Tosa Nikki

The Tosa Nikki is the first notable example of the Japanese diary as literature. Until its time, the word "diary" (nikki) denoted dry official records of government or family affairs, written by men in Sino-Japanese. By contrast, the Tosa Diary is written in the Japanese language, using phonetic kana characters. Literate men of the period wrote in both kana and kanji, but women typically were not taught the latter, being restricted to kana literature. By framing the diary in the point of view of a fictitious female narrator, Tsurayuki could avoid employing Chinese characters or citing Chinese poems, focusing instead on the aesthetics of the Japanese language and its poetry.^[2]

The Tosa Nikki is associated with travel poems (kiryoka) (such as those compiled in the Man'yōshū) as well as the utamakura and utanikki.^[3] These texts constitute the Japanese travel journal, which—as a literary genre—is considered inseparable from poetry.^[3] These follow the tradition of weaving of poems and the use of introductory narratives written in a logical structure.^[4] Like other poems in the genre, the Tosa Nikki also explored the significance of landscape as well poems written about it.^[4] Even the Tosa Nikki was also alluded to by other poems such as the maeku.^[5]

The Tosa Nikki also implements fictional names of places to call on earlier and traditional Japanese texts. The usage of fictional names also allows a merge between fictional and autobiographical genres. By incorporating fictional elements with real scenery in both narration and poems, Tosa Nikki allows allusions to previous works and conveys different images and significance to those already popular locations.^[6]

Below are the dates and locations the narrator travelled to. The dates are written according to the lunar calendar.^{[7][circular reference]}