In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.
- Won 3 Oscars
- 244 wins & 338 nominations total
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Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Storyline
Did you know
- TriviaThe tree where Solomon sees several men being lynched was actually used for lynching, and is surrounded by the graves of murdered slaves.
- GoofsWhen "Platt" is explaining how to bring the logs down the river, the overseer scornfully asks him where he became an expert in engineering and "terraforming." This a word coined by science fiction author Jack Williamson in 1942, almost exactly 100 years after the scene takes place.
- Quotes
Edwin Epps: If something rubs you wrongly, I offer you the opportunity to speak on it.
Bass: [exhales] Well, you ask plainly, so I will tell you plainly. What amused me just then was your concern for my wellbeing in this heat when, quite frankly, the condition of your laborers...
Edwin Epps: The condition of my laborers?
Bass: It is horrid.
Edwin Epps: The hell?
[chuckles]
Bass: It's all wrong. All wrong, Mr. Epps.
Edwin Epps: They ain't hired help. They're my property.
Bass: You say that with pride.
Edwin Epps: I say it as fact.
Bass: If this conversation concerns what is factual and what is not, then it must be said that there is no justice nor righteousness in their slavery. But you do open up an interesting question. What right have you to your niggers, when you come down to the point?
Edwin Epps: What right?
Bass: Mmm
Edwin Epps: I bought 'em. I paid for 'em.
Bass: Well, of course you did, and the law says you have the right to hold a nigger. But begging the law's pardon, it lies. Suppose they pass a law taking away your liberty, making you a slave. Suppose.
Edwin Epps: That ain't a supposable case.
Bass: Laws change, Epps. Universal truths are constant. It is a fact, a plain and simple fact, that what is true and right is true and right for all. White and black alike.
Edwin Epps: You comparing me to a nigger, Bass?
Bass: I'm only asking, in the eyes of God, what is the difference?
Edwin Epps: You might as well ask what the difference is between a white man and a baboon.
[chuckles]
Edwin Epps: I seen one of them critters in Orleans. Know just as much as any nigger I got.
Bass: Listen, Epps, these niggers are human beings. If they are allowed to climb no higher than brute animals, you and men like you will have to answer for it. There is an ill, Mr. Epps. A fearful ill resting upon this nation. And there will be a day of reckoning yet.
- Crazy credits"Solomon brought the men responsible for his abduction to trial. Unable to testify against whites in the nation's capital, he lost the case against the slave pen owner, James Burch. After lengthy legal proceedings in New York, his kidnappers Hamilton and Brown also avoided prosecution."
- ConnectionsFeatured in The Onion Film Standard: 12 Years a Slave (2013)
Who can possibly argue against the power of this kind of movie, and the injustice that it waves as a welcome reminder? Superbly directed and acted (especially leading man Chiwetel Ejofor playing Solomon Northup), and set with high levels of realism in pre-Civil War America, there is little to separate what the filmmakers intended and what they achieved. A work of excellence.
It is not, however, quite the masterpiece it might have been. I don't mean the story or the level of competence here at all. I mean the way the story is told, the choice to simply tell it like it was.
That means that the presentation is quite linear (excepting a few gratuitous flashbacks that seem like a last minute editing decision). And uncomplicated. This is the biggest surprise. I mean, the basics might seem enough—a free black man in Saratoga goes to Washington and is kidnapped and made a slave, and he remains a slave until his recovery 12 years later. But that is actually the entire movie.
Oh, I know, the details are missing in that sentence. But it is these details where the movie succeeds too well. We are shown the horrors of slavery and made to experience them. It isn't that this is ignoble or unimportant. On the contrary, this is an "important" film and should be seen. But in some weirdly surreal way, we already know everything that happens in these details.
Do we need to see a woman, naked and tied to a post, whipped and whipped and whipped, with screaming in our ears? Many will say yes. We need to feel that horror even a little bit (through a movie) to understand how utterly unbelievably horrible slavery was. I would just argue back that I don't really want to be tortured directly to confirm what I already fully agree with. It's just a choice you want to make as a moviegoer. It's similar to watching a kidnapping movie—do you want to experience the inner and outer torments of the kidnapped, or see some larger view of a kidnapping situation and the complexities of that kind of plot?
For me, then the movie was excellent at being literal, but that's not enough. For example, there is absolutely no hint at what the family did when Solomon didn't return home after his trip to Washington. Did they search? Worry? How? Who helped, who ignored them? Etc. That's just one of many complexities the movie avoids for the sake of a direct experience of the protagonist.
I hope that gives a sense of where this unpleasant, terrific movie leaves you, and whether to watch it.
- secondtake
- Mar 1, 2014
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Details
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- Also known as
- 12 años esclavo
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Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $56,671,993
- Opening weekend US & Canada
- $923,715
- Oct 20, 2013
- Gross worldwide
- $187,734,091
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1