Two of New York City's most notorious organized crime bosses vie for control of the city's streets. Once best friends, petty jealousies and a series of betrayals set them on a deadly collisi... Read allTwo of New York City's most notorious organized crime bosses vie for control of the city's streets. Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.Two of New York City's most notorious organized crime bosses vie for control of the city's streets. Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.
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If I ever wondered why "The Alto Knights", a return to the Gangster genre for both Robert De Niro and Nicholas Pileggi, was so under advertised prior to its release, having seen it I don't wonder anymore. It's because it's not very good.
In his retirement, Frank Costello (Robert De Niro) recounts the story of his life, intertwined as it was with that of Vito Genovese (Robert De Niro). Having grown up together and risen the ranks of the mafia - Frank makes a play for some legitimacy having become "the boss of bosses" whilst Vito was trapped overseas by World War 2 and other legal issues. On his return to America, Vito wants to resume his role at the top and introduce a burgeoning narcotics business to the group. Frank is resistant but learns that Vito will take back what he lost by force, if he needs too.
Impressively, I think that De Niro is miscast twice in this film. It would be fine if he just played reflective, end of the road Costello, bookending the film and providing voice over. But he also plays both middle aged Costello and middle-aged Genovese in enough prosthetics that you can tell them apart, but not enough so you can't tell it's him. Why? Don't know. The characters aren't twins, or even related, they don't feel like two sides of the same coin, or even similar men ripped apart by circumstances. He felt - to me - too old to be playing either of them and Vito in particularly doesn't feel like he has the sort of crazy, unhinged energy that other characters suggest he has.
It's not the only problem with the film though, perhaps not even the biggest one. For me, it felt like a TV movie. For all the experience, including Barry Levinson behind the camera, it's a low-key affair. With the dialogue often delivered with what I imagine was supposed to be 'naturalistic' but feels more like characters couldn't hear each other. The mix of flashback and documentary style viewing is confused and there's not really anything in the story that hasn't been taken and used in another, better, mob film, or series.
Never so bad that I thought about leaving, but definitely a slog to get through.
In his retirement, Frank Costello (Robert De Niro) recounts the story of his life, intertwined as it was with that of Vito Genovese (Robert De Niro). Having grown up together and risen the ranks of the mafia - Frank makes a play for some legitimacy having become "the boss of bosses" whilst Vito was trapped overseas by World War 2 and other legal issues. On his return to America, Vito wants to resume his role at the top and introduce a burgeoning narcotics business to the group. Frank is resistant but learns that Vito will take back what he lost by force, if he needs too.
Impressively, I think that De Niro is miscast twice in this film. It would be fine if he just played reflective, end of the road Costello, bookending the film and providing voice over. But he also plays both middle aged Costello and middle-aged Genovese in enough prosthetics that you can tell them apart, but not enough so you can't tell it's him. Why? Don't know. The characters aren't twins, or even related, they don't feel like two sides of the same coin, or even similar men ripped apart by circumstances. He felt - to me - too old to be playing either of them and Vito in particularly doesn't feel like he has the sort of crazy, unhinged energy that other characters suggest he has.
It's not the only problem with the film though, perhaps not even the biggest one. For me, it felt like a TV movie. For all the experience, including Barry Levinson behind the camera, it's a low-key affair. With the dialogue often delivered with what I imagine was supposed to be 'naturalistic' but feels more like characters couldn't hear each other. The mix of flashback and documentary style viewing is confused and there's not really anything in the story that hasn't been taken and used in another, better, mob film, or series.
Never so bad that I thought about leaving, but definitely a slog to get through.
- southdavid
- Mar 23, 2025
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Storyline
Did you know
- TriviaFirst time Robert De Niro plays a dual role.
- GoofsWhen Frank and Vito are talking, the level of the foam in Frank's cola changes multiple times. Level with the liquid in the glass, almost to the top of the glass and in between.
- ConnectionsReferenced in Coffee with Scott Adams: CwSA 03/24/25 (2025)
- SoundtracksThat Old Black Magic
written by Harold Arlen and Johnny Mercer
performed by Louis Prima and Keely Smith
- How long is The Alto Knights?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Alto Knights: Mafia y poder
- Filming locations
- Production companies
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Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $3,953,214
- Opening weekend US & Canada
- $3,165,349
- Mar 23, 2025
- Gross worldwide
- $5,853,214
- Runtime2 hours 3 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39:1
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