Computer Chess

I thought it was real for an embarrassingly long time. Which made it that much greater. If you go watch this with your friends, I recommend you tell them it's a documentary.

The filming, the conversation, the characters are all very life like for that day and age. The realism is also one of its shortfalls, because at times it's a bit boring.

This is a masterpiece of simplicity and intelligence. Beautifully shot with a PortaPak camera in early 80's style, or at least it looks like one. Story of passionate people in search for love. Computer Chess! What a wonderful idea to gather a plot. Specially when you have a drop of new age religion involved and strong sexual energy restrained. Sincerely humorous, this film hits the point. Specially in today's technology-obsessed universe. Acting is so convincing and natural that one can easily think of it as a documentary, but its not - its art. Reminds on early Cassavetes. I will definitely wait for Bujalski's next film. Personally, best at Berlinale 2013. Love this film.

I had absolutely no clue what I was letting myself into. Just that a friend of mine was telling me I had to see it. It played at the International Film Festival in Berlin and I can only say my friend was right. If there is just a slight geeky/nerdy side in you, you will like this movie too. The fact, they had me guessing for a second, if that was actually made back when this is supposed to play is just great.

Of course, even if you don't know if this is a real documentary or not (it's not), you will get this very early on. But the jokes are really funny and even when it seems to be dragging a bit, it will pick up speed again and deliver on its funny premise. The acting is great and the film does look as old as it is supposed to look. Jokes work nicely and the overall feeling is just great. Check-mate

"Computer Chess" is a trip. It's a trip back to the 80s when nerds reigned supreme (if only in their rather limited social circles). More than that, it's a mind trip of dweebish proportions. We'll get to that later. First a few things you should know: The movie is almost entirely in black & white, rather grainy & unappealing video (4:3). This can be somewhat tiring on the eyes, compared to the 1080p digital glory we're accustomed to. But before you pass judgment you should know that the filmmakers purposely used an old Sony AVC-3260 b&w tube camera from the 70s. Director of photography Matthias Grunsky explains:

"These tubes also have a very specific soft character, which would not be easy to recreate in post. The cameras had electronic issues and sometimes would generate electronic noise when touching the camera body or the lens. All these artifacts combined add a transcendental character to the image and help express the sometimes unexplainable things that happen between man and computer in our story."

So right off the bat you can see that the film is artistically motivated. Whether you decide that it has significance, or whether you think it's just an annoying gimmick is up to you.

The second thing you should be ready for is near the end it makes a leap of logic concerning technology, in particular, artificial intelligence. Normally I don't care when science fiction films go off the deep end like that, but this film is closer to historical fiction (and does a great job, except for this one glitch). Overall it presents the rather ho-hum reality of technology in the 80s, and the humor is that 80s technology sucked! That's why it came as a surprise in one scene where suddenly technology surpasses what we could even hope for today. But I admit that plot twist is essential to the story & message. So, my fellow pocket-protected geeks in the audience, try to take it in stride.

The rest of the movie gets nothing but high praise from me. It's surprisingly accurate, and if you haven't guessed, I was an 80s kid who grew up thinking "Pong" and the Radio Shack TRS-80 were the greatest things the human race could ever achieve... so I knew that mentality well. How hilariously ironic it is to watch a movie about a conference of nerds who are lifelong-obsessed with creating a computer chess simulator which, today, wouldn't hold the average gamer's attention span past the welcome screen. But irony is the backbone of this film, and if you enjoy ironic comedies like "Ed Wood" (about the worst director who ever lived), "Best in Show" (about a bunch of freaks competing for whose dog is prettiest) or the unintentionally hilarious documentary "Anvil! The Story of Anvil" (about an 80s metal band called... can you guess?), then I think you'll get a real kick out of "Computer Chess".

An extra little push over the cliff, which some audiences may not like but I found intriguing, is the hyper stylistic approach to cinematography. Although visually bland (black & white video), there are some artistic tricks that the director used. For example, despite the nuts & bolts visual presentation, the director achieved a degree of surrealism by using quirky edits (unexpected, disorienting jump cuts) as well as deliberate audio synch mismatches. This compliments the rather surreal turn of events that occur--things that make you wonder "WTF just happened?" Some scenes seem totally random and disconnected, but memorable nonetheless. And without spoiling anything, I can say that "Computer Chess" has one of the most WTF endings I've ever seen.

Definitely not for audiences wanting to be dazzled by theatrics, visuals and fantastic plots, "Computer Chess" is a very minimalistic yet highly entertaining step back in time, giving us the rare opportunity to appreciate the absurdity of "hi-tech" in hindsight. The whole film happens over the course of 3 days in a roadside motel. But it's still a masterpiece. Sort of like the famous minimalist film "Das Boot" shot entirely in a submarine but full of depth & meaning, this movie shot in 2 or 3 rooms with no props but a bunch of dusty old computers really packs a lot. Maybe an alternate title for this nerdfest could be "DOS BOOT".

Hey, laugh it up. I worked a long time on that stupid pun.

I don't want to reveal too much here. No spoilers. I did not know anything at all about Computer Chess before I sat down at the local rep house to view it, maybe you shouldn't either. It seemed like it was an old documentary about an early (1979) contest to design a computer program that could beat a human being at chess. I thought, as I was watching it, that eventually the documentary would jump to the present day, and interview the participants in that contest, and provide revelations about the the development of artificial intelligence, and perhaps about the evolution of the participants in that early competition. But, at some point, maybe 10 or 15 minutes into the film, I realized that what I thought the movie was about was not at all what the movie was about. And I thought to myself, Wow! Incredibly the movie manages to merge a story about a bunch of extreme tech nerds with a story about a bizarre cult of seekers of sexual and spiritual awakening. My movie-going companion and I were both entranced all during the film, and couldn't stop talking about it afterwards.

This movie is the real deal: it's what we used to go to the movies for. Complexity, surprise, enthrallment, humor, enigmas, revelations. Ambiguity. Somehow a bunch of people down in Austin, Texas made the perfect movie.