The Dark Valley

Despite the flat character development that some critics have talked about (and I agree with, with the exception of the female lead), I found this compelling viewing. It has a fantastic opening, which pulled me in, but what I found fascinating was the relentless feeling that it was all taking place in a truly dark place; where normal happy life had been extinguished. The story itself is dark enough, but the effect is to a large part the result of the choices made in the cinematography, with the acting of some of the cast also helping. Finally the location adds too, to the sense of a closed, remote world, full of evil... Real human evil, not some horror type fantasy!

To begin with, one should emphasize how great the cinematography was in this movie. Filled with the beautiful imagery of the Alps and an isolated town covered in snow along with the unique Western-Alp type of harsh reality, it truly amazes and captivates the viewer by the heart. The plot was smooth and gripping. Sam Riley, with all his western-style cowboy boots and spurs, was absolutely great in the movie, and he did his best at delivering a very solid performance of a very 'cool' stranger. For me he was a bit too cool, his character could surely be more interactive and talkative but nevertheless it was indubitably more than satisfying. He says that not talking to much, owing to the fact that his German is not that perfect, adds to the coolness of his Eastwood type of cowboy. I should say that some of the songs that are chosen for certain parts of the movie made movie look a bit strange for an Western-Alp flick, if such genre exists. Overall it was beautiful and thus definitely worth watching. If you are looking for something unique, just see this movie, you won't be disappointed.

The more "user reviews" I read on IMDb over the years, the more I am convinced that people post things without A) actually paying attention to the movie or B) A lick of forethought or critical thinking skills. The Dark Valley is a genre film, a revenge western set in the Alps instead of the Rockies. For anyone complaining that the main characters' motivations aren't talked about, did you watch the beginning? The opening scene explains it all in a matter of seconds. I mean come on you lazy viewers!! He only pulled out his pocket watch a half a dozen times to get the point across.

The Dark Valley is brilliant BECAUSE it doesn't treat viewers like the idiots that (obviously from these reviews) most of them are... There is no "I'm here to do THIS because of THAT" scene... It literally is not necessary if you just watch the movie. Sam Riley is great as The Stranger that so many have played in Westerns before, the plot is straight forward, the acting top notch, and the camera work is hauntingly beautiful. What else do you need from a Netflix gem?

And really? You didn't like the movie because of the song at the beginning? Sounds like something my teenage daughter would say... But seriously, it's an Austrian movie so OF COURSE it's going to have bad music. :) Too lazy to pay attention to nuance, but not too lazy to make asinine generalizations on the Internet.

This is one hard revenge film. My gosh.

The characters are stolid. As the town's secret unravels, and they push it in your view very closely, the energy builds to the culmination.

I will say I really like this film and it is reminiscent of old Eastwood flicks or even newer ones like Django, which are really throwbacks too. Tarantino is a bit more garish but Prochaska keeps it pretty vivid too.

Honestly, the film appears a bit too edited down and my guess is with the language difference it'd been nice if there were more scenes to explain things in certain sections. I noted a lot of other reviews include speculation of why this or that occurred because the story wasn't quite clear in a couple of spots.

IF you like old westerns, you don't mind a bit of graphic violence, this film is probably for you.

Another reviewer mentioned "The Great Silence" - exactly, that's the best comparison. It's a very condensed western without any frills, using little dialogue and less colour and relying on the character faces (congratulations, good casting and make-up here). In fact, the reduced colour palette gets a bit grating after a while; during the whole winter sequence (about 90% of the movie) there's not a single spot of green on the screen; everything is black, blueish-white and sepia tones. Even the shootout was shot in this muted palette - come on, blood on snow makes for such a nice contrast! And we never see a blue sky. I liked how they went for "different" when shooting those landscapes; it's rare that the mountains look that dreary, cold and inhibiting on the screen - but some scenes really could have used some colour.

Besides the dull palette, there were also some questionable (read: ridiculous) choices for music/soundtrack. And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere. Otherwise, I can recommend this to anyone who likes a tight western. In Germany/Austria's world of streamlined TV-coproductions, this is a nice exception with its uncompromising look and story and the use of local idioms and dialect.