User reviews

Just because they promote From the three-time Academy Award-nominated producer of The Wolf of Wall Street and Two-time Academy Award-winner Hilary Swank doesn't mean a thing when you hire amateur writers and director.

This entire film was underwhelming, slow and convoluted. The normally comfortable 89 min runtime felt endless with the long dragged out and mostly unnecessary scenes and poor pacing. There were far too many filmmaking mistakes, and director co-writer Miles Joris-Peyrafitte also failed to direct his cast properly, because Swank seemed like she'd rather be somewhere else and call in her lines, than in this mess.

Director Miles Joris-Peyrafitte's decent little crime drama "The Good Mother" is spoiled by the screenplay he co-wrote with Madison Harrison (their second such collaboration) having too obvious a 'twist' and too ambiguous an ending. In 2016 Albany, hard drinking journalist Hilary Swank loses her youngest son (an addict) to an apparently drug-related drive-by shooting - which she gets drawn into investigating with his pregnant girlfriend Olivia Cooke (good) and her other son Jack Reynor (always good) who's a cop (married to Dilone). Facts & loyalties fudge as the simple tale winds to its conclusion, which is ultimately, as said... too ambiguous.

Very slow moving to the answers & very limited excitement. Not put together well. I watched because I like Hilary Swank; I was surprised that she played in such a confusing & boring movie. Anyway, don't waste your $ as I did. The film started slow & remained this way; meaning, you're holding onto the story hoping and anticipating that it will make more sense and get exciting, but, it didn't. You would've thought that they would've vindicated the lost son, that didn't happen. And as to why another person was doing what he was; we never found out & there was no outcome to her writings. I felt confused & depressed at the end. I hope that Hilary's next film will be great, because this one is a flop!

6 years in the making? Felt like it was written and rushed through direction over the course of 2 weeks, along with the title. We just don't have enough "The good this, and The Good that" out there, so why not another one. Some parts of this were truly impactful and helped to establish relatable characters and situations. Unfortunately, quite a few head-scratcher moments where clumsy writing would expel me right out from that plausible experience and cause an eyeroll or headshake- including the totally obvious and done a million times over twist play. Some of the more frustrating and pedestrian issues I can't reveal without spoilers. There is no question that Hillary Swank and Olivia Cooke have the talent, but I felt the overall story plot devices were shallow, and it prevented this from being satisfying. I won't remember this in the sea of The Good Whatevers after tomorrow.

Terrible plot, unrealistic behaviors from anyone with a "functioning" brain. Where's the "ending" to this ridiculous movie? Hilary Swank seems to be signing on for "anything" these days.

Every movie should have a beginning, a middle or the "meat" of the story. Then of course, an ending SURE would be nice as well so it can make some kind of sense and have closure. This movie is lacking in so many areas. It doesn't seem finished and as far as I know, there's no PART 2. The title should be "The drunken, terrible Mother". There was nothing GOOD about "Marissa".

Please, do yourself a favor & don't waste your valuable time.

I must have seen many " suspense" films, but this one rates very low, due to a poorly thought out script and very low forms of acting from very highly rated actors.

The story initially centres around the death of Michael the son of journalist, Marissa, played by Hilary Swank, and then the arrival of a pregnant Paige played by Olivia Cooke.

My immediate thoughts were, the pot has been done before, pregnant girl shows up at mothers house claiming its the dead sons, but I was hoping has the film went on there would be a twist to the story.

The film just gets stale and lacks intrigue or suspense. The hope with the film having two great actresses has leads would add some substance to the plot, but has the film goes on it really does not in any way have you sitting on the edge of your seat.

I can honestly say that this is probably the worst acted out character that Hilary Swank has played, not due to her acting, but due to the script and direction.

The ending has you scratching your head as to why I have just wasted 1hr 30 mins watching this, very poor film.

Likes:

The Atmosphere Establishment: -The premise of the movie is a very bleak one, with an all too realistic punch that is hard to see.

-Good Mother captures that, and for those who realism is important, you not only get it, but get the weight of the dire consequences of this type of event.

-A filter from the camera is used to really get the rainy and foreboding nature of the setting, putting that engaging grief and sadness in it.

-Establishments offer little light and safety, dark and depressing to represent the journey through one's own personal journey through trauma and tragedy.

-And every avenue is a question seeking answers, the mystery element always ambiguous or at times dangerous.

-That setting is truly a strong drive of this movie for me, and though some generic settings, the execution adds some color to a rather grey medium.

The Dialogue: -The movie is not the biggest spectacle of modern special effects, gripping action, or even addressing some gripping technology. It's simplistic and very much traditional film making.

-Thus, the writing has a big impact on this film for making it have some flair and splendor. It accomplished this for me, engaging characters coming out in words with again more emphasis on a reality grounded approach to uncovering the truth.

-Every word is a combination of mystery solving, reactions to a family member death, and yet realism of trying to move on from the cloud as things come together.

-And with it, comes these sort of character development moments that really make a difference in my eyes to make things come to life and shine.

The Characters: -The movie again requires the players to be engaging and I give them that in this film, they are kind of engaging.

-Primarily relying on Swank and Cooke to do the lifting, these two have a lot of moxie in their battles with the crime committed.

-Their evolution believable, their moral tests believable, and the love of so much in one performance that it is a fantastically strong chemistry that kept me watching.

-And for those that just love that focus, you're going to get it in large amounts in a short time span.

The Representation: -We talked about this movie loaded with real life scenarios and I think it was done int a respectable manner.

-This movie is going to dive into a lot of social issues, seeking the truth, the depth, and the focus of just what was going on in this woman's world to cause such chaos and investigation.

-And though hard, and not really escaping life, to include it in the tasteful and integrative way is a plus in my eyes for writing and addressing some of the topics that it does.

The Acting: -By far the strongest quality, this movie is amazing in terms of the performances to bring so much to life.

-The first billed is in the stars, so I'm going to focus on the three characters who had the most involvement to be fair.

-Cooke is the one first billed who did a lot of lifting, a young woman who has fire, fervor, but control in her emotions as her character's journey changes. She's tough to keep up with Swank, sweet to help add some resets, and another side that is complex and interesting for viewers like m.

• Jack Reynor is a solid addition, his typical character profile of gruff, strong, but uncertain works well here and I for one found it enjoyable to see him be that little change up to the leading ladies.

• Hilary Swank is the star, as I expected, though. She's that same level of gruff, tough, determined grit but mixed with a splash of tragedy that buffers the warrior woman use. Swank continues to be this character with a focus on being a believable human thrust into another situation.

-The story may be a mystery, but another level is a drama of a woman having to overcome a hard time in her life and the trials that come with it. And she delivers that performance to such a level that I couldn't help but stay fixed on her.

-And the chemistry that she has with all her fellow performers is incredible. A fantastic array that is complex, entertaining, and awkward at times as called for the plot. She leads this group well and was the best part of the movie for me if I'm being honest.

DISLIKES:

The Story -As believable as it is, it's a movie that is a run of the mill plot without enough splash to wow it up.

-The Good Mother sews together about three plots, and most of it is similar to what we've seen on Law and Order, only without the engaging truth to find.

-The twist was predictable, the direction leaving little ambiguity as to who could be involved, and I can't say that it was the best executed for me as well.

The Suspense is Minimal -The movie is supposed to be a big mystery, and it kind of has it for a bit at discovering the big bad behind it.

-Once you figure it out though, or once it's revealed, the suspense boils down to a very small engaging tale that is more about personal growth than solving the crime.

-It is lackluster in terms of wow factor, boring in terms of a satisfying mystery ending, and to be honest, not even a fun build up to the truth. Only the realistic dramatic persona saves anything like this for me.

-And for a mystery, such a benign ending is not going to be very memorable to most of the people watching.

Dark/Depressing: -It's a movie that deals with a lot of things and so you need to be ready to slog through the harder aspects of life.

-Though a very short time to be subjected to it, you have to be ready to get ready for the harsh reality and emotions that come with it.

-If you cannot handle this, then please avoid this movie or you might find yourself down in the dumps, trauma flaring up or just tired.

-However, if you are okay with this, this dislike/warning is not going to be much.

-The soundtrack only further establishes, this indie vibe that will make fans of that genre happy, while fans like me may not be a fan of further dropping the tone.

The VERDICT: The Good Mother has a lot of good about it for being a smaller scale movie compared to what I could have been. The drama and character development are the top piece of the pie, a wonderful assortment of dealing with life's tough moments and having a traumatic event to bind it together. It's a great portrayal of life, a bout of fantastic dive into psyche and working through grief in a way that is unique, and helps give you characters that might actually ring a chord or two with you. As such, this movie wins props for doing well on that front and giving performances that are believable balanced, and a good intrigue to go with the realistic edge. But in terms of the mystery and thriller department, it's lackluster for this reviewer. A predictable and formulaic tale is hindered by the quick run time, the drama and real life issues more in line with their goals that the actual crime/mystery element is swallowed up into a generic and lackluster finish. The moral part of it is hot and in tune with the drama, but for those who love Hollywood's magic making crime more mystifying, this didn't do it for me. In addition the movie's visuals and topic discussion aren't going to be for anyone, and no amount of tasteful showing is going to potentially alleviate the tough content it has to deal with and the drab mood. But if you want this alternative and independent feeling movie, give it a look, but maybe hold off until it hits streaming where the quality I think is maximized.

My scores areas:

Drama/Thriller/Mystery: 6.5 Movie Overall: 6.0.

It's not a bad movie, but whether we like it or not there is a style of movie that we are now used to seeing on the big screen and a style of movie that we are used to seeing at home.

Not just the Marvel movies but Horror movies, expensive sci-f films and comedies are more for the theatre atmosphere. The Good Mother feels like the type of movie that I'm deciding whether to pay for when it comes up on my Amazon Prime Video account.

I don't want it to seem like i did not like the movie. It was a good crime drama, that had some pretty good acting. It was a slow drama that went by too fast, but it was a cool story to unravel, and I would recommend paying the money to see it in the comfort of your own home.

This is a super slow burn. I typically like it slow and sexy, but the general writing and obvious lack of real life experiences on the subject matter was obvious. The writing was just not up to the level of the talent.

If the writer(s) don't know the real world of drugs then they should have focused on the other theme of the mother getting back to her life as a writer (I assume they should know a few things about that).

I was initially drawn in with the expectation that it would be about the mother getting her life back. That's not what happened. There was the typical movie plot twist with an ending that left you not knowing the choice made.

Hilary Swank was the only reason I watched and it was a total dud. She got her money and ran. 😆

You spent that much on talent for a terrible, long, drawn out boring, nothing happens script. I don't even understand how this film made it to Netflix.

I've seen better Indie films than this. The script needed a few more passes before it was worth filming for sure. The rest of the actors were mediocre and the story line predictable from the jump. Without say what happens it was extremely slow and you think maybe something will happen here and it doesn't. I do Not recommend this film even if you have liked Hilary's past films. 👎🏻

I try my best to believe that we are not running out of good ideas. There are many mystery thriller films that have gone through the public gauntlet to become glowing examples and stand the test of time. One hopes that as the craft evolves, so would the creative minds of filmmakers, and new and unique stories would be told, right?

The Good Mother answers this question with a flavorless, underwhelming "no". This film had a solid hand drawn - gifted with blocks that would have built a sturdy body of fiction, with an all too relatable core theme for many people. Instead, all sense of pacing, rhythm, and even coherent storytelling are set aside in favor of something that would barely survive on Lifetime. The loss of a loved one in such a tragic manner should feel like a crushing vortex of grief that seemingly absorbs the world. This sense of loss in this film is not only nearly undetectable, but almost laughably tone deaf in execution. Between the nonsequitur plot points that are unceremoniously dropped to the painfully boring pace, the talented cast could not breathe life into this story.

Through the slog, however, one scene protruded through the mound of disturbed ground as a glowing moment in the story - the support group scene. Karen Aldridge's performance as Laurie is visceral. As the scene pulls our full attention to her, she recants the loss of her daughter to an overdose. Her pain is crushing, and the emotions which race across her face and pound her psyche to be released are quietly commanding our emotions. This was Aldridge's moment, and her powerful monologue was gifted to us with might that is deserving of a much better movie.

I remain optimistic that I will go into suspense thrillers with an open mind, and that my experience will be unique and enjoyable. The Good Mother perpetuates the self-fulfilling prophecy of mediocrity that has soiled the genre over the last decade. I often say that all movies are worth a viewing - I still believe this. However, the silver lining is that you can stop watching anytime.

Welcome back Hilary Swank after all these uears with your talented Performance but why did we have such a slow weak plot? The most unlogic part is tbe basement scene.. From where did you get this idea? Make a pregnant victim and give up birth then die due to overdose injection??? Also the investigation is based on coincidence.. Social media.. Meeting a woman in church and going to medical check with a woman she just met.in a confession session in church .?? Also I don't see the title of movie suitable. The ending also is not good .. The performance of all actors is very good... 6.3/10 my rate##

With two time, Oscar winner, Hillary swank, and up and newcomer Olivia Cooke from House of Dragons how can you not like this movie? The Good Mother takes on a relevant deep topic that I think many families will be able to relate to in a very deep way. It does a great job at giving two different views into the very complex world of a family member being addicted to drugs and all that comes along with it, especially from a mothers point of view. You get the view point of the sinner and the saint, and figure out at the end that saints can be sinners too. The second I thought this movie was going in one direction it took a turn in the complete opposite path. I would have loved more characters to go in deeper but you only have so long in a movie! I also appreciated that it wasn't not so dark where it's going to make you uncomfortable to watch but it goes just deep enough. There is never a dull moment in this movie and that is saying a lot considering there wasn't explosion after explosion or a ton of violence. The violence is in the real life situation the fentanyl crisis is having on America and it's teenagers, even the athletic ones who have bright futures. I would definitely recommend!

The Good Mothers (2023) is a crime-drama series set within the shadowy world of one of Italy's most powerful mafia families. The series explores the complex dynamics of loyalty, betrayal, and survival as seen through the perspective of women tied to the mafia.

While the premise promises intrigue and depth, the execution may not resonate with everyone. Despite its dark and dramatic themes, some viewers may find the pacing or character development lacking, which could detract from the overall experience.

For fans of mafia tales with a focus on personal struggles within powerful families, The Good Mothers offers a unique angle. However, it may not meet the expectations of those looking for a more gripping or fast-paced narrative.

So Hillary Swank? Ok. Might be something to watch. On tv. At home. Thinking it would be decent, I hit the button. I have a cold, btw, so it's just a time killer. I should have napped instead. I might have been napping for the first half of this movie. Wouldn't have made a difference. Everything is dark. I'm getting tired of these dark movies. Y'all too cheap for lights? Or don't want to have to set up a scene beyond 30 feet? Idk. It's making me strain my eyes to see nothing is there. And I sure hope people aren't this dumb in real life or the future is bleak. This story could have been interesting, but nothing about this film was really & next time I'll just pass Hillary. Pick better material.