no seasons, no campsights, no change in scenery the whole time. If Moroni was hiding, why didn't he get further away once he met the girl. If she found him, others would.

There were too many similar scenes, someone sleeping, someone thinking, someone walking, etc. Almost no action or acting. Too many tight closeups. I don't even remember seeing King Aaron at full length the whole time, or the whole hunting party, which appeared to grow and shrink. There were too many scenes with sunlight over Moroni's head. That should be used sparingly. Too many times the music swelled with feeling but I didn't see why. It felt forced. The end was anticlimactic for me. I was relieved it was over.

I left very disappointed and a bit embarrassed I had publicly shared my excitement toward this film.

Someone in the process should have been more honest with the creator and reigned in his enthusiasm for the project until it could have been a better end product.