Kumiko, the Treasure Hunter

Kumiko, a Japanese employee, has only one hobby : treasures. She doesn't have any friends, and is really bored by her job. After seeing a VHS of "Fargo", she decides to travel to North Dakota to find the money hidden by Carl Showalter in the movie.

This movie is an excellent piece of work. Rinko Kikuchi appears under a new face with this introvert and amazing character, inspired by a true story.

David Zellner really did a good job of balancing comedy and drama : never exaggeratively funny, nor never desperately sad, the directing is very subtle and finds its own way to create an atmosphere around the point of view of an unusual character that sees the work differently than most of people do.

Which is, sometimes, really refreshing.

"Kumiko The Treasure Hunter" (2014 release; 104 min.) brings the story of Kumiko. As the movie opens, we see Kumiko walking alongside the beach with a map, eventually retrieving a VHS tape from under a rock. It turns out to be the movie "Fargo", and Kumiko becomes obsessed with it, and in particular the character played Steve Buscemi , who buries a briefcase full of money in the Fargo snow. Meanwhile, we witness Kumiko becoming more and more aloof and isolated in her day-to-day life, including her job as an Office Lady in corporate Japan. It's only when she is watching "Fargo" that she feels alive. Kumiko eventually decides to go to Fargo. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Several comments: the movie is directed, co-written by and stars David Zellner (his brother Nathan co-wrote the script). The story is a fantastical concoction that is loosely based on true events, and when I say "loosely", you should read that in the broadest possible meaning. The movie's initial 45 minutes play out in Tokyo, and Zellner captures the loneliness and isolation of the Kumiko character, still an Office Lady at age 29, perfectly. When Kumiko is caught trying to steal a huge world atlas from the library and is asked why, Kumiko passionately explains that "I am like a Spanish Conquistador, retrieving untold treasures!", to the shock of the library guard. The last hour of the movie plays out in the US, and captures the mood of the 'frozen tundra' and also the mood of the "Fargo" movie perfectly. When Kumiko is wondering the snowy fields, the movie becomes the anti-"Wild" movie: rather than finding herself, Kumiko becomes more and more lost. Please note that, like in "Wild", there are long stretches in this film where not a word is spoken. Knowing some of the background on the real life events on which this is loosely based, I was quite surprised with the ending offered by this movie… Last but not least, there is a great instrumental soundtrack, composed and performed by Austin-based indie band The Octopus Project.

I head read about this movie, and was intrigued by it. Imagine my surprise when "Kumiko The Treasure Hunter" opened without any pre-release fanfare or advertising at my local art-house theater here in Cincinnati this weekend. I went to see it right away and the Sunday matinée screening where I saw this at was attended okay but not great. Which is a shame, as this is a very nice 'little' movie that is quirky and off-center, yet always entertaining if not intriguing. IF that sounds like it might appeal to you, you cannot go wrong with this. "Kumiko The Treasure Hunter" is HIGHLY RECOMMENDED!

Viewers are asked to identify with the Coen Brothers' fictional "Fargo" and the reality of the Zeller Brothers' "Kumiko" (Rinko Kikuchi of Babel). Our leading lady on a treasure hunt for something we all crave – what we want.

Kumiko is insulated from the rest of the world through solitude, Her character cannot subscribe to Japanese societal norms and the journey is like many: weathering professional and personal criticism for not measuring up to the public barometer. She is hungry for the smallest dollop of approval. Frosty comrade pressures and a personal friend with child make the tiny Single made to believe she does not measure up. Even Mother is disappointed that she is still not married, a Japanese custom that girls are to wed by 25 or live at home.

Yet, our actress ventures out alone to find little gems wherever she goes, small hidden treasures that strengthen thoughts of another journey. She identifies best with her bunny Bunzo (Rabbit - symbol of rebirth and innocence). Emotionally drained, Kumiko cannot stay in a world that punishes her for not attaining expected behaviours. Mistaking make believe for real life, our disillusioned lead leaves native Japan penniless and fixated, but armed. She encounters Americans who unknowingly assist in her adventure. Blanketed in determination, our heroine explores self-abandonment, only to be rescued from the cold with local hospitality.

All this happens against a constant, white background of the silver screen, the Japanese symbol of death. This film leads viewers to decipher what is "not" real and what is. This film is a myth of fortune and the pursuit ... of what we each want. After watching, we may all realise we have been living a dream, maybe other's dreams … and not our own. Her future may be someone else's chaos.

At age 29, Kumiko is an isolated depressive working in an office position that's usually reserved for younger Japanese girls that are filling their time before finding a husband and moving on. With no ambitions to follow suit, after finding a water-damaged VHS copy of the Cohen Brother's 1996 film, 'Fargo', she becomes obsessed with finding the money-filled suitcase buried by Steve Buscemi's character and stitches together her own treasure map of the North Dakota tundra. Likening herself to a conquistador, she sets off on a journey to the 'New World' on a hunt for buried treasure via less-than legal means. The film is slowly paced but the humor never misses the mark and its unique tone and style is absolutely beautiful. The story hinges on Rinko Kikuchi's ('Pacific Rim' / 'The Brothers Bloom') performance which keeps even the lulls in the narrative interesting.

Not knowing anything about this movie beforehand I was very pleasantly surprised. It starts with what could have just been another Japanese "horror out of the TV" movie but it quickly turns into a beautifully shot road movie with brilliant actress Rinko Kikuchi in virtually every scene. The photography reproduced on the giant digital screen is breathtaking. With minimal cutting and extended static shots this is visually very impressive. Unfortunately the film was marred by an extremely loud music soundtrack. Sometimes less is better. I would have preferred silence. As there was very little dialogue the movie would then get to speak for itself.