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Greg Harrison apparently thought he was making a pseudo-documentary of the San Francisco rave scene. According to all the dismissive reviews from die-hard ravers, Harrison has failed in this aspiration. In failing though, Harrison has succeeded in creating a small movie which works on many levels. Groove has humor. It has moments of dramatic tension. It shows drug abuse for what it is without being preachy or judgmental. The music is awesome. The cinematography alone is worth your time. And then, just when you have enough elements to make up an okay niche movie about the rave scene, Groove adds "The Nod," a mini concept piece which transcends the genre and adds a second climax, an intellectual one, after the first musical/spiritual/dramatic climax. Groove is filled with the kind of self-revelatory scenes which give the viewer a sense of truth and the truth always hurts.