IMDb RATING
5.9/10
8.4K
YOUR RATING
A woman tries to find her way home with her newborn while an environmental crisis submerges London in floodwaters.A woman tries to find her way home with her newborn while an environmental crisis submerges London in floodwaters.A woman tries to find her way home with her newborn while an environmental crisis submerges London in floodwaters.
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- 9 nominations total
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Wikipedia told me this was a story about a woman escaping London after an ecological disaster wipes out 99% of humanity. This is definitely not true. Poignant, but not really a disaster flick. If you are a sicko like me and love scenes of destroyed, ruined cities and absolute destruction, there are very few of those and the movie does not lean on them at all.
Other than that, Jodie Comer is great, and I thought Waterston was great as well. If you want to see a young mum of a newborn getting stuff done and developing her own agency as both a mother and a woman while dealing with ecological disaster, this will do nicely.
Other than that, Jodie Comer is great, and I thought Waterston was great as well. If you want to see a young mum of a newborn getting stuff done and developing her own agency as both a mother and a woman while dealing with ecological disaster, this will do nicely.
Far better than the reviews suggest, this is a well made indie climate fiction road movie in a similar style to 28 Days Later and Children of Men. But unlike those two excellent films, this is a character driven and a more ambient experience. It still follows a linear plot and is not what I would describe as overly art house (think Terrence Mallick) but I can understand why it might be a little slow and non-immediate for some. But it is a beautifully shot movie with great performances and a standout turn by the excellent Jodie Comer, who displays believable strength and vulnerability in a story that steers clear of contrivance, cliche, and convenience.
Society is thrown into chaos after a natural disaster, a woman faces a huge challenge to keep her new born baby safe.
It's a film that's hard to hate, but virtually impossible to love, it promised so much, but offered relatively little.
It's a disaster story, but not a disaster movie, the focus is very much on the mother, and motherhood, we learn relatively noting about the disaster, it's just a talking point for that most part.
You can't argue with the acting, Jodie Comer and Joel Fry are both very good, but the script could have been a little sharper, and a bit more interesting, it's a little disjointed.
It's watchable, it has some interesting elements, but ultimately it was a little disappointing, and that ending, it reminded me of that hilarious ending from The Day after tomorrow.
Mehhh.
6/10.
It's a film that's hard to hate, but virtually impossible to love, it promised so much, but offered relatively little.
It's a disaster story, but not a disaster movie, the focus is very much on the mother, and motherhood, we learn relatively noting about the disaster, it's just a talking point for that most part.
You can't argue with the acting, Jodie Comer and Joel Fry are both very good, but the script could have been a little sharper, and a bit more interesting, it's a little disjointed.
It's watchable, it has some interesting elements, but ultimately it was a little disappointing, and that ending, it reminded me of that hilarious ending from The Day after tomorrow.
Mehhh.
6/10.
The End We Start From hadn't been on my radar before and the trailer didn't give a huge amount away. I had no expectations but it wasn't a bad little film. It had a made for TV style and was clearly produced on a low budget. If you are expecting epic disaster or dramatic dystopian events then you will be disappointed. If you enjoyed 28 Days Later or How I Live Now then The End We Start From should be an enjoyable watch for you, although both those films are better than this. Jodie Comer is quite captivating but I feel like her big starring film role is yet to come. Luckily it wasn't overlong so it didn't drag on.
I had been putting off watching The End We Start From for a few months, only because I knew that I needed to be in the right state of mind to take it all in.
I was not left disappointed. This British Indie disaster film is so quiet and understated, I can imagine if it had been done in America, it would have been quite over the top.
Jodie Comer is brilliant as a mother trying to get herself and her baby through the flooding disaster that has hit the UK. Separated from her partner she battles to keep them safe and battles with her memories to try and let go.
This is honestly an extraordinary film. I highly recommend it.
I was not left disappointed. This British Indie disaster film is so quiet and understated, I can imagine if it had been done in America, it would have been quite over the top.
Jodie Comer is brilliant as a mother trying to get herself and her baby through the flooding disaster that has hit the UK. Separated from her partner she battles to keep them safe and battles with her memories to try and let go.
This is honestly an extraordinary film. I highly recommend it.
Did you know
- TriviaFollowing a number of stalking incidents, including one that allegedly occurred on the set, Jodie Comer was fearing for her own safety. Co-star and executive producer Benedict Cumberbatch recommended a bodyguard who had previously looked after him, and the producers took an extra effort to make sure that everyone on the set was safe.
- ConnectionsReferenced in Brad Tries Podcasting: Baby Takes Flight (2024)
- SoundtracksMission Desire
Performed by Jane Weaver
Written by Jane Weaver
Published by Heavenly Songs Ltd
Administered by Bucks Music Group Ltd
Courtesy of Finders Keepers Records Ltd
- How long is The End We Start From?Powered by Alexa
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross worldwide
- $1,521,981
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 2.39 : 1
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