Maranamass is a film that leaves you confused-not because it's deep or thought-provoking, but because it struggles to decide what it wants to be. It's neither grounded in realism nor does it dive fully into fantasy. Instead, it floats awkwardly in a middle space where nothing really sticks.
The first half is a chaos of trending social media references thrown in one after the other-memes, reels, etc. While this might have been intended to connect with a younger audience, it doesn't quite land.
Basil Joseph, who once gave us the much-loved Ponnman, feels like a completely different person here. Sadly, it's a massive downgrade. Paired with the lead actress-who also delivers a wooden performance-the duo fails to carry any scene, be it emotional or comedic.
The film tries to do a lot: mixing comedy with emotional drama, introducing several new faces, and throwing in plot after plot. Unfortunately, nothing lands. The comedy feels forced, and the emotional scenes are just... boring. At times, the two are blended together, and instead of striking a balance, it becomes a mess where neither emotion nor humor works.
Repetitive scenes, irrelevant subplots, and a frustrating climax only add to the disappointment. Maranamass is buried under weak performances, poor storytelling, and a painfully unengaging screenplay.
If you're a fan of experimental movies, you can give it a try. Otherwise, stay home and wait for it to hit OTT.