The Twisters

There are two modes in this movie --- the yelling mode and the boring mode. The characters in this video are always yelling at each other; they do not know how to talk, and yelling is the only way they communicate. The director believes the harder they yell, the tenser the movement will be. When they are not yelling, the alternative mode is boring. The people are not doing anything, just walking back and forth, followed by small talks, empty talks, giggling, or making jokes that nobody laughs. The plot is not very sophisticated and is easily predictable. There are so many movies called "The Twisters", just watch out for this one.

How dares Apple TV sell such a movie ?!!!! I got deceived thinking that this is the new Twisters movie and ended up buying this one . It is so bad that I could not watch more than 30 minutes .....and that took a lot of effort. I don't trust Apple TV anymore .

.i think this movie should be taught in schools as an example and a learning experience of what a bad movie is: a plot that lacks depth, actors' performances that feel forced and unconvincing, a dialogue that is equally bad.

The special effects, which I had hoped would be a redeeming feature, are a joke and only serve to highlight the movie's overall lack of quality.

I would not recommend to anyone. Save your money and time for something more worthwhile.

.

Frustrated that his new AI-generated software isn't as accurate as it could be, a scientist named "Dr. James Garland" (Mark Justice) hacks into a newly created weather transponder system without the inventor's permission. When his boss, "Dr. Janet Evans" (Tiffany Renee Dwarish), learns of this, she immediately advises him to seek permission from the owner of these tracking devices. The problem is that the owner happens to be James Garland's sister, "Dr. Erica Garland" (Kayla Fields), with whom he has been estranged since a weather-related disaster several years earlier. Compounding the issue is that, according to James' new program, a severe series of potentially catastrophic tornadoes is projected to hit the United States within a few hours, and without the two of them working together, thousands of lives are at risk. Now, rather than reveal any more, I will just say that my hopes for a quality film were immediately diminished as soon as I realized it was an Asylum production. Regrettably, my initial reaction was correct, as many of the absurd scenarios were almost as bad as some of the acting, especially from Tiffany Renee Dwarish and Curtis Strong (as "General Murphy"), who appeared to be reading their lines from a cue card. Likewise, the way an Army officer at a meteorological center directed Air Force pilots was equally ridiculous. Be that as it may, I didn't particularly care for this movie and have rated it accordingly.

Writing a good solid is hard, that is why writers spend years on a single book. There are a lot of people that go to Hollywood hoping to become actors, but the vast majority of them get rejected immediately, mostly because they won't put out, but also because acting is difficult, with all the emoting and expressioning and stuff. Also, making special effects is a craft that is being honed in decades, an eternal area of innovation and struggle. So surely with terrible writing, bad acting and cheap soulless special effects you can't make a movie, right?

Wrong! I present you: The Twisters, a film so hilariously bad that I had to watch through it all. The bittersweet pain caused by watching completely talentless people trying their best was excruciating. I truly believe this film should be taught at school films, together with The Room, which is itself orders of magnitude more captivating and well done than this.

Must watch while stoned, drunk or otherwise mentally challenged, but it will be worth it.

This movie definitely lives up to its name - it's a whirlwind of confusion, poor acting, and a script that feels like it was written during a coffee break. The plot, if you can call it that, meanders aimlessly without any clear direction. The characters are so one-dimensional that they make cardboard cutouts seem complex. The dialogue is cringe-worthy, filled with clichés and awkward pauses that had me wondering if the actors were reading from cue cards.

The cinematography, which should have been the film's saving grace, is nothing short of amateurish. There are moments that seem to be shot with a shaky hand, and the lighting is so inconsistent that I half-expected to see a crew member walking through the frame.

The special effects, meant to depict the titular twisters, are laughable at best. Instead of feeling the thrill of nature's fury, I felt more like I was watching a low-budget theme park ride malfunction.

Overall, it's a boring mess, but if you have some time to waste and want a bunch of laughs, give it a shot. Better yet, save yourself the trouble and skip this one!