Me and Earl and the Dying Girl

I saw it three times. Yes,it was painful because we were all that kid -- geek, awkward, nowhere with girls.

The movie is honest, funny, and I will see Olivia Cooke's unreal face in front of me for months. (And she did shave her head; I wondered about that.) R.J. Cyler gave perfect balance to the lead actor's awkward role.

The best thing about this movie is the writing; it crackles at times with insight into the outsider's life.

I am much aggrieved that it only earned four million at the box office nationally. It's worth a lot more.

It's easy to dismiss such a quirky film as Me and Earl and the Dying Girl, the latest independent film to get a release after making quite an impression at the Sundance Film Festival, where it won both the Audience Award and Grand Jury Prize in the drama category.

Make the film too quirky and you could alienate an audience however, a subtle amount of quirkiness combined with a good blend of comedy and drama will give you a film like Me and Earl and the Dying Girl, which ends up being both irresistible and infectious to its audience.

Greg (Thomas Mann) is a high school student who just wants to get through school without associating himself with any of the various cliques or making enemies. Along with his friend Earl (RJ Cyler), Greg spends his spare time making parodies of their favourite classic movies.

When he learns that his childhood friend, Rachel (Olivia Cooke), has been diagnosed with leukemia, he is forced by his overbearing parents to befriend her in her time of need. Through this friendship, Greg soon finds his outlook on life altered.

There is always the uneasy feeling of laughing at a film that centres around a girl suffering from cancer. There is great care taken though by director, Alfonso Gomez-Rejon, in making sure that the subject gets the delicate treatment it deserves with the perfect combination of comedy and drama.

He is aided by a delightful screenplay from Jesse Andrews, the author of the book the film is adapted from, full of enough wit, charm and quirky cutaway moments, such as the feeling of when the hot girl at school talks to you, to leave you with a smile on your face.

The film is elevated to another level by the three main performances from Thomas Mann, RJ Cyler and Olivia Cooke, all showing fine range in both the dramatic and comedic departments. They are supported quite wonderfully by the likes of Nick Offerman, Connie Britton, Jon Bernthal and Molly Shannon, and keep your ears peeled for a funny voice cameo from Hugh Jackman that fits the quirkiness of the film so well.

Critics love it and so should audiences, I'm just hoping people decide to go and see it instead of some of the inane drivel that Hollywood produces these days. It really does deserve all the success it can get.

Me and Earl and the Dying Girl offers a very accessible, honest, and humorous look at not only how someone deals with being diagnosed with cancer, but it also turns the clichés of the coming-of-age story on its nose, and the people behind this film are able to do that by finding the perfect balance between drama and comedy within this unfortunate tragedy.

Me and Earl and the Dying Girl centers around Greg (Thomas Mann), a very sarcastic and self-loathing high school student going into his senior year. Greg believes that if he shuts everyone out of his life so that he won't have to deal with anything, then things will be okay, and this gives him a sort of self-gratification. So to uphold his philosophy, he doesn't try to be friends with anyone, but makes sure he's on low-key, good terms with everyone in his school. However, he does spend his time with his co-worker/"friend" Earl (RJ Cyler) making parodies of classic foreign cinema together. However, when Greg learns from his mother that a childhood friend of his, Rachel (Olivia Cooke) is diagnosed with Leukemia, Greg begins a blossoming friendship with Rachel; a friendship that would take him through the best of times, the worst of times, and eventually shape him into the person that he will become.

While this film definitely shares characteristics with 2014's The Fault in Our Stars (which is a pretty good movie in my opinion), this film to me is more heartfelt and inventive than TFiOS ever was. And most of this has to do with the brilliant screenplay written by Jesse Andrews, who happened to write the book that his film is adapted from. The way that Andrews addresses how to deal with this sickness is wonderfully human and clumsy; whether through comedy, wit, or drama, Andrews finds a way to make the whole scenario relate in some way, shape, or form to anyone and everyone.

The direction and cinematography are absolutely incredible. Alfonso Gomez-Rejon, who is known for his work on American Horror Story, and was a personal assistant to Martin Scorsese, shows not only his inventiveness, but his quirkiness as a director on this film. Gomez-Rejon shows his talent with stop motion animation, long panning shots, flashback sequences, and some very long takes that really allow the actors to give the best performances possible. There are even times when this feels like a Wes Anderson film, and this can also be contributed to the gorgeous cinematography. Chung-hoon Chung oozes with style behind the camera, and ultimately the film has a very vibrant look that gave the story being told so much life. These people tell this story with so much care and thought, it's evident that the filmmakers truly respected Andrews' work on the screenplay and wanted to do it the justice it deserves. And thankfully, we got it here.

The performances in this film are all magnetic. Every single one of these actors were able to hold their own on screen. The parents in the film, played by Molly Shannon, Connie Britton, and the always delightful Nick Offerman, all do fantastic work. Their relationships with their children are all very grounded in reality and realistically portrayed. Jon Bernthal is incredibly funny as Greg's history teacher, and is able to depict the "generic cool teacher who understands the main protagonist" in a different, refreshing light. However, the three leads all steal the show. RJ Cyler serves as a foil to Greg's character. Instead of BS-ing people in order to avoid any direct confrontation, Cyler's Earl is very frank with his language and emotions, and gets right to the core of the problem with Rachel. Olivia Cooke gives a very heartfelt and understated performance in this film, and watching her suffering through this sickness that's eating her up is truly heartbreaking to watch. However, the whole film rides on Thomas Mann's shoulders. His detached performance, and the way he handles Rachel's sickness is so realistically somber. His character actually reminds quite a bit of the characters Anthony Michael Hall played in older John Hughes films. He does a fantastic job with the darker comic moments in the film, and the way his character develops throughout the film is nothing short of stellar.

This film won both the Grand Jury Prize and the Audience Award at the Sundance Film Festival this past January, and it's not hard to see why. Me and Earl and the Dying Girl is a film filled with heartbreakingly realistic performances, quirky direction, gorgeous cinematography, and spectacular writing. Whether your an art-house fan, a fan of cinema in general, or just the casual moviegoer, there's something in this film that everyone can relate to. It's in wide release right now, so do yourself a favor and go see it, because it's one of the best films of the year.

To finish watching a movie you had no intention of seeing, feeling all alone, tears rolling... worth it thou

I have to start my review with discussing the inevitable comparisons with "The Fault in Our Stars". John Green fans would find it blasphemous to say this is a superior film but it certainly is. I don't think that I can argue that the characters in TFIOS are more realistic, but the whole unique style and quirkiness of MAEATDG make it a true classic of the teen genre like "The Breakfast Club" or "Breaking Away". It as important as many of the films to which Earl and Greg pay homage with their own hilarious versions.

So many of the same subjects that one finds in any film about the coming of age of high school students exist in this film, but the director Alfonso Gomez-Rejon puts his own stamp on what could otherwise be called cliché. Kudos to Gomez-Rejon whose previous work has been with several Fox TV shows. He should have a good career in film from here on out.

Olivia Cooke as Rachel, Thomas Mann as Greg, and RJ Cyler as Earl are all fantastic. I was familiar with Olivia Cooke before but not the other two. I expect to see a lot more from all of them.

The adults are all superbly cast as well. Molly Shannon spends the movie with a glass of white wine in one hand drowning the pain of dealing with her daughter's plight. Connie Briton and Nick Offerman are wonderful as Greg's parents, with Nick showing that the eccentricities of the child do not fall far from the tree.

I saw this tonight at a screening in Denver at an art house cinema called "The Mayan" It was built probably in the 30s or 40s most likely a single cinema that they did a pop top on to create two more theaters. Those two upstairs theaters are odd to say the least. The leg room is less than economy class on Spirit Air and the screen is not much more than double the size of my screen at home. Probably less that 150 seats as well.Weird place to show the film, since the theater downstairs is really quite nice. I bring this up because I hope this film gets seen by more than the art- house crowd. It really should have mass appeal. I assume Fox hopes to build strong word of mouth on Me and Earl. Well let me help them. Just go see this film. You won't regret it.