Mapp & Lucia

I have seen both Mapp & Lucia adaptations and prefer this one. The two leads, Anna Chancellor and Miranda Richardson, are excellent. Also, since this is a 21st century version it has a more modern feel.

The 1980s version feels like a stage play, while this seems more like what it is--a limited TV series. The previous adaptation is also ten episodes as opposed to three. The story in the 2014 version is charmingly told. The conclusion is satisfying, though it leaves the possibility for a sequel.

The key difference between the two versions for me is the Lucia character. I normally love Geraldine McEwan, but McEwan's performance is hammy, while Chancellor is the better, more subtle performer as Lucia. For some reason, perhaps direction, McEwan decided to use a baby talk voice that eventually became unbearable to me. I cannot stand to hear a grown woman talk like a toddler, and McEwan's performance became cringey.

Another important difference between the two is how the gay subtext is handled. In the 2014 version the gay characters have a lot more depth and poignancy. Overall, as I said, this is the better version to me, but watch both and reach your own opinion.

With such comedic talent assembled in one series, the outcome is decent but rather timid. I, too, found the 80s version wickedly funny - Geraldine McEwan in particular took huge risks with her "30s fag hag" role (and boy, did it pay off!) - and therefore this remake felt like it was lurching from almost a frame-by-frame copy-and-paste job to a desperately over-the-top retelling and embellishing. Previously, Miranda Richardson had been laugh-out-loud funny in almost every vehicle I had seen her in; yet here, she somehow never came into her own. Overall, the main impetus seemed to be one of the BBC trying to out-ITV ITV, so to speak. That said, the show makes for decent-enough viewing on a home-alone evening, and the gardens, interiors and costumes are luscious indeed.

I really didn't think I would like this but as each episode played I grew to love it more and more and was actually quite upset when it finished. I've been to Rye and so got a lot out of watching the series and trying to familiarise myself with the streets and the extraordinary church. I thought each character was well cast and I loved the cat and mouse games between Mapp and Lucia and not knowing what plot each one would come up with next. I thought Miranda Richardson was fantastic in her portrayal of Mapp, including her fake teeth and the way it forced her to talk.... very funny. The characterisation was brilliant, as was the set and the way Tilling looked exactly as you would imagine. Had I seen the 1980's version I would be able to understand why a few of these reviews favour the former series, however I feel in love with it and just wish there were another series to follow.

There is a mean streak throughout episode one like a fly buzzing around my head. The light, humor-sprinkled delightful dialog is missing from this version. We have two very talented actresses playing down the humor. Were they directed in this fashion?

The original Mapp & Lucia (1985) was brilliantly performed by all quality actors who understood the material. Character Quaint Irene was a poor lesbian artist wearing manly attire. The new Irene isn't anything. Major Bengi was a humorous drunk but not weirdly creepy as the new one.

I was so let down, almost as much as the remake of All Creatures Great and Small which I stopped watching after the second episode because it did not have the spirit of the relationships from the book that the original version embraced.

Good script, fast paced. Altogether entertaining. Colour palette seems rather dark and sombre compared to the insouciant sweet lightness of the C4 original. Anna Chancellor: a bit too butch for the part, too threatening, a bit sour, missed a fragility and joyfulness that McEwan got. Actress portraying Irene (Gemma Whelan) was much better and more credible than the original actress. Miranda Richardson very good, copied some mannerisms of Prunella Scales interpretation I thought. Pemberton also very good, copied Hawthorne's mannerisms in places. Chemistry between Pemberton and Chancellor was not right or credible somehow. Frances Barber - hammy over the top but delightful. All other actors and actresses worked really well. The final shot of Pilsen and Irene apparently bonded surprised me.