Sambalpuri language

There were 2.63 million people in India who declared their language to be Sambalpuri at the 2011 census, almost all of them residents in Odisha.^[12] These speakers were mostly concentrated in the districts of Bargarh (1,130,000 speakers), Subarnapur (364,000), Balangir (335,000), Sambalpur (275,000), Jharsuguda (245,000), Nuapada (145,000), Baudh (90,700), and Sundargarh (42,700).^[13]

The inscriptions and literary works from the Western Odisha region used the Odia script, which is attested through the inscriptions like the Stambeswari stone inscription of 1268 CE laid by the Eastern Ganga monarch Bhanu Deva I at Sonepur and the Meghla grant and Gobindpur charter of Raja Prithvi Sing of Sonepur State^[14] and also through the major epic Kosalananda Kavya composed during the 17th century Chauhan rule under Raja Baliar Singh of the Sambalpur State, which was written in Sanskrit in Odia script.^[15]

The Devanagari script may have been used in the past,^[16] (the Hindi language was mandated in administration and education in Sambalpur for the brief period 1895–1901)^[17]

There are many eminent poets from Kosli language, PadmaShree Haldhar Nag, Khageswar seth, Hemachandra Acharya has contributed a lot for the language.

NRIPoet Prasanta Meher, Poet Ranjit Padhan, Hemant Deep and many other are made remarkable contribution modern time.

Sambalpuri has 28 consonant phonemes, 2 semivowel phonemes and 5 vowel phonemes.^[18]

There are no long vowels in Sambalpuri just like Standard Odia.

Sambalpuri shows the loss of retroflex consonant like voiced retroflex lateral approximant [ɭ] (ଳ) which are present in Standard Odia, and a limited usage of retroflex unaspirated nasal (voiced retroflex nasal) ɳ (ଣ).^[19]

The following is a list of features and comparison with Standard Odia:^[20]

Some key features include-

• r-insertion: insertion or paragogue of /r/ at the end of Sambalpuri verbs
• Word Medial Vowel Deletion: Syncope of certain word medial vowels, with exceptions seen in -ai diphthongs.
• Vowel Harmony: a shift of /o/ to /u/. This is also seen in the Baleswari Odia dialect and to an extent the Ganjami Odia dialect.
• Word Final Vowel Deletion: Apocope of word-final schwa (see Schwa deletion).
• Voiced retroflex consonant usage: Absence of voiced retroflex lateral approximant [ɭ] (ଳ) and limited usage of voiced retroflex nasal ɳ (ଣ).^[19]

Voiced retroflex consonant

Word Medial Vowel Deletion: Syncope

Exceptions to Word Medial Vowel Deletion: seen in '-ai' diphthongs

Vowel Harmony: 'o' to 'u' phoneme shift, feature also seen in Baleswari Odia dialect

Lengthening of Vowel Sound: vowels which appear in between consonants take their longer counterpart

Consonant shift- shift of 'ḷ' phoneme to 'l'

Word Final Vowel Deletion(Schwa deletion Apocope)- a characteristic feature of Sambalpuri

Sambalpuri words

There has been a language movement campaigning for the recognition of the language. Its main objective has been the inclusion of the language into the 8th schedule of the Indian constitution.^[21][22]

• Satya Narayan Bohidar, writer and pioneer of Sambalpuri literature. Notable works include Ṭikcaham̐rā (1975), Sambalapurī bhāshāra sabda-bibhaba: bā, Saṃkshipta Sambalapurī byākaraṇa o racanā (1977)^[23]
• Prayag Dutta Joshi, Sambalpuri writer
• Nil Madhab Panigrahi, wrote Mahabharat Katha^[24]
• Haldhar Nag, Sambalpuri poet popularly known as "Lok kabi Ratna". His notable Sambalpuri works are Lokgeet, Samparda, Krushnaguru, Mahasati Urmila, Tara Mandodari, Achhia, Bacchhar, Siri Somalai, Veer Surendra Sai, Karamsani, Rasia Kavi, Prem Paechan.^[25] His works has been compiled into "Lokakabi Haladhar Granthabali"^[26] and "Surata". He was awarded the Padma Shri in 2016.^[27][28]
• Prafulla Kumar Tripathy, compiled the Sambalpuri-Odia Dictionary- Samalpuri Odia Shabdakosha (2001).^[29]
• Hema Chandra Acharya, wrote Ram Raha (2001), the Sambalpuri version of the Ramayana.^[30]

• Sambalpuri culture