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7.2/10
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It's 1941 but France is trapped in the nineteenth century, governed by steam and Napoleon V, where scientists vanish mysteriously. Avril, a teenage girl, goes in search of her missing scient... Read allIt's 1941 but France is trapped in the nineteenth century, governed by steam and Napoleon V, where scientists vanish mysteriously. Avril, a teenage girl, goes in search of her missing scientist parents.It's 1941 but France is trapped in the nineteenth century, governed by steam and Napoleon V, where scientists vanish mysteriously. Avril, a teenage girl, goes in search of her missing scientist parents.
- Awards
- 1 win & 7 nominations total
Marion Cotillard
- Avril
- (voice)
Marc-André Grondin
- Julius
- (voice)
Philippe Katerine
- Darwin
- (voice)
Jean Rochefort
- Pops
- (voice)
Bouli Lanners
- Pizoni
- (voice)
Olivier Gourmet
- Paul
- (voice)
Macha Grenon
- Annette
- (voice)
Benoît Brière
- Rodrigue
- (voice)
- (as Benoit Brière)
Anne Coesens
- Chimène
- (voice)
Carlos Alazraqui
- Additional Voices
- (English version)
- (voice)
Victor Brandt
- Additional Voices
- (English version)
- (voice)
Mark Camacho
- Paul
- (English version)
- (voice)
Tod Fennell
- Julius
- (English version)
- (voice)
Angela Galuppo
- April
- (English version)
- (voice)
Paul Giamatti
- Pizoni
- (English version)
- (voice)
Tony Robinow
- Pops
- (English version)
- (voice)
Susan Sarandon
- Chimène
- (English version)
- (voice)
Featured reviews
There is much to love, but also a bit to dislike about "April and the extraordinary world" (the correct and more interesting title is "April and the twisted world"). Its story explodes with creativity, especially compared to US animation (which tends to severely underestimate the intelligence of children). Its "ligne claire" - animation style is both a break from US-animated CGI, which hasn't been successfully adapted in Europe, and an homage to the patron saint of European comics Hergé (co-director Ekinci did, in fact, do the storyboards of the 1991-92 "Adventures of Tintin" TV series, which is often considered to be the best adaptation).
Leaning on Jacques Tardi for the visuals is a reminder that BD (bandes dessinées) adaptations work best in the classic animated form. One cannot help but compare "April" to Luc Besson's real-action adaptation of "Adèle Blanc-Sec", Tardi's most famous work. That movie was a commercial success, but BD fans were disappointed with the humorization of a serious story-line and the cheap-looking effects.
What's not so great about "April" is that it's so voluntarily old-fashioned that you may have a hard time convincing your kids to watch it. The character expressions and movements are very static, the heroine is not designed to express emotions through gestures. That is very Tardi, very Adèle Blanc-Sec (which translates as "dry white", after all). But what works fine in a BD doesn't necessarily work in a movie. It seems that French animators still cannot bring themselves to realize that the times they are a-changing, and that a l'art pour l'art approach cannot reinvigorate an expiring industry, apart from justifying a 9.2 million budget (against which it has earned 5%).
Given the character's lack of expression, the film relies heavily on the dub, and I must say other actresses could have done more justice to the part of April than Marion Cotillard - Mélanie Laurent, for instance, or Chiara Mastroianni who voiced Marjane Satrapi in her BD autobiography "Persepolis". Cotillard is a fine actress but she has a tendency to exaggerate, which can be entertaining but also quite unnerving - just look up her death scene in "Dark Knight rises" on Youtube if you don't (painfully) remember. Jean Rochefort, on the other hand, is wonderful as "Pops", April's grandfather. He speaks his lines with great candor and veracity, as does Olivier Gourmet as the father.
So what you get to watch here is a very creative, if old-fashioned animation, which could be of more merit to adults than kids, who may find it hard to follow and perhaps somewhat boring. This is not a perfect European animated film for the whole family - that would be last year's Irish "Song of the Sea". It's also not a fandom film for BD connoisseurs, as the dub and continuity jar a bit, and as there is no commitment to a mature audience, like in the works of Sylvain Chomet. But if you're starved for anything animated that is not Japanese or yet another US CGI-film about talking animals, this one is definitely for you.
Leaning on Jacques Tardi for the visuals is a reminder that BD (bandes dessinées) adaptations work best in the classic animated form. One cannot help but compare "April" to Luc Besson's real-action adaptation of "Adèle Blanc-Sec", Tardi's most famous work. That movie was a commercial success, but BD fans were disappointed with the humorization of a serious story-line and the cheap-looking effects.
What's not so great about "April" is that it's so voluntarily old-fashioned that you may have a hard time convincing your kids to watch it. The character expressions and movements are very static, the heroine is not designed to express emotions through gestures. That is very Tardi, very Adèle Blanc-Sec (which translates as "dry white", after all). But what works fine in a BD doesn't necessarily work in a movie. It seems that French animators still cannot bring themselves to realize that the times they are a-changing, and that a l'art pour l'art approach cannot reinvigorate an expiring industry, apart from justifying a 9.2 million budget (against which it has earned 5%).
Given the character's lack of expression, the film relies heavily on the dub, and I must say other actresses could have done more justice to the part of April than Marion Cotillard - Mélanie Laurent, for instance, or Chiara Mastroianni who voiced Marjane Satrapi in her BD autobiography "Persepolis". Cotillard is a fine actress but she has a tendency to exaggerate, which can be entertaining but also quite unnerving - just look up her death scene in "Dark Knight rises" on Youtube if you don't (painfully) remember. Jean Rochefort, on the other hand, is wonderful as "Pops", April's grandfather. He speaks his lines with great candor and veracity, as does Olivier Gourmet as the father.
So what you get to watch here is a very creative, if old-fashioned animation, which could be of more merit to adults than kids, who may find it hard to follow and perhaps somewhat boring. This is not a perfect European animated film for the whole family - that would be last year's Irish "Song of the Sea". It's also not a fandom film for BD connoisseurs, as the dub and continuity jar a bit, and as there is no commitment to a mature audience, like in the works of Sylvain Chomet. But if you're starved for anything animated that is not Japanese or yet another US CGI-film about talking animals, this one is definitely for you.
"Avril and the extraordinary world" was presented before the official release at the Anim'est international animation festival in Bucharest. I went to see it after a brief look at parts of the official trailer, without knowing anything about the cast, cartoonist, director and the plot in general. I have to say that it was a magnificent movie, reminding me of some classic Disney style hand crafted animation that I used to love when I was a child. It is beautifully drawn and looks without any flaws. The story takes place in an alternative universe, where some modern inventions where never discovered or made available for the advancement of our societies. This makes you question how would the world look like if we have never used electricity or petrol in our daily lives. And the movie answers a lot of these questions. The plot keeps you for most of the movie engaged and in some small parts at the edge of your seat. The comic release character, a talking cat with the name of Darwin was instantly liked by all people present at the screening, adults and children together. His comments of various situations in the movie proved to be very effective, bringing smiles and laughter all around.
Avril's Extraordinary world is an alternative time line in which Napoleon V rules France and the scientist that help built the foundations of technology are missing, forcing the world into a steam punk setting, and Avril a young scientist herself has the key to our future.
It's animated quite beautifully. I'm a huge fan of steam punk and I love seeing the design all over the movie. I also like the style of 3D animation blended with computer generated images. It's always a welcome change to see this other than the world we live in right now that is dominated by 3D animation.
It was a great adventure film, filed with character and characters that were smart and funny, and accessible to everyone.
Good watch.
It's animated quite beautifully. I'm a huge fan of steam punk and I love seeing the design all over the movie. I also like the style of 3D animation blended with computer generated images. It's always a welcome change to see this other than the world we live in right now that is dominated by 3D animation.
It was a great adventure film, filed with character and characters that were smart and funny, and accessible to everyone.
Good watch.
As a film fanatic who grew up watching lots of 2D animations, I'm very happy to see they're still alive in other parts of the world after Hollywood abandoned them for 3D animations. Especially when it comes to this kind of animation, obviously the France produced some extraordinary films in the recent years such as 'Ernest & Celestine', 'A Cat in Paris', 'Zarafa' et cetera. This is an internationally produced film in the French language, but available in the English language too, which was based on the graphic novel by the French cartoonist Jacque Tardi.
This is the story of a young girl Avril that takes place in the 1940s, Paris. But it all begins many decades earlier that reveals how a family of three generations were pursued by the powerful men. It is the parallel universe story, especially when it comes to the technology, the world is underdeveloped and is in the steam age. This film is about the science and invention where Avril's parents, grandparents were on the verge to invent an ultimate serum. Now those bad guys are after Avril and her cat, Darwin. So before they catch her, she must find her family members if they had survived the crash a decade ago to put an end to all the surrounding mysteries.
Usually Europe means fairy tales with magic stuffs, but this is an sci-fi-adventure. Feels like watching a Japanese anime. Excellent story, the brilliantly developed characters with lots of suspense and thriller, so I don't think it makes sense to call it a comedy or children's film. Definitely for all ages, the film has a bit of everything to please the people from different generations. The sketches were another highlight, very catchy with the low bright colours. Directed by the two new directors, but their's experience is the fine result of this film.
"Cats don't dance. And they don't talk! So be quiet."
It is a beautiful world with the twin Eiffel towers, a bridge in the English channel kind of stuffs, yet it suffers from all types of severe pollutions. The global warming is the hot topic right now, but this film sets in 65 years earlier. So it comes in the line of 'Boy and the World', but all the focus was turned towards the family of scientists and their adventures than to press harder on the important issue. But throughout the narration, it is quite clear the world was affected by without the proper scientific progression and adaptation to save it. Avril might be the centre of the story, but the film character distributed widely and theirs story were well preserved to keep the excitement and pace steady till the end. So be prepared for some unexpected, because it's very matured yet a light humorous film.
The title might give an expression of a cliché, so if you expect a fantasy tale, then you're in the wrong place. But I'm surprised for how unique it was from other sci-fi films. Especially somewhat resembles 'Les Misérables' and some others, yet quite refreshing with all the twist and turns. When the actual story ends, there's an extended scene which makes us to dream for a sequel to come. But it all ended here, so a follow-up is very unlikely. Apart from the story, the technical brilliance was like par with the Animes, especially it reminds Miyazaki's films. These directors must keep doing films like this and who knows they may become the French versions of Tomm Moore.
One of the best animations of the years. A sci-fi which is not a dystopian theme. I said that because that's what very common in the current films. Instead, it is a mid 20th century story and totally an entertaining film with the breathtaking visuals. The story wise, it is nothing less than any similar live-action themes. It should have been very popular by now, but it is not and the reason is it is not a Hollywood. That's really very sad, but if you are an international film fan then you should give it a try and animation fans must not skip it. Like I said you won't often get a film matured, at a time funny as this one where adults and children can sit together.
8/10
This is the story of a young girl Avril that takes place in the 1940s, Paris. But it all begins many decades earlier that reveals how a family of three generations were pursued by the powerful men. It is the parallel universe story, especially when it comes to the technology, the world is underdeveloped and is in the steam age. This film is about the science and invention where Avril's parents, grandparents were on the verge to invent an ultimate serum. Now those bad guys are after Avril and her cat, Darwin. So before they catch her, she must find her family members if they had survived the crash a decade ago to put an end to all the surrounding mysteries.
Usually Europe means fairy tales with magic stuffs, but this is an sci-fi-adventure. Feels like watching a Japanese anime. Excellent story, the brilliantly developed characters with lots of suspense and thriller, so I don't think it makes sense to call it a comedy or children's film. Definitely for all ages, the film has a bit of everything to please the people from different generations. The sketches were another highlight, very catchy with the low bright colours. Directed by the two new directors, but their's experience is the fine result of this film.
"Cats don't dance. And they don't talk! So be quiet."
It is a beautiful world with the twin Eiffel towers, a bridge in the English channel kind of stuffs, yet it suffers from all types of severe pollutions. The global warming is the hot topic right now, but this film sets in 65 years earlier. So it comes in the line of 'Boy and the World', but all the focus was turned towards the family of scientists and their adventures than to press harder on the important issue. But throughout the narration, it is quite clear the world was affected by without the proper scientific progression and adaptation to save it. Avril might be the centre of the story, but the film character distributed widely and theirs story were well preserved to keep the excitement and pace steady till the end. So be prepared for some unexpected, because it's very matured yet a light humorous film.
The title might give an expression of a cliché, so if you expect a fantasy tale, then you're in the wrong place. But I'm surprised for how unique it was from other sci-fi films. Especially somewhat resembles 'Les Misérables' and some others, yet quite refreshing with all the twist and turns. When the actual story ends, there's an extended scene which makes us to dream for a sequel to come. But it all ended here, so a follow-up is very unlikely. Apart from the story, the technical brilliance was like par with the Animes, especially it reminds Miyazaki's films. These directors must keep doing films like this and who knows they may become the French versions of Tomm Moore.
One of the best animations of the years. A sci-fi which is not a dystopian theme. I said that because that's what very common in the current films. Instead, it is a mid 20th century story and totally an entertaining film with the breathtaking visuals. The story wise, it is nothing less than any similar live-action themes. It should have been very popular by now, but it is not and the reason is it is not a Hollywood. That's really very sad, but if you are an international film fan then you should give it a try and animation fans must not skip it. Like I said you won't often get a film matured, at a time funny as this one where adults and children can sit together.
8/10
2016 has really proved to be a great year for film. April and the Extraordinary World may not be on the level of some truly fantastic animated films (Kubo and the Two Strings, Tower, The Red Turtle, Zootopia) but it's still a very good film in its own right. The great thing about it is that it is not held back by having to only appeal to children and by not having to show anything that may be even remotely inappropriate for kids. It's a very classic action-adventure story, one where you could also see working in live action (although not exactly because many of the characters would not translate to live action as well). It is very well paced, very funny at times, and also genuinely heartfelt. That ending was also really effective, with the last scene really hitting on some great themes that the film had only previously alluded to. Definitely recommended.
Did you know
- TriviaThe film is based on the art style of famed French comic book artist Jacques Tardi, but not on one of his actual works. Instead, Tardi was brought in at the earliest stages by his friend and sometime collaborator Benjamin Legrand, to come up with the look of the film and the characters.
- GoofsDuring the blackout, an announcement is made over the Public Address system that the backup generators are about to be turned on. But without regular power or backup power, the PA system would not work.
- Crazy creditsThe opening credits of the production companies, cast and crew are drawn in the movie's animated style on cards, labels and other objects inside a lab.
- ConnectionsReferences Metropolis (1927)
- SoundtracksChargez! Chargez!
Written by Perrine Capron and Claire Tillier
Performed by Claire Tillier
Guitar: Denis Vautrin
Lyrics by Perrine Capron, Claire Tillier and Franck Ekinci
- How long is April and the Extraordinary World?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- A Rigged World
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €9,180,292 (estimated)
- Gross US & Canada
- $295,488
- Opening weekend US & Canada
- $11,413
- Mar 27, 2016
- Gross worldwide
- $495,879
- Runtime1 hour 45 minutes
- Color
- Aspect ratio
- 1.85 : 1
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What is the Italian language plot outline for April and the Extraordinary World (2015)?
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