An ancient Egyptian princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.An ancient Egyptian princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.An ancient Egyptian princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.
- Awards
- 4 wins & 26 nominations total
‘Snow White’ Stars Test Their Wits
Storyline
Did you know
- TriviaThe zero gravity scene took sixty-four takes and was shot for two days in a special plane that was lined in padded green fabric covered in reference marks The plane would fly to a high altitude then dive along a parabolic path, falling at the same rate as the gravitational pull. This has been used for several films in the past, including Apollo 13 (1995) 22 years earlier. It was invented by NASA, where it was used for zero-G training for astronauts. Reportedly, a lot of the crew got nauseous during the scene and vomited, except for the main stars, Tom Cruise and Annabelle Wallis, who were really proud of the stunt.
- GoofsThe god Set is referred to as the god of death, but in Egyptian mythology Set was the god of chaos and violence while Anubis, who was later replaced by Osiris was the god of death.
- Quotes
Dr. Henry Jekyll: Welcome to a new world of gods and monsters.
- Crazy creditsAfter the Universal logo appears, the world goes dark and a "Dark Universe" title appears.
- Alternate versionsThere are three distinct versions available: the worldwide theatrical release, with a runtime of "1h 51m (111 min)", a U.S. theatrical release running "1h 50m (110 min) ", and a special cut for India, with a runtime of "1h 50m (110 min)".
- ConnectionsFeatured in Monster Vision: A History and Analysis of Horror Cinema (2016)
- SoundtracksBang Bang You're Dead
Written by Didz Hammond (as David Hammond), Carl Barât (as Carl Barat), Gary Powell, Anthony Rossomando
Performed by Dirty Pretty Things
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises
Featured review
This movie is quite enjoyable. I'm not sure why it's getting so many bad reviews. The action is fast paced and the acting pretty good, plus it avoids most of the major structural pitfalls that plague the monster movie genre. There were some flaws, which I will mention later, but first the strong points:
"The Monster Always Dies". One big structural problem with monster movies is the lack of suspense. In the end, the monster is always vanquished. Any suspense revolves around the hero discovering the monster's 'fatal weakness' just in time to save the heroine. In some cases, as with the 1999 Mummy remake, the resolution is telegraphed so early and so strongly that you grow board waiting for Brendon Frasier to wade through all the special-effect laden cliff hangers to finally win the day.
This remake handles the problem in a very creative and unexpected way by first making the monster venerable almost from the start and then secondly by introducing another antagonist who turns out to be equally threatening to the hero. This builds suspense as the protagonist is threatened from multiple sides.
Ultimately all this climaxes in a completely unexpected ending that I honestly did not see coming; something really unique for a monster film. It may, in fact, be this ending that contributes to the negative reviews since strictly speaking it violates the hallowed monster flick formula most people have come to expect.
"Damsel in Distress". Another tiring issue with monster films is the obligation to service the inevitable damsel-in-distress theme. Again, Mummy 2017 takes a unique approach by making Tom Cruise and Annabelle Wallis effectively co-equals protagonists. Sometimes she saves him, sometimes he saves her, often with a good deal of humor in the role reversal.
All-in-all a movie worth seeing, but of course there were some flaws. Character development is kept to a minimum; only enough to service the plot line. This contrasts with the 1999 Mummy which excelled in wonderfully interesting characters who, unfortunately, were deployed in the service of a mundane and predictable plot. Other flaws include under use of Jake Johnston as the comic relief and a serviceable but uninspiring performance by the heroine Wallis. Had she matched the charisma brought by Cruise's performance it would have added a whole new dimension to the movie. In general, though, I liked it and am interested to see more of the 'Dark Universe'.
"The Monster Always Dies". One big structural problem with monster movies is the lack of suspense. In the end, the monster is always vanquished. Any suspense revolves around the hero discovering the monster's 'fatal weakness' just in time to save the heroine. In some cases, as with the 1999 Mummy remake, the resolution is telegraphed so early and so strongly that you grow board waiting for Brendon Frasier to wade through all the special-effect laden cliff hangers to finally win the day.
This remake handles the problem in a very creative and unexpected way by first making the monster venerable almost from the start and then secondly by introducing another antagonist who turns out to be equally threatening to the hero. This builds suspense as the protagonist is threatened from multiple sides.
Ultimately all this climaxes in a completely unexpected ending that I honestly did not see coming; something really unique for a monster film. It may, in fact, be this ending that contributes to the negative reviews since strictly speaking it violates the hallowed monster flick formula most people have come to expect.
"Damsel in Distress". Another tiring issue with monster films is the obligation to service the inevitable damsel-in-distress theme. Again, Mummy 2017 takes a unique approach by making Tom Cruise and Annabelle Wallis effectively co-equals protagonists. Sometimes she saves him, sometimes he saves her, often with a good deal of humor in the role reversal.
All-in-all a movie worth seeing, but of course there were some flaws. Character development is kept to a minimum; only enough to service the plot line. This contrasts with the 1999 Mummy which excelled in wonderfully interesting characters who, unfortunately, were deployed in the service of a mundane and predictable plot. Other flaws include under use of Jake Johnston as the comic relief and a serviceable but uninspiring performance by the heroine Wallis. Had she matched the charisma brought by Cruise's performance it would have added a whole new dimension to the movie. In general, though, I liked it and am interested to see more of the 'Dark Universe'.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- La momia
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $125,000,000 (estimated)
- Gross US & Canada
- $80,227,895
- Opening weekend US & Canada
- $31,688,375
- Jun 11, 2017
- Gross worldwide
- $409,231,607
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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