This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian... Read allThis film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
- Won 1 Oscar
- 68 wins & 31 nominations total
Summary
Reviewers say 'No Other Land' offers a compelling look at the Israeli-Palestinian conflict through the lens of forced displacement in Masafer Yatta. Themes of oppression, resilience, and human cost are central, with praise for the collaboration between Basel Adra and Yuval Abraham. The film's raw depiction and storytelling are lauded, though some critique its perceived bias and lack of context.
Featured reviews
No Other Land was a quieter kind of angry than I was expecting, but I think that approach is the kind of thing that could well change a person's mind on the whole ordeal if they were to seek this out. I guess with documentaries on subjects like this, getting someone who already feels a certain way to watch this when they might want to otherwise resist an alternate point of view is the difficult part, but there's still a lot of madness in the world, and the approaches that have been taken to sway people haven't really been working.
So it's not that No Other Land reinvents the documentary genre as a whole, but I think it has a distinctive way of presenting its central thesis. It's not peaceful, but there is a quietness to it that will likely lead some people to reflect on what they might've thought about before. Again, if they were to watch No Other Land in the first place. That's a whole other obstacle. But the approach here is more than sound and it's quietly powerful, and I'd hope that's an ultimately effective way to do it.
This did have some slower moments as far as the editing goes, but there were other sequences that had fantastic editing, and there's some striking imagery in here, too. I don't think it's a perfect documentary but it is an important one ("important" is a word I'm sure every review of this has used, oh well). Watch it regardless of how you feel about the conflict in question and I think it will help, so long as you go in open-minded. It's not necessarily subtle (and it shouldn't be), but it isn't aggressive, and if it does change minds - which I hope it can - I think that might be the reason why.
So it's not that No Other Land reinvents the documentary genre as a whole, but I think it has a distinctive way of presenting its central thesis. It's not peaceful, but there is a quietness to it that will likely lead some people to reflect on what they might've thought about before. Again, if they were to watch No Other Land in the first place. That's a whole other obstacle. But the approach here is more than sound and it's quietly powerful, and I'd hope that's an ultimately effective way to do it.
This did have some slower moments as far as the editing goes, but there were other sequences that had fantastic editing, and there's some striking imagery in here, too. I don't think it's a perfect documentary but it is an important one ("important" is a word I'm sure every review of this has used, oh well). Watch it regardless of how you feel about the conflict in question and I think it will help, so long as you go in open-minded. It's not necessarily subtle (and it shouldn't be), but it isn't aggressive, and if it does change minds - which I hope it can - I think that might be the reason why.
One minute you're in your home, the next minute it's demolished by The Israeli Army, and further, you're not allowed to drive, and told it's illegal to be on the land, that reality is captured on film.
Where to begin, first off, it fully deserves the many accolades, it's not just a fascinating storyline and a daring piece of journalism, but it's actually a terrifically well made documentary, it's impressive.
There are no grey areas or 'misreading' of events here, it doesn't really matter which side of the fence you sit on, and whether you lean one way or the other, it will hammer home just how appallingly The Israeli Army behaved, against people who literally had nothing, and could offer zero credible resistance. You see what it is to live under occupation.
Several times it had me in tears, if you're not moved by it, I'd suggest there's something seriously wrong.
There are some astonishing moments, the scenes between Basel and Yuval are fascinating, two incredibly brave men.
Revealing, powerful and sobering, don't go in expecting any happy resolutions, as we all know this painful, excruciating war marches on.
This will make every liquid in your body boil with anger and rage, it's obscene. Please someone find a way to end this.
10/10.
Where to begin, first off, it fully deserves the many accolades, it's not just a fascinating storyline and a daring piece of journalism, but it's actually a terrifically well made documentary, it's impressive.
There are no grey areas or 'misreading' of events here, it doesn't really matter which side of the fence you sit on, and whether you lean one way or the other, it will hammer home just how appallingly The Israeli Army behaved, against people who literally had nothing, and could offer zero credible resistance. You see what it is to live under occupation.
Several times it had me in tears, if you're not moved by it, I'd suggest there's something seriously wrong.
There are some astonishing moments, the scenes between Basel and Yuval are fascinating, two incredibly brave men.
Revealing, powerful and sobering, don't go in expecting any happy resolutions, as we all know this painful, excruciating war marches on.
This will make every liquid in your body boil with anger and rage, it's obscene. Please someone find a way to end this.
10/10.
Incredibly hard to watch, but vital. The viewpoint we in North America are not allowed to see. Documentation of the devastation wrought by modern day colonialism, which needs to remembered, and recognized. History is being made and it the film makers are telling the side of the oppressed, who have been ignored for too long. This film is a complete embodiment of what the people need to see and hear. The truth in this movie is unwavering and its depicted with live footage throughout the entire documentary, leaving no other conclusions to be made but the one that is in front of your eyes. Captivating for any fan of real life documentaries, this is as real as it gets.
The winner of this years Best Documentary Feature at the Oscars (despite not having a major distributor for release in the United States), No Other Land is a warts and all account of a relatively unknown struggle taking place in West Bank's Masafer Yatta region where local Palestinian residents are battle occupation at the hands of Israeli forces.
A collaboration between directors Yuval Abraham, Basel Adra, Hamdan Ballal, with Abraham and Adra front and centre to this DIY as the two join forces to help protest and cover the multi-decade spanning battle, Land may not provide anything ground-breaking from a filmmaking sense but its a powerful reminder of the voice cinema can have when it comes to issues that deserve the publics attention.
Making for likable faces to a very confronting and traumatic subject matter, Adra and Ballal arm themselves with handheld cameras and phones to capture years worth of footage as the Israeli military undertakes an increasingly intense operation to flatten the Masafer Yatta community on its way to developing a "military training ground", amounting to a perilous and intense journey that acts as a heartfelt call to action to halt the mistreatment of this populated area of the West Bank.
There's no particular rhyme or reason to the way Land unfolds, a product of the fluid nature of the filming that was merely there to capture what was unfolding not manufacture it, Land may lack a central narrative destination there's little mystery as to why this little film that could has managed to make such a big mark across the globe over the past 12 months with it harbouring a humanistic message at its core that makes us all realise that day to day tensions and carnage in the Middle East is increasingly running at boiling point.
Not easy viewing by any stretch of the imagination, witnessing peoples lives be destroyed before your very eyes its hard to bare and Land refuses to shy away from the casualties of its examination as innocent bystanders are shot and beaten on camera, showcasing the harsh realities of what happens when a corrupt force is allowed to run rampant.
An important piece of modern day documentary filmmaking, Land isn't perfect and is unquestionably rough around the edges but its essential viewing to anyone with a keen interest in journalistic feature film and anyone seeking to gain insights into current global situations that we should all be across.
Final Say -
A worthy Oscar winner that shines a light on a little known yet important topic, No Other Land is an insightful piece of filmmaking bought to life by two invested and reasonable central figures.
4 petrol stations out of 5
Jordan and Eddie (The Movie Guys)
A collaboration between directors Yuval Abraham, Basel Adra, Hamdan Ballal, with Abraham and Adra front and centre to this DIY as the two join forces to help protest and cover the multi-decade spanning battle, Land may not provide anything ground-breaking from a filmmaking sense but its a powerful reminder of the voice cinema can have when it comes to issues that deserve the publics attention.
Making for likable faces to a very confronting and traumatic subject matter, Adra and Ballal arm themselves with handheld cameras and phones to capture years worth of footage as the Israeli military undertakes an increasingly intense operation to flatten the Masafer Yatta community on its way to developing a "military training ground", amounting to a perilous and intense journey that acts as a heartfelt call to action to halt the mistreatment of this populated area of the West Bank.
There's no particular rhyme or reason to the way Land unfolds, a product of the fluid nature of the filming that was merely there to capture what was unfolding not manufacture it, Land may lack a central narrative destination there's little mystery as to why this little film that could has managed to make such a big mark across the globe over the past 12 months with it harbouring a humanistic message at its core that makes us all realise that day to day tensions and carnage in the Middle East is increasingly running at boiling point.
Not easy viewing by any stretch of the imagination, witnessing peoples lives be destroyed before your very eyes its hard to bare and Land refuses to shy away from the casualties of its examination as innocent bystanders are shot and beaten on camera, showcasing the harsh realities of what happens when a corrupt force is allowed to run rampant.
An important piece of modern day documentary filmmaking, Land isn't perfect and is unquestionably rough around the edges but its essential viewing to anyone with a keen interest in journalistic feature film and anyone seeking to gain insights into current global situations that we should all be across.
Final Say -
A worthy Oscar winner that shines a light on a little known yet important topic, No Other Land is an insightful piece of filmmaking bought to life by two invested and reasonable central figures.
4 petrol stations out of 5
Jordan and Eddie (The Movie Guys)
No Other Land is one of the most important documentaries of this present moment -- it is a shame (but not a surprise) that it's become somewhat difficult to find/see anywhere.
Like 20 Days in Mariupol did with Russia's 2022 siege of Mariupol in Ukraine, it speaks to us bluntly right from the eye of the storm, that storm being the Israeli occupation of Palestine (chiefly the demolition of the filmmaker's home region in the West Bank, in this case). It may seem infantile to use terms like "pure evil", but there's basically no other way to describe some of what we witness in this footage.
It also involves a fascinating friendship, as Palestinian activist Basel Adra, who documents the gradual ruination of his home in Masafer Yatta on video, finds a connection with an Israeli journalist named Yuval Abraham, who wishes to help him, even as it becomes clear he can never quite understand his struggle. Nevertheless, their material became this film; both are credited as directors and writers alongside Hamdan Ballal and Rachel Szor, who is also Israeli.
Why this film would be inconvenient for Israel-sympathizers is obvious (when the film began to receive awards recognition, the IDF promptly surrounded Adra's home). But its central friendship -- and the fact that the friend in question demonstrably agreed to help get this movie made -- likely makes it inconvenient for those who use this conflict as an excuse for anti-Semitism, asserting that any Israeli person or even any Jewish person is fair game to brand a monster, if not outright kill.
Fact is, there are plenty like Abraham and Szor. For as much as Zionists like to insist that all "true" Jewish people ARE, in fact, on board with the whole Zionism thing (and in so doing they effectively agree with the aforementioned anti-Semites), there are several Jewish people and indeed Israeli citizens who are aghast at the idea that their ancestors survived The Holocaust only for the descendants to rework "Never again" into "Never again... to us".
Like 20 Days in Mariupol did with Russia's 2022 siege of Mariupol in Ukraine, it speaks to us bluntly right from the eye of the storm, that storm being the Israeli occupation of Palestine (chiefly the demolition of the filmmaker's home region in the West Bank, in this case). It may seem infantile to use terms like "pure evil", but there's basically no other way to describe some of what we witness in this footage.
It also involves a fascinating friendship, as Palestinian activist Basel Adra, who documents the gradual ruination of his home in Masafer Yatta on video, finds a connection with an Israeli journalist named Yuval Abraham, who wishes to help him, even as it becomes clear he can never quite understand his struggle. Nevertheless, their material became this film; both are credited as directors and writers alongside Hamdan Ballal and Rachel Szor, who is also Israeli.
Why this film would be inconvenient for Israel-sympathizers is obvious (when the film began to receive awards recognition, the IDF promptly surrounded Adra's home). But its central friendship -- and the fact that the friend in question demonstrably agreed to help get this movie made -- likely makes it inconvenient for those who use this conflict as an excuse for anti-Semitism, asserting that any Israeli person or even any Jewish person is fair game to brand a monster, if not outright kill.
Fact is, there are plenty like Abraham and Szor. For as much as Zionists like to insist that all "true" Jewish people ARE, in fact, on board with the whole Zionism thing (and in so doing they effectively agree with the aforementioned anti-Semites), there are several Jewish people and indeed Israeli citizens who are aghast at the idea that their ancestors survived The Holocaust only for the descendants to rework "Never again" into "Never again... to us".
Did you know
- TriviaDespite being the most awarded and critically-acclaimed documentary film of 2024, nominated for the Academy Award for Best Documentary Feature and picked up for distribution in 24 countries, 'No Other Land (2024)' could not find a U.S. distributor due to its subject matter. However, the film had a limited theatrical release in the U.S. on January 31, 2025 through Cinetic Media, which facilitated bookings via Michael Tuckman Media. Tickets can be purchased on the film's official website.
- Quotes
Basel Adra: You think they'll come to our home?
- ConnectionsFeatured in De sociëteit: Episode #7.3 (2025)
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- La Ard Ukhraa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,549,422
- Opening weekend US & Canada
- $26,100
- Feb 2, 2025
- Gross worldwide
- $3,596,448
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.78 : 1
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