Growing Up Fisher

It is not often that NBC has a good show to play, but this is the best show they have had in a long time. It is funny, witty, and just an overall good show.

It is a show that has caught my attention week after week, this is not an easy task (I have the attention span of a gnat) to grasp my attention.

The only other show I had seen J.K Simmons in was The Closer, it is nice to see him trying to branch out and try new things, he makes a great comic for a comedy. His voice and dialect is just witty.

It is amazing that producers are getting new talent, i.e. Henry and Runyen, to play in these types of shows; instead of using people who have been in many of shows. Props to these producers for giving new actors a chance in their shows.

One of the best things I can think of about this show is the opening, with the song "Tell the World" by Eric Hutchinson, it is a great song to go along with this opening.

If it were up to me, I would renew this show in a heartbeat. Too bad it is in the hands of the critics.

I have said it before and I stand by it, this is the best show that NBC has had in a long time, there are only two shows I watch on this network: Parenthood and Growing Up Fisher. NBC has a winner with this show, could be around for a long time if they can stay out of the teeth of the critics.

The story is told from Henry Fisher's (Eli Baker) point of view. It uses the same grown-up main character narrating his (pre) adolescence in voice-over technique as The Wonder Years. Of course, this show is not as brilliantly inspired as Wonder Years, but it would be unfair to judge a new TV show by such high standards. Eli Baker has a lot of boyish charm and does a convincing job.

Nowadays, it feels a bit old fashioned to have a traditional family sitcom. It's true that the parents are divorced, but they have such a good relationship that there's not such a large difference.

Any new show needs a differentiating element, and here the Mel's (J.K. Simmons, playing the father) blindness plays that role.

One problem is that, for a comedy, Growing Up Fisher is not very funny. A lot of jokes are made from Mel's blindness and how he doesn't let that keep him from any activity. Some of those are enjoyable, but that premise only takes us so far.

Another problem is that it relies too much on clichés. Henry starts awkwardly noticing girls, which is a reasonable plot point for a protagonist this age but one we have often seen. Joyce (Jenna Elfman), his mother, has gone back to the university and is obsessed about being cool and being friends with the other students and with her teenage daughter and her friends. There's nothing wrong with her interpretation, but beyond this not too promising plot element she is not given much to work with. The same can be said about Katie (Ava Deluca-Verley), who plays Henry's older sister. She does fine, but is not given much to do. Henry's best friend Runyen (Lance Lim), is an Asian mouthy kid who also feels like a sitcom cliché.

The show is at his best with heart-warming family lessons, like when Katie stands up for his father when he is almost expelled from a musical where she is starring because his guide dog started barking. This came after Mel had told her that he was so obnoxious and outspoken because when he was a teen his rowing coach had not liked having a blind kid in the team and had asked him to leave. Mel had left and he had always regretted it. Katie standing up for him in spite of being mad at him for spoiling her date was a nice moment. I fear that in our cynic times such simple feel-good messages are seen as too corny.

It's a pity this show was cancelled so soon. I enjoyed it and felt that it had potential to grow beyond the clichés that were holding it back. Unfortunately, we won't have the opportunity to see whether that's the case.

The age gap between Elfman and Simmons spoiled the show for me. He looked more like the grandfather than the father/husband. She looked like she might have been the second or third wife but then they would have had younger children, if any. Elfman's character acts as childish or more childish than the children. I can look past the unbelievable abilities of the blind husband but the family just doesn't ring true as one that would have been established in the first place. Jason Bateman would have been better as the husband with Simmons as the narrator. Perhaps ensuing episodes will improve but usually the pilot is supposed to be better in order to get accepted.

I absolutely love this show!I think it is very funny, interesting, engaging, and realistically family appropriate! I watched the whole season in 2 days. I am extremely disappointed that NBC cancelled it - that makes no sense. The critics seriously shouldn't have been that hard on this show - I think it is worth every penny and every effort NBC put into it. In fact, it was realistically the only thing I watched on NBC, so I guess with the discontinuation of this show, I won't be watching NBC anymore. I do think they should seriously consider bringing it back. GREAT SHOW! If you are looking for a new family show ( that might last you a week at max) or are just searching for new shows to watch, I highly, highly encourage you to look into this show. There may only be one season, but it will be well worth every minute you spend watching it.

Horrible. This is the Golden Age of television (in Cable), but the networks are blind and atrociously obtuse to the opportunities that are given to them every day and which they consistently reject for bland shows that don't take any risks and, because of this, are doomed for cancellation. As more people turn to cable and experience (finally) great television, the networks' shows (especially the comedies) will suffer. "Growing Up Fisher" is a perfect example. The idea of the show is great, but the execution is deeply disappointing. Everything is dumbed down, the jokes feel forced, the narration is ridiculous! If this is really about the creator's childhood, he did an excellent job to skirt any pain, for pain in comedy is always what works best. I love television and hope lackluster shows like these disappear to make room for better creators and writers, and also complicated characters that let actors really act.