lopymaxyman

Children's Hospital, Rob Corddry's ridiculous brain child, is not going to be every person's cup of tea. The comedy and subsequent dynamic of the show is so backwards and frivolous that it takes a certain kind of sense of humor, one could say a versatile one, in order to truly enjoy it. I like to believe that certain kinds of comedy, Children's Hospital for example, are not found funny for two reasons: one, it may actually miss the mark and not be funny, or, second, this is most common, people do not find things funny because they do not actually have a sense of humor.

There are countless things in Children's Hospital that people can write off as stupid, moronic, dumb, or contrived, but what else are you looking for from a comedy? This is not Frasier, this is not a comedy that has set out to reinvent the wheel and adapt a doctoral parody into the most clever and brilliant show in existence, and it is imperative that the audience understands that. This is Rob Corddry and Rob Huebel we are talking about, both hysterical actors with impeccable timing and comedic talents, but neither of which will be accepting an Oscar any time soon. Each show, movie, film, or other piece of performance art is relative in its own right. Children's Hospital is no different. If I want to thoroughly enjoy myself, belly laugh at length, and follow some of the most ludicrously bumbling characters I've come across, I watch this show. When I want something with depth, drama, and consistent cleverness I watch Modern Family or Parks and Recreation.

This show is spectacular in the sphere it operates in...no pun intended.

There are not enough words to describe the magnitude of this film, let alone space to even attempt it. So I'll do my best with what I have.

This film is perfect in every way. The synergy of elements, both technical, dramatic, and those supplied by the audience (such as emotional investment in the series, etc.) make it perfect. Writer/Director Chris Nolan understood how invested the audiences were in this series and he hit every single note perfectly.

The picture unfolds like a beautiful nightmare. We ease back into the world of Gotham well enough that we recognize the world we left briefly from the Dark Knight. Instantly we feel that the stakes are higher, and as the film goes on, the stakes are raised even further, seemingly impossibly so. Then, finally, as the picture hits its stride, we find ourselves engrossed in a spectacle the likes of which have not been approached since Lord of the Rings.

The depth of story and character, like so many of Nolan's films, are what bring all the elements to a head. Bane is maniacle, calculating, determined, and above all, undeniably and irrevocably brutally violent. This violence takes all forms, and manifests itself into some of the most brilliantly awe-inspiring action sequences you will EVER see.

Dark Knight Rises gets better with every passing second, between the action, the intrigue, the drama, and the mystery, the final result is nothing short of stunning. And while this may be an opinionated review, I beg every person alive to experience what this film has to offer.

I swear on my life this movie is pure perfection.

There's no way you can have more fun at a movie than The Usual Suspects. Sure, some films might come to mind that you have as much fun at, but this is as fun as it gets.

From the first frame to the last, the audience is engrossed in a smart, edgy, and exciting crime thriller that oozes with style and brilliance. The performances are perfect, from Spacey to Bryne to Del Toro to Pollock and even Steven Baldwin, the characters were both engaging, fun, and mysterious.

Simply put, films don't get much more original than this. It is entertaining without losing any artistic or visceral edge, a direct result of McQuarrie's genius screenplay.

Extremely enjoyable, fun, but also smart, artistic and well thought out, The Usual Suspects is the most fun you will have without the 100 million dollar budget.

This is what movies are all about.