There is something more frightening than any curse or apparition that resides in movies; it is the blight of terrible sequel, and Insidious: Chapter 2 is haunted by it. Audience would come and expect the same terror from the original, but sadly will only find inferior version of it, a formulaic possession horror flick with little charm and plenty of high pitch noises. To its credit, it does bring some good acting and direction. The script also works as a continuation, but perhaps because the mystery has dwindled; it only manages to be an average horror without the same chill its predecessor has.
Story follows the events of Insidious where Josh Lambert (Patrick Wilson) returned with his son from the Further, an astral realm. However, an entity is believed to be latching onto him as the clairvoyance Elise Ranier (Lin Shaye) is found dead near him. His family grows restless from the apparent continuous haunting and ultimately tries to solve the problem despite the grim obstacles ahead. The plot is rather bland, there's simply a lack of tension as the terrorizing entity is somewhat predictable and plastic.
Patrick Wilson delivers a good performance, he displays more variety of emotions to establish the dread. In some scenes he gives off cold enigmatic feel to puzzle the audience. Returning cast reprise their roles, Ross Bryne as Renai Lambert does a fine job, although her display of motherly concern at the first title was slightly better. The two ghost hunters are back, this time for more comedy relief than anything. There are probably too many humorous scenes, some are unintentional, in this sequel.
Its use of music is cringe-worthy, in fact even with only the sound, it'd be quite terrifying. The scares don't have the same weight though, as they are reduced to simple bursts rather than real frightful ones. James Wan's camera angle is great; he casually makes the viewers think there might be more in scenes than there really are, especially with a hint of contrasting color, shadowy background or some objects in outer peripheral vision.
The movie does poorly when the mystic of its entities is unveiled. Getting into fisticuffs with ghosts diminish the atmosphere since they seem unreal, part of me inadvertently immediately knew it's just make-up and sound effect put together for an illusion. Take away the jarring build up, replace it with mediocre possession scheme, even if the directing is well done, and you'll have a subpar sequel. It still performs its scare tricks decently, so at the very least it'll make you flinch a couple of times.
