Lifeline

Lifeline is one of those rare short films that stays with you long after it ends. In just eight minutes, it delivers a gripping, emotionally layered conversation between two Somali characters that unpacks identity, bias, and the human need to be understood. The performances are raw and incredibly real, and the writing feels deeply personal-like you're witnessing something both private and universal. I was genuinely moved. It's honest, tense, and quietly heartbreaking. A masterclass in short-form storytelling, and a reminder of how powerful simple dialogue can be when it comes from a true place.

This story was so fresh and you can really tell the team put their heart into it. It feels a lot like watching real Somali lives, real people I've come across.

There's so much content out there and this doesn't just blend in. In a good way.

The cinematography beautifully frames everyday moments, elevating them to something truly special and universal. The dialogue flowed naturally, and the relationships between characters felt lived-in and real.

This is the kind of storytelling that changes perspectives and opens hearts. Looking forward to seeing you all turn this into a feature length film.

Review of Lifeline

Lifeline is a film that thrives on its quiet authenticity, grounded in the richness of its characters and the sincerity of their dialogue. The conversations between the protagonists feel deeply lived-in, offering insight not just through what is said, but through the subtle, often unspoken reactions they have to one another. This layered approach allows the audience to access a much deeper understanding of their lives than surface-level exchanges might suggest.

What makes Lifeline particularly compelling is its tonal balance. A thread of humour runs through the film, acting as a gentle counterweight to the emotional heaviness of the central conversation. From the very first scene, Ibtisam's unease is palpable. Her initial discomfort, while awkward and even amusing, gradually evolves into the emotional groundwork that allows the story's more intimate truths to land with power and grace.

The visual storytelling mirrors this emotional journey. The camera work is intentionally restrained yet evocative, echoing the dynamics of the conversation and drawing the viewer into the characters' evolving emotional landscapes. In its quiet confidence, Lifeline crafts a space where both vulnerability and levity coexist-and it's in that space that the film finds its true resonance.

Lifeline is one of the most powerful short films I've seen in a while. It was so refreshing to see a Somali story told with such honesty, grace, and depth. Ibtisam and Hassan felt so real, and it's no surprise considering the film was created by a Somali team. That authenticity came through in every scene. The way it explored identity, bias, and community hit hard-and felt necessary. I connected with the characters immediately and genuinely want more. More from Hassan and Ibtisam, and definitely more from Hanad and Ilhan. Lifeline felt like the start of something important. Just incredible!!!!

It's refreshing-and necessary-to see Somali characters portrayed with this level of nuance and humanity. What makes Lifeline stand out is its authenticity-the kind that can only come from a story told by those who've lived it. Created by a Somali team, the film feels grounded and lived-in, with every line of dialogue carrying emotional weight. Ibtisam and Hassan feel real. By the end, Lifeline feels like more than just a short-it feels like the beginning of something important. A glimpse into lives we don't see enough on screen, told with dignity, depth, and clarity. It's a masterclass in short-form storytelling, and a film that demands more: more from these characters, more from this team, and more stories like this.