Closer to the Moon

It is always gratifying to find a film you do not know anything about and it becomes one of your favorite movies.

Director/writer Nae Caranfil has taken an obscure incident in Soviet occupied Romania in the late 1950's and has offered it up to the 21st century cinema to give us a most pertinent message for today's world.

That message is not robbing the bank! The message is to be found in how the system (society) can single out certain groups and marginalize them into committing a desperate act --- and not really have any reason to do this act but to just fight back.

The entire cast is perfect in their individual roles, the script is intelligent, the photography beautiful! This film should a 10 in anyones book!

Unless you have at least some basic knowledge about Communist Romania, this movie might seem very far away from a rating of 10. As the story unraveled, it sucked us into an atmosphere that most of us feel is long gone, and nevertheless, so close to us. It's the period when the first cracks in an apparently perfect egalitarian world started to appear. Robbing a bank with guns in a communist country is like robbing a supermarket of its toilette paper. Money then and there was useless unless you could justify its origin. And that is what makes this story so strange for us. But there are many, many other layers to the story. The cast is great. The historical background is fascinating (at least for us, Romanians). And the cinematography is far above average. This movie was like a breath of fresh air. One full of poisonous gases, as seeing the movie, you will discover that there are many things about the human race that will upset you, but at the same time, air that provokes an uncontrollable laugh. Some people in the audience didn't appreciate the jokes. I did, because I considered it was the only way not to make the most depressing movie in the world. A masterpiece that will most probably be considered as such many years from now, when people will start making movies about our not so egalitarian society.

I was so completely entertained by this little film. I understand the historical data is highly accurate and appropriate for the Romanians that have lived in that exact period - which I respect so much . The amazing cinematography traps you along with power-house performances from Farmiga and Strong, the story is simply amazing and unique ( i think we all crave for unique stories nowadays). Caranfil's directing took me by surprise because I have never expected this level of craft from a director also trapped in a country where films at this scale are only a dream. I loved every single one of the shots and the editing was also amazing. I really hope Caranfil will make more movies like this - keeping the amazing dark, funny and artistic tone. ( See The Rest is Silence - it maintains that unique blend of tones ). One of the best non- American films i've seen in the last couple of years.

Much like JFK's assassination, the Great National Bank Robbery of 1959 is shrouded in mystery, the first being whether the robbery did in fact take place (or was instead fabricated to justify the purging of undesirable party members), and the second concerning the motives for the robbery. Here, Caranfil depicts the robbery as a real event symbolizing an act of resistance against a communist regime that has failed to live up to its ideals. It's an idealistic plotline that molds the protagonists into crafty anti-establishment heroes, and that's fine in principle, but I don't think he manages to convey his story convincingly.

The main problem is that Caranfil empowers his protagonists to the point where it becomes difficult to feel pathos for them. Rather than endowing them with a tragic backstory to make their suicide mission believable, he depicts them as privileged party members who live care-free and suffer from existential boredom more than anything else. And although their fate is ultimately in the hands of the authorities, they always seem to be in control of the situation: they plan and execute the heist without a hitch, knowing that they will get caught; they laugh at the authorities during their trial, and they make a mockery of the film shoot without getting reprimanded.

As far as authenticity is concerned, it also doesn't help that the director chose an English-speaking cast and portrays communist Romania as a rather idyllic setting (granted the late 1950s were a more liberal era than what came afterwards). That said, I give him credit for at least shooting it in Bucharest and having the actors pronounce the Romanian names accurately.

To be fair, it's not a terrible movie from any technical standpoint (acting, set design, cinematography, etc.) and I found it both genuinely funny and cringy, because you can't overlook the absurdity of 1950s Romanians speaking English with British accents (note: if you enjoy that, I recommend the 2017 TV-series Comrade Detective). But my impression is that the director missed a golden opportunity to create a black comedy that is both tragic and comic, choosing instead to shoot a light-hearted parody.

Vera Farmiga and Mark Strong played Romanian Jewish Communists who along with three others plot to rob the Romanian State Bank, a crime punishable by death. The court and country decide to use the case to teach a lesson in propaganda film. The burglars are acting as themselves in this film. The burglary was more about robbing the bank but anti-Communist. There is a nice romance in the film as well. Vera Farmiga and Mark Strong gave the best performances in the film. I would have liked to know more about it. The film was shot on location abroad.