Come (album)

After Prince's name-change to an unpronounceable symbol in 1993,^[12] he intended to release new songs under that moniker in formats other than albums. He would fulfill his contract to Warner Bros. by delivering unreleased material from his music vault. Prince conceived an "interactive musical experience" called Glam Slam Ulysses—a musical loosely based on Homer's Odyssey. These songs and many others would travel back and forth between different projects, including a planned triple-album called The Dawn. Material from this era later ended up on Come, The Gold Experience and The Beautiful Experience, among other projects.

In late May 1993, Prince's then-band member Mayte Garcia sent a letter to a Prince fanzine listing the tracks "Come", "Endorphinmachine", "Space", "Pheromone", "Loose!", "Papa", "Dark", "Race", "Solo" and "Poem", which all ended up being included in some form on Come. She also included "Interactive", "Peach" and "Pope". Most of these songs were newly written, except "Peach" (written in 1992), and "Race" (written in 1991 during the Love Symbol Album sessions—it uses a scratching sound effect similar to Love Symbol Album's "The Continental").

On March 6, 1994, Prince submitted a tape of eight songs to Dutch radio stations which included the song "Pheromone". Five days later, he submitted the first version of the Come album to Warner Bros. The album consisted of: "Poem", "Interactive", "Endorphinemachine", "Space", "Pheromone", "Loose!", "Papa", "Race", "Dark", "Solo", and "Strays of the World". This version of the album is exactly 45 minutes in length and is known as the Come Test Pressing. The title track was absent. Warner Bros. rejected this version, and asked for the title track along with some other new material, such as the recent hit "The Most Beautiful Girl in the World". Prince went back into the studio and tooled with the title track, creating an 11-minute horn-boosted sexual romp.

With these additions, Warner Bros. agreed to release the album. But Prince decided to change it once again, removing the more rock-oriented tracks "Interactive", "Endorphinemachine", and "Strays of the World." He also broke up "Poem" into segues throughout the album, with the remainder retitled as "Orgasm", and included the newly-written "Letitgo". This final version was submitted to Warner Bros. on the same day as a configuration of The Gold Experience. Prince wanted them to release both albums simultaneously, so the Prince material would compete with the one released under the symbolic moniker in the charts (with the latter having more commercial material). Warner Bros. accepted both albums, but refused to release them both at the same time, fearing the market would have too much Prince material in stock.

Most of the songs from the Come album were recorded at Paisley Park Studios and The Record Plant in early 1993 during a highly prolific time for Prince. The guitar sound on "Orgasm" is a sample of a feedback guitar solo from a previous Prince track, "Private Joy," from his 1981 album Controversy. The moaning on "Orgasm" is that of Vanity, recorded in 1983 for the unreleased track "Vibrator." In the liner notes, Vanity is credited as "she knows".

Come is notable for its minimalist and evocative track titles, consisting of single-word descriptors. The album opens with the eleven-minute-plus-long title track, which explores themes of love, desire, and seduction. It features a passionate plea from a lover, urging her to join him in a moment of intimacy and abandon. The second track, "Space," delves into a consuming obsession, likening the intensity of love to the vastness and mystery of the cosmos. (The album version of the song is actually the B-side of the "Space" single, as the A-side was called the "Universal Love Radio Remix" and had completely different lyrics.)^[3] The third song, "Pheromone", uses the metaphor of pheromones to convey love's irresistible allure. "Loose!" is a funk-infused song that celebrates freedom, individuality, and the joy of uninhibited expression. In the heartfelt "Papa," "a dramatic recollection from an abused child,"^[6] Prince expresses anger, love, loss, and forgiveness. The "strutting R&B;/hiphop anthem"^[5] "Race" critiques societal divisions and stereotypes about race, emphasizing unity, equality, and the shared humanity that transcends these constructs. The dark and brooding "Dark" delves into themes of loneliness, isolation, and the complexities of human relationships, all in a downbeat gospel^[6] style. The next song, "Solo," with its "eerie liturgical ambience, sampled thunder, and moody harp,"^[5] embraces self-discovery, independence, and the power of solitude. The mid-tempo "Letitgo" encourages listeners to let go of negative emotions and embrace freedom and self-acceptance; it was described as characteristic of Prince's "seductive rolling funk numbers".^[13] The album's final song, the explicit "Orgasm", "comes off as a you-are-there live remote recording of a sexual encounter"^[6] — all in just over a minute and a half.

The album cover photo was taken in front of the Sagrada Família in Barcelona. Outtakes from the photoshoot were included in the 1994 book Prince Presents: The Sacrifice of Victor. The cover also proclaims "Prince: 1958–1993", indicating that the "Prince" identity had symbolically died in 1993 and had been reborn under the new Love Symbol alias.

Upon release, Come received little support from Prince, who derided the album as "old material", despite the fact that many of the tracks had been recorded during the same sessions that produced The Gold Experience. Since Prince placed the more up-tempo and commercial material from these sessions on The Gold Experience, the overall tone of Come is somewhat dark and experimental in nature. Despite Prince's apparent marketing neglect, Come performed moderately well, reaching number 15 in the United States, going gold and receiving heavy R&B airplay with the single "Letitgo". In the United Kingdom, the album was a huge hit, debuting at number 1. Prince also released two maxi singles in support of the album.

In 1993, a funkier instrumental version of the song "Pheromone" was used as the theme music for the BET music video program Video LP.

All songs written by Prince, except "Solo", music composed by Prince and lyrics written by David Henry Hwang.

Promotional vinyl bonus tracks:

11. "Space" (Universal Love Remix) – 6:10 (singing different lyrics than the album track)
12. "Space" (Funky Stuff Remix) – 5:42
13. "Letitgo" (QDIII Instrumental Mix) – 5:00 (retitled "Instrumental" for single release)
14. "Letitgo" (J-Sw!ft #3 Instrumental) – 5:43 (retitled "(-) Sherm Stick Edit" for single release)

• Prince – lead vocals and various instruments
• Tommy Barbarella – keyboards (2, 7)
• Mr. Hayes – keyboards (2, 7)
• Sonny T. – bass (2, 5, 7)
• Michael B. – drums (2, 5, 7)
• Brian Gallagher – tenor saxophone (1, 6, 7, 9)
• Kathy J. – baritone saxophone (1, 6, 7, 9)
• Joseph Robinson – trumpet (1, 6, 7, 9)
• Steve Strand – trumpet (1, 6, 7, 9)
• Dave Jensen – trumpet (1, 6, 7, 9)
• Michael B. Nelson – trombone (1, 6, 7, 9)
• Ricky Peterson – keyboards (9)
• Eric Leeds – flute (9)
• Mayte – backing vocals (6)
• Kathleen Bradford – backing vocals (9)
• Jearlyn Steele Battle – "Face the music" looped sample (6)
• Vanity – vocalizations (10)