Malpractice

I really enjoyed this, it was tense at times with lots of twists. The acting was great too.

Niamh was fantastic.

It's a good medical drama, with a few unexpected bits. You want to hate the investigating officers, but I really didn't. It's believable too. Obviously some plot holes, if things like that happened in real life I would hope there would be bigger repercussions. Just don't think about it too much, take it with a pinch of salt.

I called it quite early on, however it didn't detract from the series at all. I watched it all in a day and would recommend it to others for sure. Just sit back and enjoy.

Excellent miniseries. Well written. Paced to perfection. Intelligently shot.

It didn't drag on too long, nor was it truncated to too few episodes. The casting was superb. And the actors performed brilliantly.

The plot also dealt with a very topical issue: the problem of addiction to prescription - rather than street - drugs. And touched upon the stress of the recent COVID pandemic as well. A strong story that had me hooked through all 5 episodes. Yes, at times a few characters were over-scripted (namely the duo on the internal investigation panel), which was grating, but this can be forgiven considering the quality of the rest of the drama.

It's great to see GOOD telly made once again, considering all the 'pap' put out by TV these days, both in too many other miniseries and in non-dramatic broadcasts.

They didn't labour the 'ah-ha' realisation moments. The viewer wasn't treated like an idiot. So there was no feel to this of a soap-y and lightweight miniseries. This one will stay with the viewer for some time. And it is a good memory.

Medical drama 'Malpractice' has been put together by some of the same team that wored on 'Line of Duty', and it shows: it features a tricksy plot, sustained dramatic tension, and a lot of high-pressure interviews. But it's not quite as successful. While I don't know exactly how allegations of medical malpractice are actually conducted, I found the aggressivley confrontational approach shown here, with doctors treated as if they were criminal suspects, unconvincing. Moreover, there's a reason why so many dramas feature the police: even if a normal individual is caught up in some horrible plot, they don't investigate it themselves. And there's a level of coincidence that at times strains credibility that the story relies upon to repeatedly put its protagonist into the tightest of tight spots. It still has plenty of gripping moments, but as a whole it feels contrived. I still enjoyed it, and Niamh Algar is good as the central character, even if she can't entirely escape the limitations of the script.

It's a truism that it's easier to start an interesting story than it is to finish it. I found this one gripping in the first couple of episodes. By episode 3 I was looking up how many more episodes there were left to go.

The story and the predicament of the lead character got more and more fraught, but it might have been hurried along, in my opinion.

In episode 5, not surprisingly it all reaches a crescendo - but then rather lamely, too smoothly and quickly comes to the conclusion.

I think it's almost a rule now that TV drama serials have one or two episodes too many. I presume it's somehow cheaper to spin out one series out than to generate two.

There are some clichés, for example those TV drama disputes where characters have an argument lasting one minute, which ends when one of them simply leaves the room.

The level of tension was kept high from the first to the last episode of this first season. In the end, they still leave open the possibility of a second season, which I hope will cover the failures of the NHS as a whole, addressing other forms of malpractice.

I also want to highlight the outstanding performances of Niamh Algar as Dr. Lucinda, as well as the entire supporting cast. The chemistry between the characters was palpable, and their portrayal of the stresses and moral dilemmas faced by healthcare professionals was both realistic and nuanced.

However, while the show offered a gripping portrayal of the internal conflicts of healthcare professionals, I couldn't help but notice the artificiality of the investigations into medical misconduct. The speed at which they occurred, coupled with the questionable access to information, seemed overly convenient and unrealistic. As a viewer, it made me question whether such investigations can truly take place at such a rapid pace in the British healthcare system, where bureaucracy and red tape can often hinder progress. Nonetheless, I hope this is something the show will address in future seasons, as it has the potential to add another layer of authenticity to an already compelling drama.