Imprigionati da un mondo di adulti che ora temono tutti i minori di 18 anni, un gruppo di adolescenti forma un gruppo di resistenza per difendersi e riprendere il controllo del proprio futur... Leggi tuttoImprigionati da un mondo di adulti che ora temono tutti i minori di 18 anni, un gruppo di adolescenti forma un gruppo di resistenza per difendersi e riprendere il controllo del proprio futuro.Imprigionati da un mondo di adulti che ora temono tutti i minori di 18 anni, un gruppo di adolescenti forma un gruppo di resistenza per difendersi e riprendere il controllo del proprio futuro.
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Written by Dillon Pace and Mandi Perkins
Performed by Of Verona
Courtesy of De Novo Music Group
Under license from Sony/ATV Music Publishing
Recensione in evidenza
The Darkest Minds is the latest teen sci-fi franchise alike Hunger Games, Divergent, Twilight, The Host etc etc etc and alike the majority of them will never be a fully told story.
It tells the tale of a world where 90% of kids die leaving the remaining ones with a selection of super powers (For some unexplained reason). The government rounds them up and incarcerates them out of fear killing off the more powerful ones.
It follows the tale of one girl who is smuggled out and goes on the run. But who can she trust?
Personally I loved the concept, such potential! Under the circumstances a television series would have made a tremendous amount more sense as I think this is all we're ever going to see from the Darkest Minds universe.
Our leading lady is fantastic, truly stellar performance and it wasn't until late in the film I realised it was Rue from the Hunger Games (2012) all grown up. Alongside her we have the excellent Bradley Whitford, Wade Williams, Mandy Moore and Game of Thrones star Gwendoline Christie (Though all of them are rather brief).
One thing that struck me was the leading man Harris Dickinson, he just wasn't up to the job in any respect and felt like a weak link throughout. I can't imagine how he got the job and question castings logic with that one.
The main issue with the movie is that it's the same as the rest. What I mean by that is these teen sci-fi types take a concept and then surround it by the usual tropes that are so blatant and so excessive it damages them beyond repair. This made the film cliched beyond words and criminally predictible.
All things considered it could be worse but all the teen sci-fi tropes, the fact this is all we'll get and thus leaving us with an incomplete story and a weak leading man stopped any potential it had dead in its tracks.
Great for what it is and I see the appeal, but this is to the movie industry what pop is to the music industry.
The Good:
Amandla Stenberg
Decent supporting cast
Some very good ideas
Hearts in the right place
The Bad:
Too many tropes
Very cliched
Harris Dickinson
Things I Learnt From This Movie:
Hollywood needs to go back to the drawing board on this genre
A world without kids sounds like my kind of place
It tells the tale of a world where 90% of kids die leaving the remaining ones with a selection of super powers (For some unexplained reason). The government rounds them up and incarcerates them out of fear killing off the more powerful ones.
It follows the tale of one girl who is smuggled out and goes on the run. But who can she trust?
Personally I loved the concept, such potential! Under the circumstances a television series would have made a tremendous amount more sense as I think this is all we're ever going to see from the Darkest Minds universe.
Our leading lady is fantastic, truly stellar performance and it wasn't until late in the film I realised it was Rue from the Hunger Games (2012) all grown up. Alongside her we have the excellent Bradley Whitford, Wade Williams, Mandy Moore and Game of Thrones star Gwendoline Christie (Though all of them are rather brief).
One thing that struck me was the leading man Harris Dickinson, he just wasn't up to the job in any respect and felt like a weak link throughout. I can't imagine how he got the job and question castings logic with that one.
The main issue with the movie is that it's the same as the rest. What I mean by that is these teen sci-fi types take a concept and then surround it by the usual tropes that are so blatant and so excessive it damages them beyond repair. This made the film cliched beyond words and criminally predictible.
All things considered it could be worse but all the teen sci-fi tropes, the fact this is all we'll get and thus leaving us with an incomplete story and a weak leading man stopped any potential it had dead in its tracks.
Great for what it is and I see the appeal, but this is to the movie industry what pop is to the music industry.
The Good:
Amandla Stenberg
Decent supporting cast
Some very good ideas
Hearts in the right place
The Bad:
Too many tropes
Very cliched
Harris Dickinson
Things I Learnt From This Movie:
Hollywood needs to go back to the drawing board on this genre
A world without kids sounds like my kind of place
- Platypuschow
- 17 nov 2018
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Dettagli
Botteghino
- Budget
- 34.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.695.691 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.842.609 USD
- 5 ago 2018
- Lordo in tutto il mondo
- 41.142.379 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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