From the Land of the Moon

I was waiting for this movie after I have watched "Youth" of Paolo Sorentino. The reason is quite simple from the first glance and extremely marvelous from my point of view. First time in my life, I am still with Youth, I realized what is the pure beauty of the nature….

Thus, what I found out that in the same location "Mal de pierres" was shout I was expecting to indulge once again into fascinating scenery of nature. And of course, I was expecting the other background - provided by the movie and the plot.

I would divide movie into three parts: part 1 - boring & typical, part 2 - natural eye opening and part 3: reasonable

The plot is exactly what is said about the movie on any poster: she does not love, he (looks like) loves, she is becoming crazy and mad in the naive searches of love from the book. And this is basically the first part of mine.

My second part starts with the trip to Schatzalp in Davos. At the end of the first part an idea stroke my mind - what if the movie is not about she and her sufferings of loving not the right people?.....My second part is the most beautiful - breathtaking views of Swiss Alps, love story of the main she male character - an affair with young lieutenant (by the way perfectly chosen youth + war - for sure must be inspired by Thomas Mann's "Der Zauberberg").

My third part - leaving Alps and coming back to humdrum reality and again waiting for a love. Same stupid, naive love from the novels… Beautifully playing actors, beautiful need and the search for the real love and even after realizing that this love can be nearby - may be not even love but "near & dear". Maybe we can call it to to grow up & become a woman ...finally.

But in my opinion, the main idea as well as the main character is not Gabriel. What if the key to decipher the movie lays in undistinguished Jose? Do you remember his sight at the beginning of the movie? I guess this is the sight of the man willing to die for his love…

In my opinion, the movie is about Jose and his love, about the man who sacrificed his life and was withstanding all the "whims" and finally received hope for love. I would call it "the silent fight" for the love.

Coming back to the movie, the film is nice and beautiful, but in some moments a bit boring and lacks some expression and deepness. But for sure, I personally received what I was expecting and definitely it is one of the best recent movies so far.

In life many times the grass looks greener on the other side of the fence . Both stars in this film are excellent and perfectly cast . Is the glass half empty or half full ? Sometimes it takes a shock to see that your glass is full and has been all the time . This is a beautiful movie and a" must see" for Marion Cotillard fans . It also could double for a marriage counceling film !!!!!!! True love is hard to find and sometimes harder to see .

Another bright movie from Marillon Cotillard, the very talented French actress who shines in other ways in this limited, averagely deep production. Everything is on point in a simple, semi-impactful and mysterious way. The beginning was well developed alongside the middle, just the end and what precede it was a little average, hurting the production in a minimal to the sense way.

• Screenplay/storyline/plots: 7
• Production value/impact: 7
• Development: 7.5
• Realism: 7
• Entertainment: 7
• Acting: 8
• Filming/photography/cinematography: 8
• VFX: 8
• Music/score/sound: 7
• Depth: 7
• Logic: 6
• Flow: 7.5
• Drama/romance: 6.5
• Ending: 6.

From an early age, "Gabrielle" (Marion Cotillard) has shown a bit of a rebellious spirit. As a girl, she was determined not to obey her parental wish to marry the local "Jose" (a subtly nuanced effort from Alex Brendemühl) - even though he was quite fond of her, and as a result she lived in the semi-seclusion that befitted an unwed girl in rural France. Her "break" comes in the unlikely form of some kidney stones that necessitates a trip to an Alpine hospital. It's here that she encounters the recovering "André" (Louis Garrel) who has just returned from French Indochina shell-shocked and badly wounded. There's a little of a Wildred Owen poem to this drama, I thought. It shows us the results of the horrors of war, the after effects and trauma, but there's also a degree of hope and optimism as their love story takes shape and maybe, just maybe, there's scope for contentment somewhere. Cotillard is on solid form as the rather self-obsessed and just a bit flaky "Gabrielle" and though Garrel doesn't have so much to do, he still comes across convincingly as a soldier conflicted by a reality and a dream - it's that conclusion that is quite a touching affair, and causes us to have a think about just who "Gabrielle" actually is. The film looks good and is well scored by Daniel Pemberton which all gives a certain lustre to Cotillard's portrayal of a woman I don't think I'd have liked very much.

I absolutely loved this film, French films are masters at this type of art. The longing for love the unknown forbidden fruit. Not wanting it yet finding it out of the blue, again metaphorical substances, her pain is real, the stone in her body is real, not attention seeking as her mother would say. Just as painful as her yearning for love, to be loved, to give love, naive, curious... The parents strict in many ways we do not know as to what she went through as a young child, but it forms and shapes her womanhood. Her mind in turmoil, visions, fantasies that are alive as daylight. Twists and turns in the film that left me totally glued as to what is going on with this creature, this beauty, these consequences that are occurring all the time, her loveless marriage, her son... It's the passion of love, lasting a mere moment in a lifetime, and ending so abruptly. To reconcile with herself, in the end finding who she is, finding her inner peace...she is in reality a part of most of mankind.