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The Cannes Film Festival has released the official selection for its 78th edition, featuring a mix of returning auteurs and first-time filmmakers. Scheduled to run from May 13 to 24, this year’s lineup includes world premieres from directors such as Wes Anderson, Julia Ducournau, Ari Aster, and Richard Linklater.

Announced by festival delegate general Thierry Frémaux and president Iris Knobloch during a press conference in Paris, the lineup spans the main competition, Un Certain Regard, and various sidebars. French actor and Academy Award winner Juliette Binoche will serve as jury president. The rest of the jury remains unannounced.

Among the films selected for competition is Anderson’s The Phoenician Scheme, debuting shortly before its theatrical release. Ari Aster returns with Eddington, a Western-inflected film distributed by A24. Linklater brings Nouvelle Vague, focused on the making of Jean-Luc Godard’s Breathless. Ducournau’s Alpha is set in the 1980s and centers on...

Among the lineup for the Cannes Film Festival’s 78th edition are some big names from Hollywood and global cinema. We already knew that Tom Cruise will light the fuse on Paramount/Skydance’s Mission: Impossible – The Final Reckoning on May 14 out of competition, while there was plenty of speculation that Scarlett Johansson would have a pair of movies on the Croisette. The latter has now been confirmed with Johansson’s directorial debut Eleanor the Great set for Un Certain Regard, and her acting reteam with Wes Anderson in his latest, The Phoenician Scheme, in Competition. Also confirmed is Ari Aster’s Eddington with Joaquin Phoenix, Pedro Pascal and Emma Stone.

Many more stars are potentially in store now that the bulk of the official selection has been revealed. Not everyone is confirmed to attend the Riviera shindig, but here’s a look at some of the possibilities.

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New films from Wes Anderson, Richard Linklater and the Dardenne brothers will premiere at this year’s Cannes Film Festival, Cannes organizers announced at a press conference in Paris on Thursday.

Anderson will be back in Cannes with “The Phoenician Scheme,” which premiered a baffling trailer at CinemaCon last week. Linklater is heading to France with a bold movie, “Nouvelle Vague,” which tackles the sacred ground of Jean-Luc Godard and the filming of “Breathless” in the 1960s. The Dardenne brothers have “Young Mothers,” which gives them a chance to become the first filmmakers to win the Palme d’Or three times.

Actors in the festival making their directorial debuts include Scarlett Johansson, who is in Un Certain Regard with “Eleanor the Great,” starring Joan Squibb; and Harris Dickinson, the star of the Palme d’Or winner “The Triangle of Sadness,” with “Urchin.”

The main competition will include a number of...

The 78th edition of the Cannes Film Festival is looking to be another knockout, with some of this year’s hottest features, including Wes Anderson’s The Phoenician Scheme, Richard Linklater’s Nouvelle Vague and Ari Aster’s Eddington set to premiere on the Croisette.

Cannes delegate general Thierry Frémaux and president Iris Knobloch announced this year’s lineup at a press conference in Paris on Thursday morning.

The 2025 competition lineup is packed with auteur heavyweights, including Kelly Reichardt, who returns to Cannes competition with The Mastermind, an art-heist drama starring Josh O’Connor and John Magaro, set against the backdrop of the Vietnam War; Norwegian filmmaker Joachim Trier, who returns to the Croisette after his 2021 triumph (with The Worst Person of the World) with Sentimental Value, also featuring Renate Reinsve; and dissident Iranian director Jafar Panahi, who will be back in Cannes competition with his latest drama, A Simple Accident.

The Cannes Film Festival will announce the lineup for its 78th edition Thursday morning at 11 a.m. Paris time (2 a.m. Pt/5 a.m. Et). Cannes Delegate General Thierry Frémaux and President Iris Knobloch, who was recently confirmed for a second three-year term in the role until 2027, will preside over the press conference.

The stream can be found on the official Cannes website as well as the festival’s official Facebook page, Twitter feed, and YouTube channel.

You can also watch the stream live here.

Deadline will also be live reporting the list of Official Selection films as the names come in. This year’s festival will run from May 13 to 24. Earlier this week, the fest confirmed Tom Cruise and Paramount‘s Mission: Impossible – The Final Reckoning will debut on the Croisette. The movie will play Out of Competition on May 14 with Cruise, director Christopher McQuarrie, and cast treading the carpet.

The Cannes Film Festival will reveal its 2025 lineup on Thursday morning European time and expectations are high for a typically bountiful lineup of starry fare and arthouse treats. Cannes remains the Super Bowl for indie film lovers.

It’s always a nervous waiting game for those connected to Cannes hopefuls. Multiple festival regulars have told us that selectors are later than ever in giving them notice. The festival has often announced a major movie or two by now, but not this year. The identity of Juliette Binoche‘s fellow jury members are still also under wraps.

In terms of films in the running, much of the reporting we did in February in our Cannes and Venice prediction piece has either come to pass or is shaping up as we forecast. You can read that story here.

Tom Cruise’s Mission: Impossible – The Final Reckoning remains the most likely big Hollywood studio splash.

What’s going to be this year’s “Anora”? As the Cannes Film Festival rapidly approaches, that’s the question for artistic director Thierry Fremaux and movie buffs around the world.

A month before Cannes Film Festival’s press conference, the official selection is still very much a work in progress, with little reliable information filtering through about which movies have already been invited. In fact, as of Friday — despite the volume of splashy prediction stories — it appears that only three films have so far been given a golden ticket to compete in Cannes. Variety can reveal that one of them is Jim Jarmusch’s anticipated “Father Mother Sister Brother“ starring Cate Blanchett, Adam Driver and Tom Waits.

The last edition of the festival, which Fremaux had warned would be slightly weaker due to the impact of the double Hollywood strikes, proved to be anything but. Headlined by Sean Baker’s Palme d’Or-winning “Anora,...

It’s all quiet on the Berlin deals front as the sales agencies wind down their operations at the European Film Market. By Monday, many offices and stands were almost completely deserted. Deals are being reported but it’s more of a “steady flow” than a gush. That said, most sales agents remain happy that the EFM continues to be an “efficient” place to do business.

AGC Studios’ Stuart Ford tells Variety, “Overseas business has been very solid. International buyers are taking their time, but we’ve been seeing a steady flow of deals closing and fully expect that trend to continue apace, particularly on Bill Condon’s ‘Kiss of the Spider Woman’ and Noah Hawley’s ‘Nowhere Fast.’”

Oliver Berben, head of German production and distribution powerhouse Constantin Film, comments, “The market at this year’s EFM is okay. It’s a bit quieter than other recent markets that we’ve seen,...

While the official lineup of films at the Cannes Film Festival taking place in May won’t be made public until mid-April, there are already some early rumblings of what projects we should expect to see on that list and there are plenty of reasons to get excited.

That group of potential entries as compiled by Deadline includes directorial debuts with Kristen Stewart‘s “The Chronology Of Water” (still a chance it might not be completed in time), and Scarlett Johansson‘s “Eleanor The Great.”

Read More: Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Potentially Eyeing Cannes Film Festival Screening

Notable and high-profile films that are expected to screen at Cannes, pending official confirmation: Jim Jarmusch‘s latest effort “Father, Mother, Sister, Brother,” Spike Lee‘s “Highest 2 Lowest” (a remake of the Akira Kurosawa kidnap drama that stars Lee’s longtime muse Denzel Washington), Wes Anderson‘s...

Exclusive: With one of Europe’s three flagship film festivals approaching half way stage, minds are already beginning to focus on the shape of the next two: Cannes and Venice. The former will be upon us before we know it.

As ever, there is no shortage of anticipated movies in contention. Indeed, one leading producer we spoke to remarked that 2025 is looking like “a particularly tough year, a much stronger year than 2024”. The surprise to us during our research for this piece is just how many big movies look like they will push to fall rather than launch on the Croisette. That’s not to say that Cannes won’t be box office. It remains the gold standard. The importance of both Cannes and Venice as launchpads is at an all-time high. Just look at how many Oscar nominees now start out at those two festivals — five of this year...

Germany’s film industry may have been hit hard by the economic slowdown, resulting in an overall gloomy outlook, but it’s still celebrating the biggest number ever of local films and co-productions at this year’s Berlinale and looking forward to a diverse lineup of 2025 releases, among them a number of high-profile sequels.

Compounding the sector’s overall predicament was the collapse of the federal government in November, forcing snap elections scheduled for Feb. 23. The political crisis left an ambitious reform of the country’s federal film funding system only partially implemented and a matter to be tackled by the next government.

The industry nevertheless welcomed the current government’s last-minute extension and increase of two key funding incentives in December that has ensured planning security for producers, studio operators and production service providers.

In the meantime, the local film community is cheering the strong showing of German titles at the Berlin Film Festival.

Hamburg’s regional film fund Moin has secured an additional €10m for its budget for the next two years.

Moin’s annual budget will rise from its current €15m to €20m for 2025 and 2026 and will be spent in part on more support for Filmfest Hamburg as well as for graduation films by students of Hamburg Media School and the University of Fine Arts Hfbk.

The extra spending was announced on Thursday morning (12 Dec) by members of Hamburg’s coalition of the Social Democratic Party and Alliance 90/The Greens when they visited the set of the Norwegian writer-director Itonje Søimer Guttormsen...

Bryan Cranston's 2016 true crime drama film The Infiltrator features an elaborate cast based on real-life characters. Directed by Brad Furman and written by his mother Ellen Furman, The Infiltrator is based on the book of the same name by U.S. Customs Special Agent Robert Mazur, who Cranston plays in the film. Despite receiving mostly positive reviews upon its July 2016 theatrical release, The Infiltrator grossed $22 million at the global box office against an estimated budget of between $28 and $47 million. It ranks number 8 on Netflix's U.S. Top 10 Movies list at the time of writing.

While not typically considered among Bryan Cranston's best movies, The Infiltrator earned a Rotten Tomatoes critic score of 72%. The narrative follows a dedicated agent who dives into the grimy underworld of money laundering and blurs the line between duty and deception. Cranston's Robert Mazur goes undercover as a corrupt businessman named Bob Musella who...

After four Oscar wins for “All Quiet on the Western Front” last year and the Oscar nomination for “The Teachers’ Lounge” this year, Germany’s film sector seemed to be on the up, but while a government plan to revamp the country’s film funding system is broadly welcomed, its painfully slow progress is also causing some anxiety.

The fact that Cannes’ various sections contain not one feature by a German filmmaker may be seen as a cause for concern, but 13 German productions and co-productions have been selected. This underscores how Germany’s current funding structures nurture co-productions, which in turn benefits local producers. For example, both Karim Aïnouz’s “Motel Destino” and Miguel Gomes’ “Grand Tour” in the Competition section have Germany’s Match Factory Productions as a co-producer.

The Berlinale was a better showcase for German talent, with Matthias Glasner picking up the screenplay award for “Dying,” and...

Production is underway today in Hamburg on Fatih Akin’s Second World War drama Amrum, with Jasper Billerbeck, Laura Tonke and Diane Kruger leading the cast.

Beta Cinema has boarded the film and will launch international sales in Cannes next month. The film is produced by Akin’s own company bombero international with Warner Bros Film Productions Germany, in co-production with Rialto Film.

Warner Bros Pictures will release the film in Germany in September 2025.

Written by Akin and his In The Fade co-writer Hark Bohm, Amrum is set on the eponymous German island in spring 1945, as a 12-year-old boy helps...

‘In the Fade’ director is collaborating with Hamburg filmmaker Hark Bohm on the screenplay.

Fatih Akin’s next feature, Amrum, will be the first project to come under his multi-year, first look deal with Warner Media.

The In the Fade director agreed a multi-year deal with Warner Media in Maruch covering German and Turkish language movies and series for theatrical release, TV and for HBO Max. Akin and WarnerMedia have previously worked together on three movies.

Amrum is a collaboration with fellow Hamburg filmmaker and mentor Hark Bohm, and is based on the veteran director’s childhood growing up on...